Displaying items by tag: Egon Schiele

The heirs of a Jewish Cabaret performer who was murdered by the Nazis in 1941 persuaded a Manhattan judge Tuesday to block the sale and transport of two Egon Schiele paintings that were part of his extensive collection.

Manhattan Supreme Court Justice Charles Ramos ordered London-based art dealer Richard Nagy and the Conservancy that runs the Park Avenue Armory's annual art show to freeze the disposal of the watercolors — worth an estimated $5 million — until he can hold a hearing December 1.

"The Women of Klimt, Schiele and Kokoschka," a stunning exhibition exploring the numerous and almost obsessive depictions of women painted by Gustav Klimt, Egon Schiele, and Oskar Kokoschka, has opened at the Belvedere Palace & Museum in Vienna.

Looking at Klimt, Schiele, and Kokoschka's approach to portraying women, the exhibition explores the Viennese society of the time, as well as the question of gender politics at the start of the 20th century, when both women and men's sexuality were undergoing a revolution.

A San Francisco gallery was stunned to discover that it had unknowingly bought a previously-unseen Gustav Klimt drawing.

The Lost Art Salon, which specializes in the rediscovery of fine art, bought a hoard of unidentifiable works on paper at a Bay Area auction last spring. During the research process, gallery staff discovered a series of drawings signed by Johannes and Maria Fischer, who were close friends of Egon Schiele. This clue led the researchers to believe that other pieces could be associated with other Viennese Secessionists.

The Courtauld Gallery is presenting the first major museum exhibition in over 20 years of one of the 20th Century’s most exceptional artists, Egon Schiele (18901918). A central figure of Viennese art in the turbulent years around the First World War, Schiele rose to prominence alongside his avant-garde contemporaries, such as Gustav Klimt and Oskar Kokoschka. He produced some of the most radical depictions of the human figure created in modern times, reinventing the subject for the 20th Century. The exhibition charts Schiele’s short but transformative career through one of his most important subjects – his extraordinary drawings and watercolors of male and female nudes.

"Egon Schiele: The Radical Nude" concentrates on the artist’s drawings and watercolors. It brings together an outstanding selection of works that highlight Schiele’s technical virtuosity, highly original vision and uncompromising depiction of the naked figure.

On Friday, 31 October 2014, a press conference was held in New York in connection with the recently settled claim for restitution involving a work by Schiele formerly owned by the noted Viennese cabaret artist Fritz Grünbaum, who died in a concentration camp. The watercolor is due to be auctioned at Christie's New York on Wednesday, 5 November 2014.

In the invitation presented to the Leopold Museum Private Foundation to attend the press conference, which was held in the Museum of Jewish Heritage, reference was made to the claim for restitution, refuted by the Leopold Museum Private Foundation, for another painting by Schiele, "Tote Stadt III" [Dead City III], also from Fritz Grünbaum's collection. This work is part of the Leopold Collection and in the possession of the Leopold Museum Private Foundation.

The similarities between two art works being auctioned next month by Christie’s and Sotheby’s in New York are striking. Both were created by the Austrian Expressionist Egon Schiele. And both once belonged to Fritz Grünbaum, a Viennese cabaret performer whose large art collection was inventoried by Nazi agents after he was sent to the Dachau concentration camp, where he died.

But there is also a notable difference in the way the houses are handling the sales.

Like Keats, Hank Williams and Kurt Cobain, the Austrian painter Egon Schiele was an artist who never made it out of his 20s. He succumbed to the Spanish flu in 1918 at the age of 28, leaving behind a last, tortured sketch of his pregnant wife, made a day before she died in the same epidemic.

But for someone whose cheerless credo was “All things are living dead,” Schiele squeezed a lot out of the few years he was given. On Thursday, the Neue Galerie, a temple to German Expressionism, opens “Egon Schiele: Portraits,” the first American exhibition to focus on Schiele’s portraiture.

From quick sketches to watercolors and finished masterpieces, works by artists such as Eugène Delacroix, Jacques-Louis David, Edgar Degas, Edouard Manet, Paul Cézanne, Vincent van Gogh, Egon Schiele, Piet Mondrian and Pablo Picasso are brought together in Mind’s Eye: Masterworks on Paper from David to Cézanne (on view through October 26, 2014). Organized by the Dallas Museum of Art, the exhibition features more than 120 works on paper—many of which have never been exhibited publicly—by 70 artists. Drawn in part from the DMA’s collection, but with significant loans from private collections in North Texas, Mind’s Eye, offers new insights into the working methods and practices of these artists, providing an intimate view of their approach to art making while also presenting the drawings and watercolors as finished works of art in their own right.

“One of the goals of the Dallas Museum of Art is to encourage collecting within the community. There is no better example of how to do this than to highlight the Museum’s graphic holdings together with those that have been assembled in private homes throughout our area,” said Maxwell L. Anderson, The Eugene McDermott Director of the DMA. “Mind’s Eye: Masterworks on Paper from David to Cézanne presents a rich and fascinating array of works in various media by artists from the Austro-Hungarian, Belgian, British, Dutch, French, German, Spanish and Swiss schools, spanning nearly 150 years—from the French Revolution to the dawn of modernism.”

Christie’s announced that it will sell the late billionaire philanthropist Edgar M. Bronfman Sr.’s substantial art collection, which includes works by Pablo Picasso, Claude Monet, Egon Schiele, Milton Avery, and Henri Matisse. A selection of works from the collection will be offered during the auction house’s Impressionist and modern art evening sale in New York on May 6. The remaining 230 items, including decorative objects, jewelry, and antiquities, will be sold this year during sales in London, Hong Kong, and New York. Bronfman’s collection is expected to fetch more than $34 million. 

Highlights from the collection include Picasso’s “Mangeuse de Pasteque et Homme Ecrivant,” which is expected to bring $7 million to $10 million; a seascape by Matisse titled “Femme Aupres de la Fenetre,” which is estimated to fetch between $3 million and $5 million; and Monet’s “L’Escalier,” which is expect to garner between $1.5 million and $2.5 million. Most of the works being offered at Christie’s once hung in Bronfman’s Manhattan penthouse, which is on the market for $65 million.

Bronfman, who passed away in December, helmed the Seagram Company for 23 years before retiring in 1994. He also led the World Jewish Congress and helped establish it as the world’s preeminent Jewish organization.

The Salon: Art + Design, which premiered in 2012, is taking place at the famed Park Avenue Armory in New York City through November 18. The show opened with a festive cocktail party hosted by Margaret Russell, editor-in-chief of Architectural Digest, on November 14.

The fair welcomes 53 international dealers including Bernard Goldberg Fine Arts (New York), Galerie Downtown Francois Laffanour (Paris) and Adrian Sassoon (London). Offerings include modern art masterpieces by such luminaries as Gerhard Richter, Edward Hopper, Egon Schiele and Henry Moore, as well as 18th century French furniture and an assortment of Chinese decorative art and pre-Columbian antiquities. Organized by legendary fair producer Sanford Smith + Associates in collaboration with Paris’ Syndicat National des Antiquaires, The Salon offers a wide range of historic and contemporary works to cater to a variety of collectors.

The Salon: Art + Design is the only fair in the United States to focus on art and design from the 19^th to 21^st centuries. For more information visit thesalonny.com.