Displaying items by tag: hieronymus bosch

Four iconic paintings by Hieronymus Bosch and other Old Masters will remain at Madrid's Prado Museum after a protracted battle with a new national museum.

The Prado took in Bosch's Garden of Earthly Delights (1500–1505) for safekeeping in 1936, at the outbreak of the Spanish Civil War at the request of the royal collection, which owns the work.

A drawing of hell previously attributed to a workshop assistant of Hieronymus Bosch has now been recognized as an authentic work by the master himself according to the experts conducting the Bosch Research and Conservation Project (BRCP) examining the artist's works worldwide.

The drawing has been hidden away in a private collection and will go on public display for the very first time as part of the major exhibition of works by Hieronymus Bosch at the Noordbrabants Museum in Den Bosch opening on February 13, 2016. Art historian and co-ordinator of the BRCP, Matthijs Ilsink, calls the drawing "an extraordinary find."

After five years of examination, the Bosch Research and Conservation Project (BRCP) has determined that two masterpieces attributed to the Dutch artist Hieronymus Bosch were unlikely to have been painted by the master himself.

The results of the research indicate that Bosch's Christ Carrying the Cross (ca. 1515-16) and the world famous The Seven Deadly Sins (ca. 1500)— which hangs in Madrid's Prado Museum—were probably produced in the studio of the artist, but not painted by Bosch himself, the Dutch news agency ANP reports.

Seven years ago, the director of a small museum in the Netherlands set out on an impossible quest: he wanted to borrow every surviving work in the world by the wildest imagination in the history of art, Hieronymus Bosch, to celebrate his 500^th anniversary in the city of his birth. He did not have a single painting to offer on loan in return.

In an exhibition opening next February, Charles de Mooij will unveil his haul at his Noordbrabants museum in ’s-Hertogenbosch.

On one side is the Prado, a renowned repository of art and a showcase of Spanish culture that draws huge numbers of tourists. On the other is a brash newcomer, emerging onto the scene in layers of gray granite from a hillside near the baroque royal palace of Spanish kings.

In advance of its opening, the upstart, the Museum of Royal Collections, is insisting that the Prado surrender four paintings, including its top two attractions — “The Garden of Earthly Delights” by Hieronymus Bosch and a sumptuous 15th-century depiction of the descent of Christ from the cross by Rogier van der Weyden.

Spain’s Museo del Prado may lose some of its most famous works to a new museum for the Spanish Royal Collection, set to open in 2016. According to a report by Spanish paper, El Confidencial, the president of the country’s national heritage authority, José Rodríguez-Spiteri Palazuelo, has requested that the museum return four paintings to the Royal Collection. The paper claims that Palazuelo sent the request to Museo del Prado director Miguel Zugazza in a letter on July 24th.

The four works requested to be returned are: Hieronymus Bosch’s The Garden of Earthly Delights (1500-1505) and The Seven Deadly Sins (1500-1525), Tintoretto’s Washing of the Feet (1548), and Roger van der Weyden’s The Descent from the Cross (c. 1435).