Displaying items by tag: Winslow Homer

The Portland Museum of Art has acquired two major new works: River Cove by Andrew Wyeth and Winslow Homer's An Open Window.
According to the museum, An Open Window, painted in 1872,  fills a gap in its Homer collections, bridging early works from the 1860's and later compositions from the 1890's.

The National Academy Museum & School has added 150 high-resolution artworks to the Google Art Project, enabling individuals across America to access and explore a sample of its rich collection of paintings, sculptures, new media and architectural drawings and models. The works available through the Google Art Project are representative of the wide-ranging collection of the National Academy. Among the works included are paintings by Samuel F. B. Morse and Asher B. Durand - the artists who founded the Academy in 1825 - as well as works by many of the iconic names in American art and architecture, all of whom have been members of the Academy and who contributed to its legacy: Cecelia Beaux, Thomas Eakins, Frank Gehry, Winslow Homer, Jacob Lawrence, Robert Rauschenberg, Cindy Sherman, Wayne Thiebaud and Frank Lloyd Wright, among many others.

The first major museum survey dedicated to scenes of night in American art from 1860 to 1960—from the introduction of electricity to the dawn of the Space Age—opens at the Bowdoin College Museum of Art (BCMA) this June. "Night Vision: Nocturnes in American Art" explores the critical importance of nocturnal imagery in the development of modern art by bringing together 90 works in a range of media—including paintings, prints, drawings, photographs, and sculptures—created by such leading American artists as Ansel Adams, Charles Burchfield, Winslow Homer, Lee Krasner, Georgia O’Keeffe, Albert Ryder, John Sloan, Edward Steichen, and Andrew Wyeth, among others.

The Minnesota Marine Art Museum (MMAM) in Winona is proud to announce a large, two-gallery exhibition by one of America’s most beloved artists – Winslow Homer (1836-1910).

The exhibition, titled “The Wood Engravings of Winslow Homer,” will be exhibited through August 7, 2015. The exhibition highlights Homer’s engravings which include his portrayals of the American Civil War, as well as his landscapes, seascapes and inspirations from daily life. Complementing these prints are two significant paintings by Homer that are from the collections of the MMAM, including an oil painting and a watercolor.

For almost a century, Milanese jeweler Buccellatihas kept the art of the Italian Renaissance at the core of their design philosophy, but with the opening of their Madison Avenue flagship on March 12, the house’s designers have found themselves dipping into a new creative pool: Impressionism.

Entitled "Timeless Blue," a capsule of one-of-a-kind jewels has been created in response to masterpieces by French, American and Russian masters Claude Monet, Pierre Bonnard, Winslow Homer, Mikhail Larionov and Odilon Redon.

After a four-year absence, Winslow Homer's "The New Novel" is finally back on view.

The painting, one of the most recognizable and important paintings in the combined collections of the Springfield Museums, will be on display as part of a new exhibit titled "American Master: Winslow Homer" in the Starr Gallery of the Michele and Donald D'Amour Museum of Fine Arts from Feb. 24 to Sept. 27.

The Homer exhibit runs concurrently with a display of etchings by James Abbott McNeill Whistler from the D'Amour Museum's extensive holdings of 19th century American art, giving visitors an opportunity to view works by two of America's most influential artists.

The Seattle Art Museum and New England’s Clark Art Institute are wagering temporary loans of major paintings based on the outcome of Super Bowl XLIX between the Seattle Seahawks and the New England Patriots. The masterpieces that have been anted up showcase the beautiful landscapes of the Northwest and the Northeast respectively.

The Stakes: "The majestic Puget Sound on the Pacific Coast" from 1870 by Albert Bierstadt from SAM’s American art collection is wagered by Kimerly Rorschach, SAM’s Illsley Ball Nordstrom Director and CEO. Winslow Homer’s masterpiece, "West Point, Prout's Neck" (1900), one of the greatest works in the Clark’s noted Homer collection, is wagered by Michael Conforti, director of the Clark Art Institute. The winning museum will receive a three-month loan of the prized artwork. All shipping and expenses will be paid by the losing museum.

The Clark Art Institute recently received the gift of a significant, rare commissioned portrait by Winslow Homer.

"Charles Prentice Howland" (1878), an oil painting that has never been publicly exhibited, was donated to the Clark by the sitter's granddaughter, Susan Montgomery Howell. The painting, which had remained with the family since 1878, is on view at the Clark.

"We are grateful to Susan Montgomery Howell and her family for giving the Clark this important, little-known painting, which will now be enjoyed by the public. I have long known Charles Prentice Howland's namesake, C.P. Howland, so it is a true delight that this wonderful connection has brought us together," said Clark Director Michael Conforti.

Maine’s Portland Museum of Art (PMA) spent $2.3 million on a .57-acre plot of land surrounding Winslow Homer’s former studio on Prouts Neck in Scarborough to preserve the view the legendary painter had of the Atlantic Ocean. The U-shaped parcel of land, which surrounds the studio on either side, beginning at the small road that leads to it, runs down to Cliff Walk, a publicly owned waterfront space. According to the Portland Press Herald, it had belonged to Doris Homer, who died in 2009. She was the widow of the artist’s nephew.

The PMA restored Homer’s studio and has been conducting public tours of it since 2012.

If the Delaware Art Museum has a signature painting, surely it is Howard Pyle’s “Marooned.” A native of this city, Pyle is justly remembered as the father of American illustration. His “Marooned” (1909) is an image of genuine drama and distress. It shows a pirate near death, curled up on a sand bar, a tiny figure enveloped by a burning yellow sky.

The painting refers to the old custom of punishing insubordinates by shoving them off a ship and onto an island. But these days, you can also view “Marooned” as a curiously precise description of the Delaware Art Museum.