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A rare still life cubist collage by Pablo Picasso that features newspaper cuttings of ads for Quaker oats and Cherry Rocher cherry brandy has been acquired by the Scottish National Gallery of Modern Art.

Of the 30 collages Picasso made, only a handful remain in private hands. It shows a stylized glass and bottle standing on a table, in a medium seen as revolutionary in the early 20th century. It was made using charcoal, ink and pencil and stencilled lettering, but the bottle was cut from samples of a French newspaper, Le Journal, dated 12 December 1912.

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Anyone whose appetite for painting has gone cold will find it inflamed again by “Botticelli to Braque: Masterpieces From the National Galleries of Scotland,” a spectacular exhibition that opened at the de Young Museum on Saturday, March 7.

Decades ago, I began to notice how often in museum retrospectives and anthology shows the lender of particularly impressive works proved to be the Scottish National Art Collection, shorthand for the three linked Edinburgh institutions contributing to the current show: the Scottish National Gallery, Scottish National Portrait Gallery and Scottish National Gallery of Modern Art.

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In an effort to expand its art collection’s global audience, Scotland will send a number of works on a tour of the United States. Pieces from the Scottish National Portrait Gallery and the Scottish National Gallery of Modern Art will travel to New York, San Francisco, and Fort Worth. The selected works will differ from city to city to best complement each museum’s permanent collection.

The tour will begin at the Frick Collection in New York on November 5, where 10 paintings will be exhibited, including Botticelli’s “The Virgin Adoring the Sleeping Christ Child,” John Singer Sargent’s “Portrait of Lady Agnew of Lochnaw,” and Diego Velázquez’s “An Old Woman Cooking Eggs.” Following its time at the Frick, an expanded version of the show, which will feature 55 paintings, will head to the De Young Museum in San Francisco. The exhibition will make its final appearance at the Kimbell Art Museum in Fort Worth.

The National Galleries of Scotland made a similar effort to expand their collection’s reach four years ago when they sent a prized Titian painting and other works to the High Museum of Art in Atlanta.

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