Displaying items by tag: rijksmuseum

This photograph shows staff at the Rijksmuseum holding their breath as Rembrandt’s Night Watch (1642) is unrolled on its return to the Amsterdam museum in June 1945, at the end of the Second World War. The work had been shipped to Kasteel Radboud in Medemblik, north of Amsterdam, for safekeeping. Since its wartime evacuation, the canvas has been subjected to two assaults by members of the public, the most recent in 1990, when a “confused” man sprayed it with sulphuric acid. Fortunately, the substance did not penetrate the varnish.

The British artist Anish Kapoor unveiled a gory triptych of reliefs in the Rijksmuseum’s Gallery of Honour today (27 November), the Amsterdam museum’s most ceremonial space. Internal Object in Three Parts, which are large-scale works made of silicone, earth and pigment, refer to themes of “violence, trauma and social and political unrest,” according to the Dutch national museum’s press statement.

New research in the archives has made it possible to pinpoint the exact location of Johannes Vermeer’s world-famous The Little Street. Frans Grijzenhout, Professor of Art History at the University of Amsterdam, consulted seventeenth-century records that had never before been used for this purpose and clearly indicate the site of The Little Street in Delft. The discovery of the whereabouts of Vermeer’s The Little Street is the subject of an exhibition running from 19 November 2015 to 13 March 2016 in the Rijksmuseum. It will then transfer to Museum Prinsenhof Delft.

Pieter Roelofs, curator of seventeenth-century paintings at the Rijksmuseum, said: ‘The answer to the question as to the location of Vermeer’s The Little Street is of great significance, both for the way that we look at this one painting by Vermeer and for our image of Vermeer as an artist.’

The Netherlands and France will together buy two rare Rembrandts for a total of €160m (£118m), the Dutch culture minister has announced, after the two countries defused a potential bidding war.

The 17th-century paintings, which belong to the Rothschild banking family and have rarely been seen in public, will alternate between the Rijksmuseum in Amsterdam and the Louvre in Paris, Jet Bussemaker said in a letter to the Dutch parliament.

The Netherlands and Amsterdam’s Rijksmuseum intend to buy two rare works by Dutch master Rembrandt van Rijn, repatriating the 1634 masterpieces after more than a century of ownership by France’s Rothschild family.

Each buyer plans to pay 80 million euros ($90 million), according to the Ministry of Culture. About 50 million euros of the Dutch state’s portion is going to come from dividends paid out from the state’s ownership of companies including ABN Amro Group NV.

The Rijksmuseum in Amsterdam has lent one of its great treasures—Johannes Vermeer's Woman in Blue Reading a Letter (c. 1663)—to the National Gallery of Art in celebration of the 20th anniversary of the landmark Johannes Vermeer exhibition, which opened here in November 1995 before traveling to the Royal Cabinet of Paintings Mauritshuis, The Hague, in March 1996.

This luminous masterpiece, recently restored at the Rijksmuseum, will be displayed through December 1, 2016, in the Dutch and Flemish Cabinet Galleries. It will hang with Vermeer paintings from the Gallery's own collection, including Woman Holding a Balance (c. 1664) and Girl with a Red Hat (c. 1665/1666)—the latter newly returned after being featured in Small Treasures, an exhibition shown in Raleigh, North Carolina, and Birmingham, Alabama—as well as Girl with a Flute (1665–1675), attributed to Vermeer.

The first Joan Miró sculpture exhibit in the Netherlands opened in the Rijksmuseum garden on Friday. The exhibit consists of 21 sculptures by the Spanish artist.

Guest curator Alfred Pacquement, former director of the Centre Pompidou in Paris, selected the Miró sculptures for this exhibit.

To celebrate its 50th anniversary, the Israel Museum in Jerusalem is hosting a series of shows that pair work from its archeological and fine arts collections with loans from museums across the world, including the British Museum, the Louvre, and the Rijksmuseum. 

On view now through September 20, a loan from the Vatican Library joins together two volumes of Maimonides’ “Mishneh Torah,” an illuminated Hebrew manuscripts dating from the 15th century in Northern Italy, after 200 years apart.

The Rijksmuseum in Amsterdam has won the European Museum of the Year award for 2015. 

The European Museum of the Year Awards is organized by the European Museum Forum and the winner was announced in Glasgow, Scotland on Saturday. The museum received the EMYA trophy The Egg which it will keep fore one year.

The Rijksmuseum has purchased a large canvas by the 17th-century painter Jan Asselijn at The European Fine Art Fair (TEFAF) in Maastricht. The painting shows the breach of the St. Anthony’s Dike (now the Zeeburger Dike) in Amsterdam, which resulted from the St. Peter’s Flood of 1651. The purchase was made possible with the support of the Scato Gockinga Fund / Rijksmuseum Fund, the Turing Foundation and an anonymous donor. To celebrate its 10-year role as a main sponsor of the Rijksmuseum, ING also contributed to the acquisition.

Jan Asselijn (c.1610-1652), who personally witnessed the flood in Amsterdam in 1651, recorded the breach of the dam in both a journalistic and a dramatic sense.