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The final installment of the “American Encounters” exhibition series co-organized by the musée du Louvre, the High Museum of Art, the Crystal Bridges Museum of American Art and the Terra Foundation for American Art, the exhibition “The Simple Pleasures of Still Life” explores the rise of still-life painting in 19th-century America. In the wake of the exhibitions on landscape, genre painting, and portraiture, this exhibition provides a new opportunity to foster dialogue on American painting.

Featuring 10 artworks from the collections of the four partner institutions, this final exhibition follows on from the previous ones to illustrate how American painters like Raphaelle Peale, Martin Johnson Heade, and William Michael Harnett adapted European models to their time and country, and thus contributed to the creation of a national voice.

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The High Museum of Art has announced the final installment in its series of “American Encounters” exhibition collaborations with the Louvre, Arkansas’ Crystal Bridges Museum of American Art, and the Chicago and Paris-based Terra Foundation for American Art.

“The Simple Pleasures of Still Life, ” the fourth exhibit in the four-year project, will run at the High from Sept. 26, 2015 to Jan. 31, 2016. The intimate show will focus on how late 18th- and early 19th-century American artists adapted European still-life tradition to the taste, character and experience of their younger country.

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The Terra Foundation for American Art announced today that Samuel F. B. Morse’s monumental painting "Gallery of the Louvre" will embark on a multi-year national tour in January. Kicking off at The Huntington Library, Art Collections, and Botanical Gardens, in San Marino, CA (January 24–April 20, 2015), the tour will visit nine museums across the country, including venues in Fort Worth, TX; Bentonville, AR; Detroit, MI; Salem, MA; and Winston-Salem, NC.

“Our founder, Daniel Terra, believed American art was a dynamic and powerful expression of the nation’s history and identity,” explained Terra Foundation President & CEO Elizabeth Glassman.

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This summer, fourteen monumental sculptures by Alexander Calder (1898-1976) are taking over the Rijksmuseum’s 'outdoor gallery' for the largest freely accessible outdoor exhibition of his work to date.

Calder (1898-1976) is undoubtedly one of the most celebrated inventors of modern sculpture. His cut-out and colorful abstract objects that move in the air or rest firmly on the ground can be found throughout the world, whether in museums or in gardens and public plazas, ranking him among the first and most prolific sculptors of large-scale outdoor works. This show of his monumental sculptures in the gardens of the Rijksmuseum creates a fascinating landscape of stately abstract forms.

Guest curator Alfred Pacquement, former director of Musée National d’Art Moderne Centre Pompidou in Paris, has selected mobiles, stabiles, and standing mobiles by Calder from major museums and private collections.

This exhibition is the second in a series of annual international sculpture displays, which will be presented in the Rijksmuseum’s gardens over the next four years, made possible with funding from the BankGiro Loterij and the Terra Foundation for American Art.

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