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Crystal Bridges Museum of American Art recently acquired Maya’s Quilt of Life, 1989, (acrylic on canvas and painted, dyed and pieced fabrics) by Faith Ringgold, from the art collection of the late author and activist, Maya Angelou. The work hung in Angelou’s home and was commissioned by Oprah Winfrey for Angelou’s 61st birthday.

Ringgold is well-known for her painted story quilts, which unite a tradition of representational painting with the rich history of quilting in the African-American community. The border of Maya’s Quilt of Life is made from pieced-together fabric that frames Angelou, who is surrounded by flowers in her signature patterned African dress and head wrap.

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A groundbreaking exhibition originated by the American Folk Art Museum is on view from May 13 through August 17, 2014, at the Museum (2 Lincoln Square) before it embarks on a six-city US tour through early 2017. Self - Taught Genius: Treasures from the American Folk Art Museum posits an original premise that considers the changing implications of self-taught in the United States from a deeply entrenched and widespread culture of self-education in the early national period to its usage today to describe artists working outside the art historical canon and often in isolated circumstances. A fully-illustrated color catalog with essays by the curators, published by the American Folk Art Museum and Marquand Books, accompanies the exhibition. A website about the exhibition can be found at www.selftaughtgenius.org.

“This exhibition serves as a landmark,” commented Anne-Imelda Radice, Ph.D., Executive Director, “by locating the genesis of a field that has grown and become even more complex than ever before, and by clarifying its scope and substance. Self - Taught Genius: Treasures from the American Folk Art Museum provides new insight into the critical role of artists all-too-often overlooked.”

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Monday, 18 March 2013 16:47

Exhibition Explores Evolution of the Quilt

Beyond the Bed: The American Quilt Evolution, which is on view at the Katonah Museum of Art in Katonah, New York, traces the evolution of the North American quilt from the early 19th century to the present day. The exhibition is guest curated by Jean M. Burke of Vermont’s Shelburne Museum and explores how the form, fashion and, function of quilts have changed over the centuries.

Beyond the Bed presents a wide variety of objects from bed coverings, wall decorations, and clothing to three-dimensional sculptures and furniture accessories. While, some of the quilts on view are traditional in pattern and construction, others are more progressive.

Highlights include a rare pincushion quilt attributed to a member of the Vanderbilt family; Ella B. Chase’s (unknown-1919) Pickwick Papers Crazy Quilt depicting characters from Charles Dickens’ Posthumous Papers of the Pickwick Club; a tromp l’oeil quilt carved by Fraser Smith (b. 1971) from a 200-pound block of wood; and a free-standing quilted sculpture by Dominique Ehrmann.

Beyond the Bed: The American Quilt Evolution will be on view through June 16, 2013.

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