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The St. Louis Art Museum has announced a significant acquisition: “Sunday Morning Breakfast,” a 1943 painting by the highly regarded African-American folk artist Horace Pippin.

The painting, the purchase of which was approved by the museum’s board of commissioners on Monday evening, cost $1.5 million.

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"Horace Pippin: The Way I See It," a major exhibition of over 65 paintings of his work assembled from museums and private collections across the United States, opened in Chadds Ford, PA. One of the leading figures of 20th-century art, Horace Pippin (1888-1946) is known for his bold, colorful and expressive paintings of family life, history, religion and war. The Brandywine River Museum of Art is the only venue for this landmark exhibition.

Taking its title from Horace Pippin's response to his own question about what made him a great painter: "I paint it exactly the way it is and exactly the way I see it," the exhibition will look closely at Pippin as an artist who remained independent—creating and upholding a unique aesthetic sensibility, vividly depicting a range of subject matter, from intimate family moments and bold floral still lifes, to powerful scenes of war, history and religion that comment on issues such as racism and social justice.

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A groundbreaking exhibition originated by the American Folk Art Museum is on view from May 13 through August 17, 2014, at the Museum (2 Lincoln Square) before it embarks on a six-city US tour through early 2017. Self - Taught Genius: Treasures from the American Folk Art Museum posits an original premise that considers the changing implications of self-taught in the United States from a deeply entrenched and widespread culture of self-education in the early national period to its usage today to describe artists working outside the art historical canon and often in isolated circumstances. A fully-illustrated color catalog with essays by the curators, published by the American Folk Art Museum and Marquand Books, accompanies the exhibition. A website about the exhibition can be found at www.selftaughtgenius.org.

“This exhibition serves as a landmark,” commented Anne-Imelda Radice, Ph.D., Executive Director, “by locating the genesis of a field that has grown and become even more complex than ever before, and by clarifying its scope and substance. Self - Taught Genius: Treasures from the American Folk Art Museum provides new insight into the critical role of artists all-too-often overlooked.”

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