Displaying items by tag: Frank Stella

Thornton Dial, the self-taught Alabama artist whose best-known work — dense, chaotic wall reliefs that exist somewhere between painting and sculpture — recently entered the collection of the Metropolitan Museum of Art, is moving into the Manhattan gallery ecosphere. Mr. Dial, 87, will be represented by the Marianne Boesky Gallery, whose roster includes artists like Frank Stella, the painter Barnaby Furnas and the director John Waters.

The most comprehensive career retrospective in the U.S. to date of the work of Frank Stella, co-organized by the Whitney Museum of American Art and the Modern Art Museum of Fort Worth, will debut at the Whitney this fall. Frank Stella: A Retrospective brings together the artist’s best-known works installed alongside lesser known examples to reveal the extraordinary scope and diversity of his nearly sixty-year career. Approximately 100 works, including icons of major museum and private collections, will be shown. Along with paintings, reliefs, sculptures, and prints, a selection of drawings and maquettes have been included to shed light on Stella’s conceptual and material process. Frank Stella: A Retrospective is organized by Michael Auping, Chief Curator, Modern Art Museum of Fort Worth, in association with Adam D. Weinberg, Alice Pratt Brown Director, Whitney Museum of American Art, New York, with the involvement of Carrie Springer, Assistant Curator, Whitney Museum of American Art, New York.

The symptoms of altitude sickness — hyperventilation, vertigo, exhaustion — are remarkably similar to summertime art-world fatigue, yet somehow in Aspen they cancel each other out. Home to both an inordinate amount of wealth and a cultural history stretching back to Ansel Adams, the mining town is both a contemporary art destination and retreat. This week, everyone was in town for the Anderson Ranch Arts Center’s 19th annual Recognition Dinner, honoring Frank Stella, as well as patrons Jennifer & David Stockman.

For nearly fifty years, Anderson Ranch in Snowmass (a ski village 15 minutes up from Aspen) has been at the center of the area’s art scene.

A group of 54 artists and other art worlders has signed a letter asking Mayor de Blasio and Meenakshi Srinivasan, chair of the NYC Landmarks Preservation Commission, to deny the Frick Collection’s proposed plan for expansion.

“Those of us in the art world who cherish the unique and tranquil ambiance offered by the Frick are urging the Frick to withdraw its proposed plan and consider alternative methods of expansion that would preserve the character essential to its appeal,” says the missive, which is signed by gallerists Paul Kasmin and Irving Blum, filmmaker Sophia Coppola, and artists Jeff Koons, Chuck Close, John Currin, Brice Marden, Frank Stella, Cindy Sherman, Deborah Kass, Cecily Brown, Lisa Yuskavage, Rudolf Stingel, and Sarah Sze, among others.

Boston architect and Cleveland native Graham Gund, a 1963 graduate of Kenyon College, and his wife, Ann, have donated 80 modern and contemporary works of art to Gund's alma mater.

Many of the works are already displayed on the campus, the college said in a story published Wednesday in its official Kenyon News.

The college described the works, by masters including Pablo Picasso, Frank Stella, Kiki Smith, Paul Manship, Dale Chihuly and Christo and Jeanne-Claude, as comprising "a multimillion dollar value."

Artists Jeff Koons and Cindy Sherman have donated to the Foundation for Art and Preservation in Embassies’s Original Print and Photography Collections, respectively.

The FAPE’s collections are displayed in U.S. embassies all over the world, and aim to promote the creativity and diversity of American culture. The tradition of artists donating artworks to the FAPE’s Original Print and Photography Collections began in 1989, when Frank Stella donated an edition of "The Symphony" to every American embassy, and every year, an American artist has donated a new edition of original prints.

The Royal Academy of Arts in London has unveiled a new large-scale artwork by the revered American artist Frank Stella.

The 7-meter tall sculpture, titled "Inflated Star and Wooden Star" (2014), is made of aluminum and teak wood. The contrasting materials create a sense of tension, as if the elements of the work are simultaneously repelled and attracted to each other, trapped in an invisible force field.

"Inflated Star and Wooden Star," which is being shown in the UK for the first time, is on display at the Academy's Annenberg Courtyard, where it will remain until May 17.

The Los Angeles County Museum of Art (LACMA) is kicking off its 50th anniversary with a major gift of contemporary art. Local collectors Jane and Marc Nathanson have promised the institution eight works created  over four decades, including seminal pieces by Damien Hirst, Roy Lichtenstein, Frank Stella, and Andy Warhol. The bequest marks the beginning of a campaign, chaired by LACMA trustees Jane Nathanson and Lynda Resnick, to encourage additional promised gifts of art in honor of the institution’s anniversary. The Nathansons’ donation is estimated to be worth around $50 million.

Well known for their philanthropic endeavors in the Los Angeles area, the Nathansons have made several contributions to LACMA’s collection, including supporting the acquisition of a set of Ed Ruscha prints in honor of the museum's 40th anniversary.

"New York Painting and Sculpture: 1940 – 1970" was the Met’s most exciting exhibition to date under the auspices of director Thomas Hoving, who turned Henry Geldzahler loose to prick the art world to alertness. Paul Kasmin Gallery announces "The New York School, 1969: Henry Geldzahler at the Metropolitan Museum of Art," on view at 293 Tenth Avenue from January 13 – March 14, 2015. Curated by Stewart Waltzer, this comprehensive group show reprises Geldzahler’s seminal exhibition and includes exemplary works by Josef Albers, Alexander Calder, John Chamberlain, Joseph Cornell, Mark di Suvero, Dan Flavin, Helen Frankenthaler, Adolph Gottlieb, Hans Hofmann, Donald Judd, Ellsworth Kelly, Roy Lichtenstein, Morris Louis, Robert Motherwell, Isamu Noguchi, Kenneth Noland, Claes Oldenberg, Jules Olitski, Robert Rauschenberg, James Rosenquist, Frank Stella and Andy Warhol, featuring works from the original exhibition.

Works by American artist Frank Stella are currently being featured in three exhibitions organized by leading galleries. Dominique Lévy is inaugurating her London outpost with the show “Local History: Castellani, Judd, Stella,” which is complemented by a partner exhibition of the same title at her Manhattan gallery. Meanwhile, Marianne Boesky Gallery is hosting a show of Stella’s sculptures in New York. Stella is co-represented by Lévy and Boesky.

Stella, who has been a dominant figure in abstract painting since the early 1960s, is best known for his Minimalist works and post-painterly abstractions. He gained immediate recognition in 1959, thanks to his “Black Paintings” -- a series of precisely-striped canvases that were created according to a predetermined, circumscribed system conceived by the artist.