Displaying items by tag: construction

Two years ago, the Folk Art Museum in New York City was on the brink of closure due to its poor financial standing. Most of the museum’s troubles stemmed from a $32 million construction project that placed a flagship building next door to the Museum of Modern Art on West 53^rd Street in Manhattan. After the project drew to a close in 2001, the Folk Art Museum struggled to pay off their debt to the Trust for Cultural Resources and in 2009 the institution defaulted on its payments. Desperate, the Folk Art Museum sold their flagship building and moved into a smaller space and drastically reduced its budget.

Now, after some major sacrifices, it appears that the Folk Art Museum has regained its footing. Attendance is expected to reach 80,000 this fiscal year, which ends June 30, 2013; last year the Folk Art Museum welcomed 66,000 patrons. A number of major donors are back on board with the museum including the Blanchette Hooker Rockefeller Fund, which recently gifted $25,000 to the institution. The Folk Art Museum will also participate in this summer’s highly anticipated Venice Biennale by sending an artwork from its collection to the show.

The Folk Art Museum has been strengthening its relationships with other institutions through collaborative exhibitions. The museum is currently hosting an exhibition of William Matthew Prior (1806-1873) oil paintings titled Artist and Visionary: William Matthew Prior Revealed (on view through May 26, 2013), which was organized by the Fenimore Art Museum is Cooperstown, NY. The exhibition Bill Traylor: Drawings from the Collections of the High Museum of Art and the Montgomery Museum of Fine Arts, which features a range of works by the self-taught artist, Bill Traylor (1854-1949), will open on June 11 and run through September 22, 2013.

Beyond the Bed: The American Quilt Evolution, which is on view at the Katonah Museum of Art in Katonah, New York, traces the evolution of the North American quilt from the early 19^th century to the present day. The exhibition is guest curated by Jean M. Burke of Vermont’s Shelburne Museum and explores how the form, fashion and, function of quilts have changed over the centuries.

Beyond the Bed presents a wide variety of objects from bed coverings, wall decorations, and clothing to three-dimensional sculptures and furniture accessories. While, some of the quilts on view are traditional in pattern and construction, others are more progressive.

Highlights include a rare pincushion quilt attributed to a member of the Vanderbilt family; Ella B. Chase’s (unknown-1919) Pickwick Papers Crazy Quilt depicting characters from Charles Dickens’ Posthumous Papers of the Pickwick Club; a tromp l’oeil quilt carved by Fraser Smith (b. 1971) from a 200-pound block of wood; and a free-standing quilted sculpture by Dominique Ehrmann.

Beyond the Bed: The American Quilt Evolution will be on view through June 16, 2013.

Built in the 1930s in northern Manhattan’s Fort Tryon Park on land donated by John D. Rockefeller Jr., The Cloisters, a branch of the Metropolitan Museum of Art, is a sight to be seen. Assembled from architectural elements dating from the 12^th through 15^th century, The Cloisters, which includes landscaped gardens, features a collection of nearly 3,000 works of art from medieval Europe.

Besides an impressive collection and scenic gardens, The Cloisters boasts a picturesque view of the Palisades, a line of steep cliffs that run along the lower Hudson River. Rockefeller’s grandson, Larry, is teaming up with the Met, to preserve the vista, which risks being obscured by LG Electronics’ new corporate headquarters in Englewood Cliffs, NJ.

The plans for the new LG location have the building stretching upward 143 feet, standing several stories above the tree line almost directly across the Hudson River from the Cloisters. Rockefeller, who has met with LG officials to discuss altering the building’s plans, is not alone in his concerns. A number of environmental groups have also filed lawsuits asking the company to reduce the new headquarters’ height. The Met has also written letters pleading with LG as well as a judge handling one of the environmental cases.  

Designed by architecture giant HOK, LG will begin construction on 27 acres this year. The project is expected to conclude by 2016.

Abu Dhabi has finally awarded a $653 million contract to build a branch of the Louvre Museum to Arabtec Holding Co., a Dubai-based construction company, which is partly owned by Abu Dhabi. The Louvre has been planning the outpost since March 2007, but was sidetracked by a number of delays prompted by a public spending review of Abu Dhabi’s government.

The Louvre’s new 688,890-square-foot location, which will be designed by the French architect Jean Nouvel, is expected to open in 2015. The museum’s inauguration will be followed by the opening of the Zayed National Museum, which is being built in association with the British Museum in 2016 as well as a franchise of New York’s Guggenheim Museum in 2017. All three of the museums will be part of a development located off the coast of Abu Dhabi City on Saadiyat Island.

The Louvre Museum in Abu Dhabi is part of the country’s effort to establish itself as a cultural hub as well as a noteworthy tourist destination. Arabtec, which won the project after a competitive bidding process, is expected to begin construction on the museum immediately.

The Pennsylvania Academy of the Fine Arts (PAFA) in Philadelphia announced plans to build a new gallery to display their works on paper collection. The addition will be housed in the museum’s Historic Landmark Building, which was designed by the acclaimed American architect, Frank Furness (1839-1912). A $250,000 grant from The Richard C. von Hess Foundation will be used to fund the project.

Works on paper are a huge component of PAFA’s permanent collection, encompassing over 75% of the museum’s holdings. The collection features drawings, watercolors, sketchbooks, prints, photographs, and experimental media from all periods of American art. Highlights include a collection of photographs by Thomas Eakins (1844-1916), studies and sketchbooks by William Glackens (1870-1938), and works by John Singleton Copley (1738-1815), Mary Cassatt (1844-1926), Arthur Dove (1880-1946), and Robert Motherwell (1915-1991).

The new gallery will allow the institution to significantly expand public access to its vast collection while keeping the light-sensitive objects safe. A separate space will be allotted for scholars conducting research and curators and faculty who will use the collection for educational purposes. PAFA has selected the Philadelphia-based architectural firm Atkin Olshin Schade to design the Works on Paper Gallery. Construction is expected to start early this year and last until Summer 2013.

On Sunday, November 18, the Baltimore Museum of Art will unveil a major renovation to the contemporary wing that was built in 1994. The space has been under construction since January 2011 and is part of a $24.5 million overhaul that included a new roof, lighting, gallery paint and flooring as well as other structural changes to the Contemporary Galleries. The overarching goal was to modernize the wing, making the entire viewing experience more inviting and fulfilling for patrons.

John Russell Pope, the architect that created the Jefferson Memorial, the National Gallery of Art, and the National Archives, built the Baltimore Museum’s main building in the 1920s. While the Pope building is a structural masterpiece, the Contemporary wing has been regarded as an eyesore for years. Architect Michael Craft oversaw the recent renovation and has done as much as possible to ease the transition from the Pope building into the Contemporary wing.

The Baltimore Museum of Art’s Contemporary collection includes more than 100 objects including paintings, drawings, sculptures, photographs, and moving image works. At the wing’s unveiling, works by Andy Warhol, Jasper Johns, Robert Rauschenberg, and Olafur Eliasson will be on view.

The Corcoran Gallery, Washington D.C.’s oldest art museum, has been losing money for years and is currently in need of at least $130 million in renovations. The only major museum on the Mall that is privately owned, times have been tough for the Corcoran who must charge admission and raise large amounts of money to survive. Attendance has dropped drastically and donations to the museum have roughly halved since the recession.

The Corcoran’s commanding Beaux Arts façade and top-notch collection of 17,000 works including pieces by Winslow Homer, Edward Hopper, John Singer Sargent, Claude Monet, and Willem de Kooning are simply not a big enough draw to keep the institution afloat, especially when every other institution on the Mall offers free admission. The Corcoran’s board of trustees are currently debating between a number of options to keep the museum active including selling the current building, combining forces with another institution, and moving out of the city.

While many find the loss of the Corcoran will leave the Washington Mall with a gaping hole, the museum announced that they have been discussing possible solutions with the National Gallery of Art, George Washington University, and a few other unnamed institutions. The Corcoran hired a real estate firm as its adviser in September and hopes to have its future mapped out by the first half of 2013.

The District of Columbia Historic Preservation League is looking to extend the landmark designation for the Corcoran’s exterior and interior. If the institution were approved, any major construction would be subject to public review.

Art collector, philanthropist, and financier, Eli Broad, announced this week that he will donate 19 works to the Eli and Edythe Broad Art Museum at his alma mater, Michigan State University. The contemporary art museum is slated to open on November 10^th. Designed by the architect, Zaha Hadid, the 46,000-square-foot museum was expected to open in April but was delayed due to construction.

Broad’s donation includes a large-scale piece, Containment 1, by the American sculptor Roxy Paine that will be displayed outdoors. There are other works by various artists including Robert Longo, Elizabeth Murray, Terry Winters, and Jonathan Lasker, which are worth around $2 million collectively.

Broad donated $28 million for the museum, with $21 million going toward construction and $7 million for acquisitions, exhibitions, and other functions. Michael Rush, the museum’s director, is curating the inaugural show.