Displaying items by tag: jacob lawrence

The National Academy Museum & School has added 150 high-resolution artworks to the Google Art Project, enabling individuals across America to access and explore a sample of its rich collection of paintings, sculptures, new media and architectural drawings and models. The works available through the Google Art Project are representative of the wide-ranging collection of the National Academy. Among the works included are paintings by Samuel F. B. Morse and Asher B. Durand - the artists who founded the Academy in 1825 - as well as works by many of the iconic names in American art and architecture, all of whom have been members of the Academy and who contributed to its legacy: Cecelia Beaux, Thomas Eakins, Frank Gehry, Winslow Homer, Jacob Lawrence, Robert Rauschenberg, Cindy Sherman, Wayne Thiebaud and Frank Lloyd Wright, among many others.

The current Museum of Modern Art exhibition "One-Way Ticket: Jacob Lawrence’s Migration Series and Other Visions of the Great Movement North" expands uptown, beyond the Museum’s galleries, with the launch of a self-guided walking tour that explores the Harlem that nurtured Lawrence as a young artist in the 1930s. Featuring commentary from cultural leaders working there today, this audio tour puts Harlem’s past and present in dialogue. It is available beginning today at MoMA.org/harlemwalkingtour.

The tour introduces audiences to people and places that helped to shape Lawrence’s perspective as an artist, and visits artworks related to the exhibition that can only be seen at their locations in Harlem, such as Aaron Douglas’s landmark mural cycle at the Schomburg Center for Research in Black Culture and his mural at the YMCA on 135th Street; and Charles Alston’s recently restored murals at the Harlem Hospital Center.

Thanks to the extraordinary generosity of the late Dr. Herbert J. Kayden of New York City and his daughter Joelle Kayden, Stanford MBA ’81, of Washington, D.C., the Cantor Arts Center at Stanford University now holds one of the largest collections in any museum of the work of Jacob Lawrence (1917–2000). Lawrence is among the most important artists of the 20th century and is a leading voice in the artistic portrayal of the African American experience. Staunch supporters of Stanford and the Cantor’s educational mission, the Kaydens have gifted to the museum an unparalleled collection of 56 works by Lawrence and one by his wife, Gwendolyn Knight Lawrence. The gift is comprised of five paintings, 11 drawings, 39 prints and one illustrated book, all dating between 1943 and 1998 and all given in memory of Dr. Gabrielle H. Reem, who is Herbert Kayden’s wife and Joelle Kayden’s mother.

On Easter 1939, Marian Anderson stood on the steps of the Lincoln Memorial in Washington and sang: “The gospel train is coming; I hear it just at hand; I hear the car wheels rumbling, and rolling through the land. Get on board.” By then, hundreds of thousands of African-Americans had already heard the call, leaving the rural South for the industrial North in search of jobs, homes and respect.

The same year she sang, the young artist Jacob Lawrence, son of relocated Southerners, began research for a sequence of paintings that would record the wave of boardings, rumblings and arrivals. Those paintings and journey itself are the subjects of “One-Way Ticket: Jacob Lawrence’s Migration Series and Other Visions of the Great Movement North” at the Museum of Modern Art, a show as stimulating to the mind and the ear as it is to the eye.

The Phillips Collection opened an exhibition of works by preeminent artist Jacob Lawrence. Produced between 1954 and 1956, "Struggle … From the History of the American People" portrays scenes from American history, chronicling events from the Revolutionary War through the great westward expansion of 1817. The Phillips is displaying 12 panels from the series, on loan from the Harvey and Harvey-Ann Ross collection, in "Jacob Lawrence: Struggle … From the History of the American People." The exhibition runs through August 9, 2015.

In 1954—a decade after completing his epic masterwork "The Migration Series"—Lawrence conceived of a new 60-panel series dedicated to telling the history of the American people.

The Cleveland Museum of Art is about to go over a minor cliff in terms of special exhibitions.

"Forbidden Games," the big fall show on Surrealist photography, comes down Jan. 11. The exhibition on the Toussaint L'Ouverture series of Jacob Lawrence ends Sunday. And the museum's exploration of Frederic Edwin Church's "Twilight in the Wilderness" and his love of Maine closes Jan. 25.

Never fear. The museum is bridging the impending gap in exhibitions with two fresh offerings in its photography and video galleries.

From 1915 onward, six million black Southerners quit that region for points north in an epic tide of souls fleeing oppression and seeking opportunity. This spring, the Museum of Modern Art will honor the Great Migration’s centennial by reuniting Jacob Lawrence’s famous paintings of this mass movement, a suite of 60 panels to be shown at MoMA for the first time since 1994.

The exhibition is part of an ambitious project to bring fresh perspectives on the legacy of the migration through new works commissioned from poets, authors and filmmakers inspired by Lawrence, one of the most renowned artists of mid-20th-century Modernism.

The Phillips Collection wants to share its vast collection of scholarship, photographs and interviews with preeminent African-American artist Jacob Lawrence by creating a special website devoted to his life and work. But it needs the public to chip in to pay for it.

Phillips’ officials have raised $80,000 of the $125,000 required for what they are calling a “robust microsite” featuring images of all 60 panels of Lawrence’s masterwork, “The Migration Series,” as well as unpublished interviews conducted by Phillips curators in 1992 and 2000, just before his death.

After amassing a private collection of African-American Art over four decades, Bill Cosby and his wife Camille plan to showcase their holdings for the first time in an exhibition planned at the Smithsonian Institution.

The Smithsonian's National Museum of African Art announced Monday that the entire Cosby collection will go on view in November in a unique exhibit juxtaposing African-American art with African art.

The collection, which will be loaned to the museum, includes works by such leading African-American artists as Beauford Delaney, Faith Ringgold, Jacob Lawrence, Augusta Savage and Henry Ossawa Tanner. The Cosby collection of more than 300 African-American paintings, prints, sculptures and drawings has never been loaned or seen publicly, except for one work of art.

The Cantor Center for Visual Arts at Stanford University announced that it has received three significant gifts from separate donors. The bequests greatly increase the museum’s holdings of works by the postwar artist Richard Diebenkorn, Pop art pioneer Andy Warhol, and the African-American painter Jacob Lawrence. The Cantor Center, which opened in 1894, houses one of the largest collections of Auguste Rodin sculptures in the world. The institution also has a sizeable collection of postwar American art.

Phyllis Diebenkorn, a Stanford alumna, donated 26 of her late husband’s sketchbooks, which contain well over 1,000 drawings, to the museum. The sketches, which span Diebenkorn’s long and varied career, will be converted into digital scans, making them readily accessible to students and scholars.