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Displaying items by tag: luca giordano

Christie’s evening auction of Old Master & British Paintings realised £44,986,000/ $77,016,032/ €56,547,402. The sale attracted 145 registered bidders from 27 countries across 5 continents. The top price was paid for Venice, the Bacino di San Marco with the Piazzetta and the Doge's Palace by Francesco Guardi From The Baron Henri de Rothschild Collection, a masterpiece dating from the artist’s full maturity which realised £9,882,500/ $16,918,840/ €12,422,303, setting the second highest price for a work by the artist at auction (estimate: £8-10 million). New artist record prices at auction were achieved for works by Willem Claesz. Heda (lot 31); Matthias Stomer (lot 34); The Master of the Annunciation to the Shepherds (lot 36); Luca Giordano (lot 38); and Sir Henry Raeburn (lot 64), among others.

Henry Pettifer, Head of Old Master & British Paintings at Christie’s London: “This sale drew strong and enthusiastic bidding from around the world for the rarest works of the highest quality. The continued breadth of demand for Old Masters was reflected by the fact that bidders from 27 countries across 5 continents registered to bid in this auction. We are very pleased with the results of the works from The Barbara Piasecka Johnson Collection which was led by Vermeer's Saint Praxedis and included a group of Italian Baroque paintings which set new record prices at auction for The Master of the Annunciation to the Shepherds (lot 36: £2,434,500) and Luca Giordano (lot 38: £962,500). Notable prices were also achieved for the masterpiece by Francesco Guardi from The Baron Henri de Rothschild Collection (lot 19: £9,882,500) and the Brueghel the Younger "Road to Calvary‟ (lot 13: £5,514,500), each respectively setting the second highest auction price for the artist.”

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Following a two-year refurbishment, the National Gallery’s impressive gallery space, Room A, has reopened to the public. Lying beneath the main floor galleries, this permanent display offers visitors a chance to explore 218 pictures dating from the 13th to the late 19th centuries.

This newly reopened gallery offers a different way of experiencing the nation’s collection of European paintings as it is hung in broadly chronological order, telling the entire story of 400 years of painting in a single space. It aims to enhance visitors’ appreciation and understanding of some of the National Gallery’s lesser-known paintings and it provides the space and opportunity to study these works in greater detail - and in better viewing conditions - than before. With a record-breaking 6 million visitors during 2013, the National Gallery remains committed to researching and showcasing its extraordinarily rich permanent collection.

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