Displaying items by tag: thomas p. campbell

Thomas P. Campbell, Director and CEO of The Metropolitan Museum of Art, announced today the launch of a new online video series, The Artist Project, in which 100 artists respond to works from The Met's vast collection, which spans more than five millennia and cultures throughout the world.

Since its founding in 1870, The Met has been a place where artists go to gain inspiration from the art of their own time, and across time and cultures. Beginning this month and continuing for a year, The Artist Project will share with the public what artists see when they look at The Met.

On Tuesday, March 11, 2015, Thomas P. Campbell, the Director and CEO of New York's Metropolitan Museum of Art, announced that David Chipperfield Architects (DCA) has been selected to redesign the institution’s Southwest Wing for modern and contemporary art. The British firm will also potentially redesign the neighboring galleries for the arts of Africa, Oceania, and the Americas, as well as additional operational spaces.

The Met’s selection process included an international design competition led by a committee of the museum’s Board of Trustees. According to a press release from the Met, Campbell said, “We based the final selection of an architect on three criteria: vision, experience, and compatibility. David Chipperfield’s global architectural experience and sensibility, along with his commitment to the collaborative aspect of creating architecture, make him a perfect partner on this milestone project.”

The Metropolitan Museum of Art announced Monday that it had received a major gift of 20th-century works by African-American artists from the South, including 10 pieces by Thornton Dial and 20 important quilts made by the Gee’s Bend quilters of Alabama.

The works, 57 in all, are being donated by the Souls Grown Deep Foundation, which was begun in 2010 by the scholar and collector William S. Arnett to raise the profile of art by self-taught African-Americans. Thomas P. Campbell, the Met’s director, described the gift, which also includes work by Lonnie Holley, Nellie Mae Rowe and Joe Minter, as a significant enlargement of the museum’s holdings of work by black American artists.

Visitors to The Metropolitan Museum of Art’s presentation of four special exhibitions during the spring/summer 2014 season—"Lost Kingdoms: Hindu-Buddhist Sculpture of Early Southeast Asia, 5th to 8th Century;" "The Roof Garden Commission: Dan Graham with Günther Vogt;" "Charles James: Beyond Fashion;" and "Garry Winogrand"—generated an estimated $753 million in spending in New York, according to a visitor survey released by the Museum today. Using the industry standard for calculating tax revenue impact, the study found that the direct tax benefit to the City and State from out-of-town visitors to the Museum totaled some $75.3 million. (Study findings below.) 53% of the out-of-town exhibition visitors reported that visiting the Met was a key motivating factor in their decision to visit New York.

Thomas P. Campbell, Director and CEO of the Metropolitan Museum, noted: “As this annual survey continues to indicate, the Met’s stellar range of exhibitions, as well as its renowned collection, are recognized world-wide for their excellence, and continue to draw domestic and international visitors to New York in large numbers. This visitorship plays a vital role in the City’s cultural tourism, which is a powerful contributor to the economic well-being of New York.”

The Metropolitan Museum of Art’s marble sculpture "Adam" by Tullio Lombardo (ca. 1455–1532) will return to public view on November 11, following a tragic accident in 2002 and an unprecedented 12-year conservation project. It is the first life-sized nude marble statue since antiquity and the most important Italian Renaissance sculpture in North America. Tullio carved Adam in the early 1490s for the monumental tomb of doge Andrea Vendramin, now in the church of Santi Giovanni e Paolo, Venice, and it is the only signed sculpture from that iconic monument. The sculpture and its restoration will be the focus of Tullio Lombardo’s "Adam: A Masterpiece Restored," the inaugural installation in the Museum’s new Venetian Sculpture Gallery.

Thomas P. Campbell, Director and CEO of the Metropolitan Museum, said: “We are proud to return this great Tullio sculpture to public view in a beautiful new gallery. Our extraordinary conservators collaborated with a team of experts over 12 years to pursue this extremely challenging work. The results of their care and innovation are stunning.”

Thomas P. Campbell, Director and CEO of The Metropolitan Museum of Art, announced that the Museum launched today its flagship smartphone app—titled simply The Met—developed exclusively for iPhone, iPad, and iPod touch. This free digital resource is the easiest way to see what’s happening at the Met every day, wherever you are.

The Met app is available on iPhone, iPod Touch and iPad, and can be downloaded free from the App Store.

Mr. Campbell said: “With so much to see and do at the Met on a daily basis, we wanted to create a simple yet personalized way for our community to find the art, exhibitions, and events that matter most to them. The new app is a pocket-sized, customizable tool that puts the Met at users' fingertips. It will be great for both New Yorkers and everyone in our global community who wants to stay connected with the Met--from anywhere in the world."

Thomas P. Campbell, Director and CEO of The Metropolitan Museum of Art, announced the two appointees who will inaugurate new curatorships within the Department of Modern and Contemporary Art. Both positions were established this spring through a generous gift from Daniel Brodsky, the Museum’s Chairman, and his wife Estrellita B. Brodsky, an art historian and specialist in Latin American art.

Iria Candela will become the Estrellita B. Brodsky Curator of Latin American Art in the fall, focusing on the art of 20th- and 21st-century Mexico, Central America, the Caribbean, and South America. And Beatrice Galilee, the new Daniel Brodsky Associate Curator of Architecture and Design, began working at the Museum in late April. Both will work closely with the modern and contemporary curatorial team, under the leadership of Sheena Wagstaff, the Museum’s Leonard A. Lauder Chairman of Modern and Contemporary Art, on researching and developing the collection and devising the program for both the main building and the Marcel Breuer-designed building that the Met will occupy once the Whitney Museum moves downtown in 2015.

An important, elaborately carved Roman urn of the first-early second century A.D.—one of the finest porphyry vessels to have survived from classical antiquity—has been acquired by The Metropolitan Museum of Art. 

The acquisition was made possible in part thanks to a challenge grant from Metropolitan Museum Trustee Mary Jaharis.

Thomas P. Campbell, Director and CEO of the Museum, stated: “This rare and beautiful vase is a superb example of classical craftsmanship at its best. The public will now have the extraordinary opportunity to see it within the context of other Hellenistic and Roman works in various media, and especially other sculptures made of porphyry, in the collection of the Museum’s Department of Greek and Roman Art, one of the major repositories of classical art in North America.”

Thomas P. Campbell, Director and CEO of The Metropolitan Museum of Art, announced today that preeminent American art scholar Morrison H. Heckscher will retire on June 30, following 13 years as Lawrence A. Fleischman Chairman of The American Wing and a distinguished curatorial career at the Museum that spanned nearly five decades. He will become Curator Emeritus of The American Wing on July 1.

Mr. Campbell announced further that Sylvia L. Yount—currently Chief Curator as well as the Louise B. and J. Harwood Cochrane Curator of American Art and Department Head at the Virginia Museum of Fine Arts (VMFA)—will become the Lawrence A. Fleischman Curator in Charge of The American Wing this fall. She was elected to her new position at the June 10 meeting of the Executive Committee of the Museum’s Board of Trustees.

The Metropolitan Museum of Art in New York is currently hosting the Global Museum Leaders Colloquium, a twelve-day program aimed at forging links and developing dialogues between some of the world’s most influential museums. The fourteen participants represent a wide variety of institutions, including national, state, municipal, and private museums. The colloquium will explore the major challenges that museum directors face, including management issues, conservation matters, and the well-being of the global economy.

The colloquium is the first of its kind at the Met, and has been spearheaded by the museum’s Director and CEO, Thomas P. Campbell. In a press release from the museum, Campbell said, “Ideally, this exchange of ideas and expertise will generate collaborative thinking that will prove beneficial not only to the participating institutions but to museums on a much broader scale.”

The Met has been an international institution since its founding in 1870 and has continued to collaborate with museums across the globe through exhibitions as well as training and research projects. In addition, the museum organizes a number of programs that bring international curators, conservators, and scholars to New York.

Participants in the Global Museum Leaders Colloquium include Mohammed Fahim Rahimi, Chief Curator at the National Museum of Afghanistan; Victoria Noorthoorn, Director of the Museo de Arte Moderno in Buenos Aires; Liang Gong, Director of the Nanjing Museum; Stijn Huijts, Director of the Bonnefantenmuseum in Maastricht; and Steven Sack, Director of the Origins Center in Johannesburg.