Displaying items by tag: louise bourgeois

This November, Christie’s will present an unrivalled selection of paintings and sculpture by some of the titans of twentieth century art. From Andy Warhol’s opulent Four Marilyns to Cy Twombly’s sublime Untitled, and Louise Bourgeois’ monumental Spider to Lucian Freud’s magnificent portrait The Brigadier –the very best examples of Pop, Minimalism, Abstract Expressionism and Conceptual Art are represented. The role of the collector is also honored, with a selection of Pop works from the Miles and Shirley Fiterman Collection, works of Arte Povera from the Collection of Ileana Sonnabend and the Estate of Nina Sundell, and an impressive grouping of works by Alexander Calder from the Arthur and Anita Kahn Collection.

Though Christie’s elected not to publicly list the estimated sale price for Louise Bourgeois’s Spider (1997), which will be auctioned as lot 10 in the house’s postwar and contemporary evening sale on November 10 in New York, it is high enough to break some major records.

ARTnews has learned that the enormous sculpture will have a low estimate of $25 million and a high estimate of $35 million.

Gemeentemuseum Den Haag has acquired two large sculptures by Louise Bourgeois, the grande dame of modern art, on long-term loan. Bourgeois’ work is held in great affection all over the world, among both art-lovers and the general public. The Louise Bourgeois Studio owns a number of the artist’s larger sculptures, and it loans them to only a handful of museums in the world. This now includes Gemeentemuseum Den Haag, alongside Tate Modern, Louisiana Museum of Modern Art and DIA Art Foundation.

Crystal Bridges Museum of American Art has acquired two sculptures and two paintings by artist Louise Bourgeois (1911-2010): "Maman," 1999 (bronze, stainless steel, and marble), "Quarantania," 1947-1953 (bronze, painted white with blue and black, and stainless steel), "Connecticutiana," 1944-1945 (oil on wood), and "Untitled," 1947 (oil on canvas).

“Louise Bourgeois contributed significantly to shaping American narrative with work that spanned most of the twentieth century and helped inform the growing feminist art movement. We’re eager to share her acclaimed sculptures as well as her rare paintings which offer visitors a chance to explore her work in two and three-dimensions,” said Crystal Bridges Executive Director Rod Bigelow.

Moderna Museet highlights Louise Bourgeois, one of the most important 20th and 21st-century sculptors. Her art serves as a bridge from Modernism and continues to exert its influence on contemporary artistic practices today. "Louise Bourgeois – I Have Been to Hell and Back" is the most comprehensive Swedish exhibition of Louise Bourgeois’s art to date. It demonstrates the width of her oeuvre and presents her captivating and varied body of work over seven decades. One-third of the pieces in the exhibition have never before been shown publicly. Before entering the exhibition, visitors will encounter her monumental work Maman, a gigantic spider sculpture, which is standing outside the museum on Skeppsholmen.

The art of Louise Bourgeois (1911-2010) is complex, radical and full of subversive humour, danger and fear. She succeeds in formulating that which is hard to find words for, and her creative urge was intimately linked with her need to understand, imbuing her oeuvre with a compelling psychological dimension.

Fondazione Prada, an Italian institution dedicated to contemporary art and culture, will unveil its expanded headquarters in Milan in May 2015. Established by the fashion power couple Miuccia Prada and Patrizio Bertelli in 1993, Fondazione Prada focuses on art, cinema, design, architecture, and philosophy. Instead of exhibiting studio work, the foundation helps artists produce site-specific projects that they have always dreamed of constructing. Fondazione Prada has organized exhibitions with a swath of celebrated artists, including Anish Kapoor, Dan Flavin, Louise Bourgeois, John Baldessari, and Walter de Maria.

Fondazione Prada has selected OMA, the firm co-founded by the Dutch architect Rem Koolhaas, to helm the expansion project, which will turn a former industrial complex from the early twentieth-century into Milan’s largest contemporary art gallery.

Phillips will inaugurate its new auction house and exhibition space in London’s Mayfair on October 6th with a group exhibition of contemporary sculpture, dreamt up by star curator Francesco Bonami. The exhibition will be on view during Frieze Week, alongside works to be offered at the Contemporary Art Evening and Day Auctions on October 15th and 16th.

“A Very Short History of Contemporary Sculpture” includes 33 works by internationally renowned artists, including Carl Andre, Bruce Nauman, Louise Bourgeois, Felix González-Torres, Matthew Barney, Damien Hirst, Donald Judd, Jeff Koons, and Ai Weiwei.

As a small-town Midwestern boy in the 1940s, Robert Duncan saved souvenir license plates from cereal boxes, not knowing that he was igniting a passion for collecting painting and sculpture.

"The stakes are just higher in contemporary art," says Mr. Duncan, now 72, "and the game is more fun."

Mr. Duncan and his wife, Karen, have spent decades building a collection of contemporary art that former museum director George Neubert ranks among the 50 best in the country. It encompasses nearly 2,000 works by such artists as Louise Bourgeois, Bruce Nauman, Yinka Shonibare and Kiki Smith.

The couple live in Lincoln, Neb., but maintain strong ties with their hometown of Clarinda, Iowa, where they went on their first date as junior-high students. The Duncans are turning the 1908 Carnegie library there into the Clarinda Carnegie Art Museum.

The Museum of Fine Arts in Houston has installed a recently acquired bronze sculpture by the renowned Italian artist Giuseppe Penone. “Albero Folgorato (Lightning Tree)” (2012), which stands over 36 feet tall, was cast from an oak tree that had been struck by lightning. It will reside on the museum’s verdant South Lawn in the Lillie and Hugh Roy Cullen Sculpture Garden. Created by sculptor Isamu Noguchi, the sculpture garden features masterworks of 20th- and 21st-century sculpture by artists such as Louise Bourgeois, Dan Graham, Henri Matisse, and Auguste Rodin. The garden also includes a variety of plants and trees that were selected by Noguchi with assistance from the Houston-based landscape architect Johnny Steele.

Houston’s “Albero Folgorato” is the third and final version of the monumental bronze sculpture, which had its internationally acclaimed debut at the Palace of Versailles in France in the summer of 2013.

Anyone looking to meet the director of the tiny but highly regarded Museum of Contemporary Art here has two choices. Head into the museum, where its interim director, Alex Gartenfeld, has an office. Or go next door to City Hall, where the mayor’s appointee to the same position, Babacar M’Bow, is essentially working in exile.

The dueling directors are just part of the chaos emanating from a bitter showdown that has erupted between MoCA, as the museum is known, and the city that founded it.

The museum’s board wants to leave this working-class city and merge with the Bass Museum of Art in Miami Beach, its wealthier and more glamorous neighbor. It says that North Miami has neglected the museum building and failed to support a needed expansion.