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A public sculpture given to Milan by the artist Alberto Burri, then demolished by the city administration, will be rebuilt next year in honor of the centenary of his birth.

"Teatro Continuo" (Continuous Theatre), a cement stage surmounted by six rotating steel “wings”, was installed in Sempione Park after being presented for the 1973 Milan Triennale, but the city dismantled the work in 1989, citing its poor condition.

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The Delaware Art Museum unveiled its renovated and reinstalled 18th- and 19th-century American Art galleries—Galleries 1, 2, and 3—to the public. Just in time for the holiday season, the beautifully redesigned space displays over 50 works of art, including many permanent collection objects that have not been on view for over 10 years. As part of this reinstallation, the galleries highlight 150 years of portraiture, sculpture, landscape painting, still life, and history painting.

“I am excited to be able to present our regional history within the context of the dynamic national art scene,” explains Heather Campbell Coyle, Curator of American Art at the Delaware Art Museum. “The product of more than two years of research and planning, the redesigned space gives us the opportunity to showcase the Museum’s outstanding collection of American art to the local community, visitors, and school groups in new and exciting ways.”

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The Delaware College of Art and Design in downtown Wilmington is making small expansions that could later trigger bigger and more significant projects for the two-year school.

Next to DCAD, developer Buccini/Pollin Group is putting up a $6 million, five-story apartment building at 606 N. Market St. DCAD, which is known for its majors in photography, illustration, fine arts, animation, interior design and graphic design, will occupy the first floor of that building.

DCAD President Stuart Baron said the school will house sculpture studios there.

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 A bronze sculpture by Fernando Botero has set a new auction record for the Colombian artist.

"Adam and Eve" sold for $2.5 million at Christie's on Monday.

Another edition of the work decorates the lobby of the Time Warner Center in New York City. The previous record for Botero was $2 million for his painting "Four Musicians," which sold in 2006.

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Visitors to The Metropolitan Museum of Art’s presentation of four special exhibitions during the spring/summer 2014 season—"Lost Kingdoms: Hindu-Buddhist Sculpture of Early Southeast Asia, 5th to 8th Century;" "The Roof Garden Commission: Dan Graham with Günther Vogt;" "Charles James: Beyond Fashion;" and "Garry Winogrand"—generated an estimated $753 million in spending in New York, according to a visitor survey released by the Museum today. Using the industry standard for calculating tax revenue impact, the study found that the direct tax benefit to the City and State from out-of-town visitors to the Museum totaled some $75.3 million. (Study findings below.) 53% of the out-of-town exhibition visitors reported that visiting the Met was a key motivating factor in their decision to visit New York.

Thomas P. Campbell, Director and CEO of the Metropolitan Museum, noted: “As this annual survey continues to indicate, the Met’s stellar range of exhibitions, as well as its renowned collection, are recognized world-wide for their excellence, and continue to draw domestic and international visitors to New York in large numbers. This visitorship plays a vital role in the City’s cultural tourism, which is a powerful contributor to the economic well-being of New York.”

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The Skowhegan School of Painting and Sculpture, which offers a nine-week summer residency for artists in Skowhegan, Maine, opened a permanent New York space on 18 November. The new Chelsea-neighborhood location features two floors and 5,000 sq ft. of space, half of which will be devoted to archives and event space.

The artists Daniel Bozhkov and Mary Mattingly, both alumni, were due to finish a site-specific fresco and an “edible forest garden,” according to the school.

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Billionaire collector Steven Cohen, who recently added Giacometti's "Chariot" (1950) to his vast art collection for a cool $101 million, donated a tour of his Greenwich, Connecticut collection to the Foundation for Prader-Willi Research charity auction last week, as per "Page Six." Cohen, who was also actively involved with the Robin Hood Foundation for many years, was revealed as the buyer of the Giacometti sculpture, which sold on a single $90 million bid at Sotheby's on November 4 (see "$101 Million Giacometti Leads Sotheby's $400 Million Imp Mod Evening Sale") to David Norman, Sotheby's co-chairman of Impressionist and modern art worldwide, who was bidding for his client.

No word yet on whether the tour was successfully sold at the charity auction, or for how much—the Foundation for Prader-Willi Research did not respond for comment.

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Christie’s announced it has been entrusted with the sale of the Collection of Robert Hatfield Ellsworth, the distinguished American scholar, dealer and collector of Asian Art who passed away in August 2014. Widely recognized throughout Asia and the Americas for his ground-breaking role in the study and appreciation of Asian Art, Mr. Ellsworth was a distinguished connoisseur who opened new arenas of collecting to Western audiences and built a successful business purveying the very finest works of art to his generation’s foremost collectors. His personal collection of over 2,000 items was assembled over a lifetime and widely recognized as the most important grouping of Chinese, Japanese, Indian, Himalayan and Southeast Asian sculpture, paintings, furniture and works of art. To celebrate this exceptional collection and the generous and benevolent man behind it, Christie's is organizing free public exhibitions and a special five-day series of auctions and online-only sales to be held during Asian Art Week at Christie's New York in March 2015. A global tour of highlights from the collection kicks off November 21 in Hong Kong, and will continue to stops throughout Asia and Europe prior to the New York sales.

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New leadership is on the way at the deCordova Sculpture Park and Museum.

John B. Ravenal, currently the curator for modern and contemporary art at the Virginia Museum of Fine Arts, will take the helm as new executive director in mid-January. Interim director Katy Kline has been in place since the departure of Dennis Kois at the end of April. The Lincoln museum, which has an annual budget of about $5 million, was set to announce Ravenal’s appointment on Monday.

Kois left after a six-year tenure that was seen as a time of growth for the deCordova, overseeing enhanced fund-raising efforts and a sharper curatorial focus on sculpture, as well as a five-year strategic plan that went into effect in 2011.

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The lines that recently snaked around the Whitney Museum of American Art are gone. So is the hulking sculpture of Popeye that could be spied in the courtyard. Since the Jeff Koons retrospective closed there on Oct. 19, the only signs of life have been moving trucks and cranes as the Whitney prepares to exchange its Madison Avenue home, designed by Marcel Breuer, for its new place in the meatpacking district this spring. The Breuer won’t stay empty for long, however: In March 2016, the Metropolitan Museum of Art will take over, at least for eight years.

Although the arrangement was announced three years ago, the Met has been tight-lipped about what it will actually show in the Whitney’s old home. But loan requests went out in September to museums, collectors and dealers detailing the first show there.

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