Displaying items by tag: Robert Rauschenberg

On December 13 the Art Institute of Chicago unveils 44 contemporary works donated by collecting titans Gael Neeson and Stefan Edlis. The largest gift in the museum’s 136-year history, the mix reads like an art lover’s “Twelve Days of Christmas,” with one Robert Rauschenberg, two Cy Twomblys, four Gerhard Richters, six Cindy Shermans, and nine Andy Warhols among the blue-chip pieces.

For a scrappy, short-lived little college founded at a Christian summer camp by an outcast professor, Black Mountain College had a mighty impact on American cultural life. Among the artists who taught and studied there: Josef and Anni Albers, Willem and Elaine de Kooning, Robert Rauschenberg, John Cage, and Merce Cunningham.

“Leap Before You Look: Black Mountain College 1933-1957” opens at the Institute of Contemporary Art on Oct. 10.

The Kansas City Art Institute in Missouri, which has trained or employed artists including Thomas Hart Benton, Robert Rauschenberg and Nick Cave and is celebrating its 130th anniversary, announced Tuesday that it had received a donation of $25 million, one of the largest gifts ever to an American art school.

The money, from a donor who has asked to remain anonymous, will be used to bolster the school’s general endowment, improve and renovate its campus adjacent to the Nelson-Atkins Museum of Art and, in the form of a challenge grant of $6 million, sharply increase the number of scholarships the school is able to give out.

Tate Modern will next year present shows devoted to two giants of 20th-century art, the American artists Georgia O’Keeffe and Robert Rauschenberg.

Announcing its 2016 program, Tate also revealed that the works of Francis Bacon will be on display at its outpost in Liverpool, Paul Nash at Tate Britain, and a solo show by the young British artist Jessica Warboys at St Ives.

The National Academy Museum & School has added 150 high-resolution artworks to the Google Art Project, enabling individuals across America to access and explore a sample of its rich collection of paintings, sculptures, new media and architectural drawings and models. The works available through the Google Art Project are representative of the wide-ranging collection of the National Academy. Among the works included are paintings by Samuel F. B. Morse and Asher B. Durand - the artists who founded the Academy in 1825 - as well as works by many of the iconic names in American art and architecture, all of whom have been members of the Academy and who contributed to its legacy: Cecelia Beaux, Thomas Eakins, Frank Gehry, Winslow Homer, Jacob Lawrence, Robert Rauschenberg, Cindy Sherman, Wayne Thiebaud and Frank Lloyd Wright, among many others.

The Robert Rauschenberg Foundation has announced that a trio of high-powered galleries will now represent the estate of the artist worldwide: The Pace Gallery, which has branches in New York, London, Hong Kong, and Beijing; Gallery Thaddeus Ropac, which is situated in Salzburg and Paris, and Galeria Luisa Strina, which is located in the teeming metropolis of Sao Paulo. The news is a shake-up on the gallery circuit since Rauschenberg’s estate has been represented by Gagosian Gallery since the artist’s death in 2008.

In a statement, David White, the Foundation’s senior curator, who had a 30-year working relationship with Rauschenberg, stated: “It was always invigorating to embark on new adventures with Bob and his art.

Crystal Bridges Museum of American Art on Friday announced a number of new art acquisitions, including Helen Frankenthaler's "Seven Types of Ambiguity" and Robert Rauschenberg's "The Tower," along with a reinstallation of its contemporary art gallery.

The acquisitions, which The New York Times valued at $20 million, join Georgia O'Keeffe's "Jimson Weed/White Flower No. 1," which sold for a record-setting $44.4 million at Sotheby's in November, more than three times the previous record for a work by a woman artist. The Bentonville museum revealed that it had bought Jimson Weed in an announcement last week.

On Saturday, January 31, 2015, the Wadsworth Atheneum in Hartford, Connecticut, will unveil its reinstalled collections of post-war and contemporary art. Featuring work from 1945 to the present, the collections will be housed in three dedicated galleries that have been newly renovated and refurbished over the past year.

The Wadsworth’s illustrious post-war and contemporary holdings will be divided between the Huntington Gallery, where mid-century abstract painting and sculpture by artists such as Ellsworth Kelly, Willem de Kooning, Alexander Calder, Helen Frankenthaler, Jackson Pollock, Mark Rothko, and Tony Smith will be displayed; the Hilles Gallery, which will feature works by Robert Rauschenberg, Kara Walker, Cindy Sherman, Andy Warhol, Chuck Close, and Richard Tuttle; and the Colt building’s mezzanine gallery, where one of Sol LeWitt’s famed wall drawings will be on view as well as works by other minimalists and conceptualists.

"New York Painting and Sculpture: 1940 – 1970" was the Met’s most exciting exhibition to date under the auspices of director Thomas Hoving, who turned Henry Geldzahler loose to prick the art world to alertness. Paul Kasmin Gallery announces "The New York School, 1969: Henry Geldzahler at the Metropolitan Museum of Art," on view at 293 Tenth Avenue from January 13 – March 14, 2015. Curated by Stewart Waltzer, this comprehensive group show reprises Geldzahler’s seminal exhibition and includes exemplary works by Josef Albers, Alexander Calder, John Chamberlain, Joseph Cornell, Mark di Suvero, Dan Flavin, Helen Frankenthaler, Adolph Gottlieb, Hans Hofmann, Donald Judd, Ellsworth Kelly, Roy Lichtenstein, Morris Louis, Robert Motherwell, Isamu Noguchi, Kenneth Noland, Claes Oldenberg, Jules Olitski, Robert Rauschenberg, James Rosenquist, Frank Stella and Andy Warhol, featuring works from the original exhibition.

The Massachusetts Museum of Contemporary Art, known for daring installations that can stretch as long as a football field, will announce Monday a group of long-term projects with some of the country’s most prominent living artists, including Laurie Anderson, James Turrell and Jenny Holzer, as well as a partnership with the foundation of the late post-abstract expressionist Robert Rauschenberg.

When the roughly $55 million project is completed in 2017, Mass MoCA will be the largest contemporary art museum in the country, with more than 250,000 square feet of gallery space. It will also be one of the most eclectic, with a campus that features everything from rock and bluegrass festivals to dance premieres and a 27,000-square-foot building devoted to the drawings of conceptual artist Sol LeWitt.