Displaying items by tag: ammi phillips

In a letter he wrote in 1825, the American painter John Vanderlyn said that paintings by the itinerant portraitist Ammi Phillips were “... cheap and slight, for the mass of folks can’t judge of the merits of a well-finished picture.” Vanderlyn had gone to France for academic training. His masterpiece, “Ariadne Asleep on the Island of Naxos” (1809-14), a suavely erotic, neo-Classical vision of a nude woman dozing in a pastoral landscape, is one of the gems of the collection of the Pennsylvania Academy of the Fine Arts. But a discerning viewer today might well prefer Phillips. His “Girl in Red Dress With Cat and Dog” (1830-35) is one of the loveliest paintings by any American artist.

A wonderful painting attributed to Phillips is included in “A Shared Legacy: Folk Art in America,” an inspiring exhibition at the American Folk Art Museum.

A groundbreaking exhibition originated by the American Folk Art Museum is on view from May 13 through August 17, 2014, at the Museum (2 Lincoln Square) before it embarks on a six-city US tour through early 2017. Self - Taught Genius: Treasures from the American Folk Art Museum posits an original premise that considers the changing implications of self-taught in the United States from a deeply entrenched and widespread culture of self-education in the early national period to its usage today to describe artists working outside the art historical canon and often in isolated circumstances. A fully-illustrated color catalog with essays by the curators, published by the American Folk Art Museum and Marquand Books, accompanies the exhibition. A website about the exhibition can be found at www.selftaughtgenius.org.

“This exhibition serves as a landmark,” commented Anne-Imelda Radice, Ph.D., Executive Director, “by locating the genesis of a field that has grown and become even more complex than ever before, and by clarifying its scope and substance. Self - Taught Genius: Treasures from the American Folk Art Museum provides new insight into the critical role of artists all-too-often overlooked.”

The 2013 Spring Show NYC opened to the public on Thursday, May 2, 2013 at the Park Avenue Armory in Manhattan. Organized by the Art and Antique Dealers League of America, this is the third edition of the Spring Show NYC, which features furniture, paintings, drawings, sculpture, ceramics, glass, decorative arts, and much more.

This year’s show includes over 60 international galleries. Highlights from the fair include Ammi Phillips’ (1788-1865) Portrait of a Child from Jeffrey Tillou Antiques, French landscape painter Eugene Louis Boudin’s (1824-1898) Village aux Environs de Dunkerque from Rehs Galleries, and a set of eight George II carved mahogany dining chairs from Clinton Howell Antiques.

The Spring Show NYC will be ongoing at the Armory through May 5, 2013. Tonight, the fair will host Arts Night Out, allowing 30 young patron groups from New York ‘s top cultural institutions to visit the show. Proceeds from the event will benefit the ASPCA.

When the Crystal Bridges Museum of American Art opened its doors for the first time in Bentonville, Arkansas on November 11, 2011, the institution presented about 450 works of art, nearly half of its entire holdings. A little over a year later, the Crystal Bridges’ collection has ballooned and now includes over 2,000 artworks thanks to an active acquisition program led by Executive Director Don Bacigalupi, museum curators, and a solid leadership board. Within the past year, the Crystal Bridges Museum has acquired five sculptures, eight paintings, one mixed media work, 468 prints, and 504 works on paper, including photographs, drawings, and watercolors.

Museum officials were particularly excited to acquire a large painting by Abstract Expressionist artist, Mark Rothko, titled No. 210/No.2011 (Orange) (1960) and held an official unveiling back in October. The piece, which has only been exhibited twice in public, is currently part of the museum’s temporary exhibition, See the Light: The Luminist Tradition in American Art. After the show closes in late January, the Rothko work will be moved to the museum’s Twentieth-Century Art Gallery.

Other major acquisition include a portrait by American folk artist Ammi Phillips (1788-1865), titled Woman in Black Ruffled Dress (circa 1835); a neoclassical white marble sculpture completed in 1867 by William Wetmore Story (1819-1895); a contemporary mixed-media work from the early 1980s by Californian artist Miriam Schapiro (b. 1923); and a large painting titled Tobacco Sorters (1942-44) by the twentieth-century American artist, Thomas Hart Benton (1889-1975), which was commissioned by the American Tobacco Company.

A private collector who specialized in early twentieth-century works facilitated the major growth in the museum’s print department. The recent acquisitions vary in style from Benton’s Regionalism to Charles Sheeler’s (1883-1965) Precisionism and include drypoints, etchings, engravings, lithographs, screenprints, woodcuts, and wood engravings. A selection of recently acquired prints will be part of the temporary exhibition Art Under Pressure: Early Twentieth Century American Prints, which will be on view from December 21 through April 22, 2013.