Displaying items by tag: fernand leger

“The Moderns: Chagall, Degas, Léger, Miró, Picasso and More...,” an exhibition that fills nearly all of the sprawling galleries at the Nassau County Museum of Art, in Roslyn Harbor, is really two shows in one. The first, subtitled “Selections From the Saltzman Family Collection,” displays 35 works owned by Arnold A. Saltzman, the museum’s founding president and a major benefactor, who died last year at age 97.

Christie’s Evening Sale of Impressionist and Modern Art realized $202,608,000 (£128,721,728/ €178,022,150) with sell-through rates of 93% by lot and 99% by value. Bidders from 34 countries competed in the room and on the phone for works by Impressionist and Modern masters, including Piet Mondrian, Chaïm Soutine, Claude Monet, Pablo Picasso, Amedeo Modigliani and Fernand Léger. Bidding on Modern works was particularly active, a testament to the energy brought to the market by crossover collectors and the success of Christie’s curated week of sales spanning both Impressionist & Modern and Post-War and Contemporary categories.

The private art and furniture collection of the famed architect and designer of Sydney Opera House Jørn Utzon is going under the hammer at Bruun Rasmussen Auctioneers in Copenhagen in June.

Built upon Utzon's refined taste and close personal relationships to many renowned artists and designers, the Dane's collection includes pieces from the likes of Le Corbusier, Georges Braque, Fernand Léger, Henri Laurens, Pablo Picasso, Asger Jorn, and Alvar Aalto.

The highlight of the collection is doubtlessly a tapestry by Le Corbusier titled "Les dés sont jetés" (the dice is cast) (1960) which Le Corbusier created when the pair collaborated on the decoration of the Sydney Opera House.

For the third phase of its inaugural program, Paris’ Louis Vuitton Foundation is mounting an exhibition of major works that have been “key to the development of modernity, and have changed the course of art history in the twentieth century.” Keys to a Passion will be held from April 1 to July 6, 2015.

The Louis Vuitton Foundation, which opened in October 2014, was established by the French multinational luxury goods conglomerate, LVMH Group. It is housed in a building commissioned by LVMH’s chairman and Chief Executive Officer, Bernard Arnault, and designed by the Pritzker Prize-winning architect, Frank Gehry. Located in the Bois de Boulogne district, the diaphanous glass building spans 126,000 square feet and features eleven exhibition galleries presenting modern and contemporary works from the LVMH Group’s collection as well as masterpieces from Arnault’s personal holdings. The Foundation also hosts temporary exhibitions, artist commissions, multi-disciplinary performances, and events.

Christie’s is to auction a unique selection of rare works on paper from the Triton Collection Foundation, spanning over three centuries of art history and representing the most important avant-garde movements of the 19th and 20th Century, including works by Pablo Picasso, Camille Pissarro, Paul Cézanne, Fernand Léger, Francis Picabia, Gino Severini, Odilon Redon, André Derain and Salvador Dalí, many of the works on paper will be offered at auction for the first time. Forty nine of the works will be sold in the single owner evening sale Exceptional Works on Paper from the Triton Collection Foundation on March 25, 2015 in Paris during the Salon du Dessin. This will be followed by a further selection of works will be offered across auctions in Paris and London throughout 2015 and early 2016.

Before he became obsessed with Picasso and Braque, there were Clark Gable and Claudette Colbert. Back in elementary school, Leonard A. Lauder, the 81-year-old philanthropist and cosmetics tycoon, used to go to the movies at the Museum of Modern Art several times a week. Sometimes he would hang out in the galleries, too, soaking up the art. “I didn’t discover Cubism then,” he said. “But just by looking, you learn what’s good.”

Decades later, in 1976, on one of his regular visits to Sotheby’s, Mr. Lauder happened upon a Cubist drawing by Léger that he ended up buying.

Just another face lift on Manhattan’s tony East Side? Not quite.

On September 16, representatives of the United Nations’ 193 member states will return to a completely renovated General Assembly Hall — and the famous Fernard Léger murals that flank its iconic green marble podium will be there, restored to their original glory.

“I just don’t understand this. It looks to me to be scrambled eggs,” Harry S. Truman reportedly declared in 1952 when he first laid eyes on the abstract larger-than-life murals.

On October 20, 2014, New York’s Metropolitan Museum of Art will present the most important exhibition of the essential Cubists -- Georges Braque, Juan Gris, Fernand Léger, and Pablo Picasso -- in over 30 years. “Cubism” will feature iconic works from the Leonard A. Lauder Collection, which is unmatched in its holdings of Cubist art. Lauder, a philanthropist and cosmetics mogul, promised his collection to the Met in April 2013. “Cubism” will mark the first time that the collection will be shown in public.

The exhibition will explore the invention and development of Cubism, a movement that transformed the landscape of modern art. Cubism departed from the traditional interpretations of art, challenged conventional perceptions of space, time, and perspective, and paved the way for abstraction -- a concept that dominated the art world for much of the 20th century.

When Aimé Maeght, a French art dealer, lost his young son to leukemia in the 1950s, a trio of formidable modern painters—Georges Braque, Joan Miró and Fernand Léger—persuaded him to turn the family’s summer retreat above the hills of Nice into an artists’ haven. The Marguerite and Aimé Maeght Foundation is 50 years old this month, and still bears abundant traces of the artists who made it happen: a magical Miró labyrinth, mosaics and stained glass by Braque. Its collection of 12,000 works includes 35 sculptures by Alberto Giacometti, as well as masterpieces by Pierre Bonnard, Marc Chagall, Miró, Léger and Alexander Calder, among others. On average, 200,000 visitors tour its colourful galleries and garden every year.

Behind the idyllic exterior, though, the institution is vulnerable. The foundation is finding it hard to raise its €3m ($4m) annual budget.

Today's modern art forger is capable of producing fake works of art so perfect that even trained experts are unable to spot them. Even down to the most minute details of the pigments, binders, and canvas, these fakes are almost better than the works they're based on. But thanks to a byproduct of the Atomic age, the art world has a potent tool for finding forgeries.

Since the start of the 1960s, the art world—especially the modern art world—has been besieged by a torrent of faked "masterpieces." Peggy Guggenheim (yes, that Guggenheim) was once famously duped into purchasing what was believed to be a canvas painting by French artist Fernand Léger completed around 1913. It hung in her private collection for decades before being revealed as a forgery. This problem only expanded through the 1980s and 1990s as the market for modern art exploded.