Displaying items by tag: georgia o'keeffe

Late last year the $15 million or £9.5 million estimate for Georgia O'Keeffe's work at auction was shattered after a rather intense bidding war between two unknown rivals. "Jimson Weed/White Flower No 1," a 1932 painting of a simple white flower, was finally bought after the flurry by an unnamed buyer with a telephone bid at Sotheby’s auction house.

The floral painting by the late US artist has sold for $44.4 million or £28.8 million at auction; this set a record for an artwork by a female artist. The auction of the work smashed the previous record of $11.9 million or £7.5 million for an untitled work by Joan Mitchell, which was set in set in May. The work was put up for sale by the Georgia O'Keeffe Museum in New Mexico, after the need arose to raise proceeds for its acquisitions fund.

The 35th annual AIPAD Photography Show in New York is planned for April 16–19 at the Park Avenue Armory. This year's iteration will feature photography from 89 galleries around the world, as well as a special selection of short films presented by ART21 curator Wesley Miller. Called "New York Close Up," the films by Rashid Johnson, Liz Magic Lase, Martha Colburn, Daniel Gordon, and others will be on view for the duration of the fair.

AIPAD is the longest-running photography fair in the world, presenting a diverse range of works from portraits and self-portraits (a portrait of Georgia O'Keeffe by Alfred Stieglitz will on view at Edwynn Houk Gallery) to landscapes and fashion photography (Louis Faurer's 1962 works for "Harper's Bazaar" will be available at Deborah Bell Photographs).

One of Georgia O’Keeffe’s iconic flower paintings has shattered the auction record for a work by a female artist. On Thursday, November 20, “Jimson Weed/White Flower No. 1” (1932), a commanding painting with an impressive provenance, sold for $44.4 million during Sotheby’s American Art sale in New York. The work, which belonged to the artist’s sister, Anita O’Keeffe Young, and hung in the White House’s private dining room during the George W. Bush administration, was offered for sale by the Georgia O’Keeffe Museum. The Santa Fe-based institution sold the painting, along with two other works by O’Keeffe, to benefit its Acquisitions Fund.

Seven bidders competed for “Jimson Weed,” driving the price to a record height and nearly tripling the work’s high estimate of $15 million.

The Georgia O’Keeffe Museum announced this week that it is selling three works by the artist, including one of her iconic flower paintings that is estimated to bring between $10 million and $15 million at auction.

Museum Director Robert Kret said the board’s decision to sell the pieces was “not taken lightly” but will allow the Santa Fe museum to build its endowment fund and compete in the global market for other works by O’Keeffe to fill gaps in its own collection.

The Currier Museum of Art announced the acquisition of an important late oil painting by American John Marin (1870-1953). Movement in Red (1946) reveals Marin’s bold technique, which conveys a dynamic vision of boats sailing off the coast of Cape Split, Maine. It is on view in the Currier’s Modern Gallery.

“The Currier has a long tradition of thoughtfully acquiring important works of art that support our collection,” said Susan Strickler, Currier CEO and director. “Marin’s stunning painting joins major paintings in the Museum’s collection by his contemporaries Georgia O’Keeffe, Arthur Dove, Marsden Hartley and Charles Sheeler. They offer our community an exceptional view of one of America’s most important and innovative artists of the first half of the 20th century.”

The Hood Museum of Art at Dartmouth received an anonymous $10 million donation. The gift, which will be put towards building the centerpiece of the two-year renovation and expansion project:  a new Museum Learning Center.

The renovation project, helmed by Tod Williams Billie Tsien Architects—designers of the American Folk Art Museum building and the new Barnes Foundation—is part of Dartmouth’s aim of beefing up its campus arts district. The expansion will increase the museum’s current 39,000-square-foot space by 15,000 square feet, giving it more room to show off the museum’s collection, which touts some 65,000 objects including paintings by Perugino, Pablo Picasso, Georgia O’Keeffe, and Rockwell Kent, along with a collection of Assyrian stone reliefs. The expansion will also add three classrooms for the use of digital technology.

Georgia O’Keeffe was disappointed in her painter sister Ida O’Keeffe. “A wasted life,” she told the family when Ida died in 1961, at 71. The Dallas Museum of Art will tell Ida’s side of the story with an exhibition scheduled for 2017, “Ida O’Keeffe: Escaping Georgia’s Shadow.”

Ida was the third of the seven O’Keeffe siblings. They grew up amid the gloom of their mother’s terminal tuberculosis. Another sister, Catherine, also became an artist. The three occasionally exhibited paintings together, but artworks by Georgia captured the most praise, partly thanks to the knack her husband, Alfred Stieglitz, had for publicizing her.

“Georgia remains supreme,” a newspaper critic wrote in 1933.

Today’s auction of American Art at Sotheby’s New York achieved $45,869,625 (est. $33.2/49.7 million)* – among the highest totals for an American Art sale in the last five years.

- Today’s sell-through rate of 80.7% by lot marks the 5th consecutive American Art auction at Sotheby’s with a strong sell-through rate over 80%.

- Ten lots brought prices over $1 million, with more than half of all sold lots achieving prices above their high estimates – including eight of the auction’s top ten works.

- Ten works by Norman Rockwell totaled $20 million, meeting their combined pre-sale high estimate.

- Led by After the Prom, which sold for $9,1,250,000 – the 4th highest price at auction for the artist (est. $8/12 million). The work was last acquired at Sotheby’s New York in 1995 for $880,000.

The Metropolitan Museum of Art in New York has announced plans for a major renovation of its Lila Acheson Wallace Wing. Completed in 1987, the Wing houses the museum’s Modern and contemporary collection, which includes works by the circle of early American modernists around Alfred Stieglitz, including Arthur Dove, Marsden Hartley, Georgia O'Keeffe, and John Marin; large-scale paintings by Abstract Expressionists, such as Willem de Kooning, Jackson Pollock, and Mark Rothko; and modern design, from Josef Hoffmann and members of the Wiener Werkstätte to Art Nouveau jewelry by René Lalique.

The Met, which is the largest art museum in the United States, is in the midst of re-evaluating its layout, and addressing the Lila Acheson Wallace Wing’s shortcomings is a top priority. As it stands, the Wing does not allow for a chronological presentation of the museum’s collection, creating a disjointed visitor experience. To remedy the issue, The Met plans to rebuild the Wing, potentially from scratch. Enhanced exhibition space will also allow the museum to better display its Modern and contemporary art holdings, which got a considerable upgrade last spring when philanthropist and cosmetics mogul Leonard A. Lauder donated 79 Cubist paintings, drawings, and sculptures.

Winslow Homers in the shadow of a defunct Beech-Nut baby food plant. A Rembrandt, Picasso, Rubens and Renoir up the hill from a paper mill. The founder of the Hudson River School vying for attention amid baseball memorabilia and old farm machinery.

There are plenty of treasures to be found among the collections of lesser-known, off-the-beaten-path art museums dotting upstate New York. But they're well worth the trek for anyone looking for great art in unexpected places, whether it's the rolling, bucolic countryside typical of many areas or the industrial grittiness of riverside mill towns.