Displaying items by tag: pencil

Sotheby’s has set a new auction record for a work on paper by Frederic, Lord Leighton during its July 15 Victorian, Pre-Raphaelite & British Impressionist Art sale in London, selling a study for the artist’s “Flaming June” to an American collector for £167,000 against an estimate of £40,000-60,000.

The pencil and white chalk study is the only head study for the artist’s famous “Flaming June” masterpiece. It was rediscovered hanging discreetly on a bedroom wall at West Horsley Place, a 400-acre Surrey estate, by Sotheby’s Victorian Art specialist Simon Toll.

As a technique for creating art, frottage is so closely identified with Surrealism, in general, and Max Ernst, in particular, that the link itself might be an example of the technique.

"Frottage" is French for "rubbing," and it rubbed off on the boisterous Surrealist movement that in the troubled decades between the two World Wars was dedicated to unleashing the creative potential of the unconscious mind. When a sheet of paper is laid over a textured surface and rubbed with pencil or pastel, unexpected and evocative shapes, forms and tonalities can be produced.

The tenth edition of Master Drawings in New York January 24 – February 1, 2015 promises to be the best ever. More than thirty of the world’s leading dealers are coming to New York City to offer for sale master art works in pencil, pen and ink, chalk and charcoal, as well as oil on paper sketches and watercolors, created by iconic artists working in the 16th to 21st centuries. Each exhibition is hosted by an expert specialist and many works on offer are newly discovered or have not been seen on the market in decades, if at all.

In addition, Margot Gordon and Crispian Riley-Smith, co-founders of Master Drawings in New York, announced that John Marciari, the new head of the Department of Drawings and Prints at the Morgan Library & Museum in New York, will provide the introduction for the 2015 Master Drawings in New York brochure.

When Andy Fields, 49, purchased a handful of unidentified sketches from a property sale in Las Vegas, he did not know that he would be acquiring a potential Andy Warhol original. Experts believe that one of the drawings, which Fields bought for $5, is a previously unknown picture by the Pop Art legend from when he was 10 or 11 years old.

Although the Andy Warhol Authentication Board did not approve the sketch of singer and actor Rudy Vallee before it disbanded, Fields has listed the sketch on eBay for $1.9 million. Fields claims that he has been told by experts at Bonhams and Sotheby’s that the pencil and graphite drawing is authentic and could be worth up to ten times his asking price.

Fields, a businessman, purchased the drawing from a man who told him that his aunt had cared for and befriended Warhol when he was young and prone to illness.

Amsterdam’s Van Gogh Museum is selling a limited number of replicas of the artist’s sketchbooks for the first time ever. While only four of Vincent van Gogh’s (1853-1890) sketchbooks exist today, together they offer a rare insight into the artist’s life and artistic process.

Executed in pencil and black charcoal as well as ink and chalk, the entries include scribblings, quickly drawn notes, copies of poems, and a number of thought-out studies for later paintings including The Sower (1888). The publication marks the first time that all four sketchbooks will be replicated. A limited number of 1,000 editions are currently on sale at the museum’s shop and online sales are slated to start next week. A box set containing the four sketchbooks and a short commentary is retailing for $850.

Three of the four original sketchbooks are currently part of the Van Gogh Museum’s exhibition Van Gogh at Work. The show, which inaugurated the museum’s newly renovated space, coincides with the 160^th anniversary of the artist’s birth and offers an extensive overview of van Gogh’s oeuvre.

On March 4, 2013 the Philadelphia Museum of Art announced a number of important acquisitions that will enhance the institution’s European, Latin, and American art collections. The gifts came from various donors including collectors Roberta and Richard Huber, global healthcare company GlaxoSmithKline, and several Museum Trustees.

Among the recent acquisitions is Amaryllis Josephine, a double-page watercolor on vellum by Belgian painter and botanist Pierre Joseph Redouté (1759-1840). A pencil drawing of the flower’s bulb accompanies the watercolor. Both of the works were created as part of a series of engravings made under the patronage of the empress Joséphine, Napoleon Bonaparte’s first wife.

The museum also received four 18^th century paintings that are currently on view as part of the exhibition Journeys to New Worlds: Spanish and Portuguese Colonial Art from the Roberta and Richard Huber Collection (on view through May 19, 2013). The works include King Luis I of Spain on Horseback (unknown artist, Peru); Saint Anthony of Padua Preaching Before Pope Gregory IX (unknown artist Peru); The House at Nazareth (unknown artist, Bolivia); and Our Lady of the Reedbed or Irún with Donor, Captain Joaquín Elorrieta by Ecuadorian artist José Cortés de Alcocer.    

Other acquisitions include 236 photographs by pioneering modern photographer Paul Strand (1890-1976); N.C. Wyeth’s (1890-1976) Trial of the Bow, the first painting to enter the museum’s collection by the artist; and an early 20^th century stained glass and bronze chandelier by Tiffany Studios under the artistic direction of Louis Comfort Tiffany (1848-1933).

The Philadelphia Museum of Art will hold an exhibition of its recent acquisitions this summer.

Pablo Picasso’s (1881-1973) Femme Assise Prés D’une Fenêtre (1932) sold for nearly $45 million at Sotheby’s Impressionist & Modern evening sale on Tuesday, February 5, 2013 in London. The coveted portrait of Picasso’s lover and muse, Marie-Therese Walter, came from a private collection and was last seen on the market in 1997 when it sold for $7.5 million. The portrait was guaranteed to sell due to a third-party “irrevocable bid” and while the buyer remains anonymous, some believe it was the guarantor, represented by Patti Wong, the chairman of Sotheby’s Asia.

The auction, which totaled $190 million, also included a separately catalogued section of 21 Surrealist works. All but three works sold, adding $26 million to the overall sale. Highlights from this section included Joan Miro’s (1893-1983) Femme revant de l’evasion (1945), which sold for $13 million and also carried a third-party guarantee.

Another considerable sale of the night was a series of three drawings by Egon Schiele (1890-1918), which brought $22 million. The works were put on sale by Vienna’s Leopold Museum. Another Schiele work, a pencil, gouache, and watercolor piece completed in 1915, sold to Wong on behalf a client for $13 million.

The sale was Sotheby’s second highest for an Impressionist sale in London.