Displaying items by tag: Still Life

A rare still life cubist collage by Pablo Picasso that features newspaper cuttings of ads for Quaker oats and Cherry Rocher cherry brandy has been acquired by the Scottish National Gallery of Modern Art.

Of the 30 collages Picasso made, only a handful remain in private hands. It shows a stylized glass and bottle standing on a table, in a medium seen as revolutionary in the early 20th century. It was made using charcoal, ink and pencil and stencilled lettering, but the bottle was cut from samples of a French newspaper, Le Journal, dated 12 December 1912.

A little-known but rewarding 19th-century oil painting by French artist Antoine Berjon (1754–1843) has been acquired by the Toledo Museum of Art through the generosity of a local couple.

"Still Life with Grapes, Chestnuts, Melons, and a Marble Cube" was purchased from an art dealer in Lyon, France, for the permanent collection with funds given by James G. and Nancy Ravin.

Queens College was the fortuitous recipient of a wide-ranging assortment of photographs from the Matthew R. Bergey Collection. Twenty-nine are on display, arranged in chronological order, beginning with an anonymous “Seashell Still Life” from 19th-century France and Roger Fenton’s “Classic Bust (from the British Museum)” (c. 1860s). These are followed by a portrait from Julia Margaret Cameron and an architectural picture from Eugène Atget, two of the most admired photographers from the second half of the 19th century.

While it may not feel like the first day of spring across much of the U.S., the canvases are in full bloom at the Virginia Museum of Fine Arts in Richmond.

“Van Gogh, Manet, and Matisse: The Art of the Flower” traces the evolution of the floral still life genre from the late 18th century to the early 20th century. It features 65 masterpieces from more than 30 artists including Henri Matisse, Edouard Manet, Paul Cézanne and Vincent Van Gogh.

With lilacs, roses, and peonies abounding, the bouquets are a feast for the eyes, from the most exquisitely crafted floral displays to the humblest of arrangements.

The Goldwyn family, the great Hollywood film dynasty, will sell its art collection following the death of producer Samuel Goldwyn Jr. two months ago. With an estimated worth of $25 million–$30 million, the collection will be parceled out over nine auctions at Sotheby's New York between May and October.

The centerpieces of Goldwyn's holdings are Pablo Picasso's "Femme au Chignon Dans un Fauteuil" (1948), a portrait of the artist's lover Françoise Gilot and, and "Anémones et Grenades" (1946), a Matisse still life. The Picasso is estimated to sell for as much as $18 million, while the Matisse, bought for $13,500 in 1948, is tagged at upwards of $5 million.

The Philadelphia Museum of Art has announced the acquisition of five major French paintings as a bequest from a longtime supporter.

The works are a late Cezanne painting of Mont Sainte-Victorie, a Manet still life of fruit, a landscape and cityscape by Pissarro and a Morisot portrait. All were a bequest from Helen Tyson Madeira, who died last year.

The museum also announced that it had received two early portraits by Marcel Duchamp.

The High Museum of Art has announced the final installment in its series of “American Encounters” exhibition collaborations with the Louvre, Arkansas’ Crystal Bridges Museum of American Art, and the Chicago and Paris-based Terra Foundation for American Art.

“The Simple Pleasures of Still Life, ” the fourth exhibit in the four-year project, will run at the High from Sept. 26, 2015 to Jan. 31, 2016. The intimate show will focus on how late 18th- and early 19th-century American artists adapted European still-life tradition to the taste, character and experience of their younger country.

An Italian pensioner who unknowingly bought a stolen Gauguin for a pittance has been allowed to keep it after it was valued at $50 million.

The man, who has requested anonymity out of fear the painting could attract thieves, acquired the work along with another piece at an art sale in Turin in 1975.

The auctioneers told him they were worthless "rubbish," but they were in fact an 1889 Gauguin entitled "Fruits on a Table" or "Still Life with a Small Dog," and a work by Pierre Bonnard entitled "Woman with Two Armchairs," now thought to be worth $850,000.

The Delaware Art Museum unveiled its renovated and reinstalled 18th- and 19th-century American Art galleries—Galleries 1, 2, and 3—to the public. Just in time for the holiday season, the beautifully redesigned space displays over 50 works of art, including many permanent collection objects that have not been on view for over 10 years. As part of this reinstallation, the galleries highlight 150 years of portraiture, sculpture, landscape painting, still life, and history painting.

“I am excited to be able to present our regional history within the context of the dynamic national art scene,” explains Heather Campbell Coyle, Curator of American Art at the Delaware Art Museum. “The product of more than two years of research and planning, the redesigned space gives us the opportunity to showcase the Museum’s outstanding collection of American art to the local community, visitors, and school groups in new and exciting ways.”

As auction houses gear up for the major fall sales, news of several blockbuster consignments is starting to trickle out. Following the revelation from Sotheby’s last week that it has secured a rare Vincent van Gogh still life that is expected to sell for between $30–50 million, the house has revealed it will offer two extremely rare and iconic sculptures—by Amedeo Modigliani and Alberto Giacometti—that have never appeared at auction before and will undoubtedly be among the leading lots at the November 4 evening sale of Impressionist and modern art.

Giacometti’s "Chariot" (conceived and cast in 1950) is a unique painted cast depicting a goddess perched  atop a chariot with large wheels.