Displaying items by tag: european paintings

A new exhibition at the Cloisters in Manhattan, "Treasures and Talismans: Rings From the Griffin Collection," put together by C. Griffith Mann, curator of the Department of Medieval Art and the Cloisters, explores the subtle meanings behind beloved pieces of jewelry.

A number of ancient and medieval rings, on long-term loan to the museum, are shown in a wider historical and cultural context in the exhibition. Displayed alongside the jewels is a curated selection of paintings and sculptures borrowed from the museum's Greek and Roman Art, European Paintings, and Robert Lehman Collection.

The Wallace Collection's Great Gallery, which contains paintings by masters including Rubens, Velazquez and Titian, has reopened after a £5m refurbishment.

Regarded as one of the finest picture galleries in the UK, the exhibition space had been closed for two years.

The central London gallery boasts some of the most famous 17th Century European paintings in the country.

Before 10 a.m. on a recent steamy morning, lines started forming up the front steps of the Metropolitan Museum of Art, with visitors clutching New York City street maps waiting patiently for the doors to open.

While the museum has always been a magnet for tourists during the summer months, New Yorkers who frequent the Met should be aware that there are many new things to see in its permanent galleries. Keith Christiansen, chairman of the museum’s European paintings department, has shaken things up a bit, hanging works lent for the summer and uniting treasures that have recently returned home after traveling to exhibitions around the world.

Esther Bell, a former Fulbright scholar and current curator at the Cincinnati Art Museum, was named on Wednesday as the new curator in charge of European paintings at The Fine Arts Museums of San Francisco. Bell, who specializes in 17th- and 18th-century European art, has more than a decade of experience at museums including the Metropolitan Museum of Art and the Morgan Library & Museum in New York.

Colin Bailey, director of the Fine Arts Museums of San Francisco – which includes the de Young in Golden Gate Park and the Legion of Honor, said, “We are delighted to appoint someone of Bell’s caliber who brings a depth of knowledge and expertise that will benefit our future exhibitions and the museums’ permanent collections.”

Following a two-year refurbishment, the National Gallery’s impressive gallery space, Room A, has reopened to the public. Lying beneath the main floor galleries, this permanent display offers visitors a chance to explore 218 pictures dating from the 13th to the late 19th centuries.

This newly reopened gallery offers a different way of experiencing the nation’s collection of European paintings as it is hung in broadly chronological order, telling the entire story of 400 years of painting in a single space. It aims to enhance visitors’ appreciation and understanding of some of the National Gallery’s lesser-known paintings and it provides the space and opportunity to study these works in greater detail - and in better viewing conditions - than before. With a record-breaking 6 million visitors during 2013, the National Gallery remains committed to researching and showcasing its extraordinarily rich permanent collection.

The National Gallery in London will acquire George Bellows’ ‘Men on the Docks’ for $25.5 million from Randolph College in Lynchburg, Virginia. The masterpiece, which is being purchased with money from a fund established by the late philanthropist John Paul Getty, will be the first major American painting to enter the museum’s collection.

The National Gallery houses one of the most celebrated collections of Western European paintings in the world and plans to expand its holdings to include paintings created outside of Europe but still in the Western European tradition. The Gallery decided to acquire ‘Men on the Docks’ because of its European-influenced technique and handling.

Borned and raised in Columbus, Ohio, George Bellows moved to New York City in 1904 to study with the influential artist and teacher, Robert Henri, and soon became the youngest member of the Ashcan School. Dedicated to chronicling the realities of day-to-day life, Bellows made a name as the boldest of the Ashcan artists. He is best known for his paintings of boxing matches and gritty New York City scenes.

The National Gallery currently has paintings by American-born European artists and a minor, rarely displayed work by the American landscape painter George Inness. 

On May 23, 2013, after a two and a half year renovation, the Metropolitan Museum of Art in New York unveiled 45 updated and expanded galleries of European paintings. The new space, which has increased by about a third, boasts 600 works of art dating from 1250 to 1800. Arranged in chronological order and grouped by country, the collection includes the Met’s renowned holdings of early Dutch, French, and Italian paintings.

The reimagined European painting galleries include 23 high profile loans, mainly from private collections. Works by Jan Van Eyck (1395-1441), Nicolas Poussin (1594-1665), Sandro Botticelli (1445-1510), and Peter Paul Rubens (1577-1640) will be on view for at least six months thanks to the generosity of the Met’s trustees, and patrons.

The Met’s European painting galleries have not been fully renovated since the early 1950s and this is the first overall reinstallation of the collection since 1972.

On May 23, 2013, after a two and a half year renovation, the Metropolitan Museum of Art in New York will unveil 45 updated and expanded galleries of European paintings. The new space, which has increased by about a third, boasts 600 works of art dating from 1250 to 1800. Arranged in chronological order and grouped by country, the collection includes the Met’s renowned holdings of early Dutch, French, and Italian paintings.

The reimagined European painting galleries include 23 high profile loans, mainly from private collections. Works by Jan Van Eyck (1395-1441), Nicolas Poussin (1594-1665), Sandro Botticelli (1445-1510), and Peter Paul Rubens (1577-1640) will be on view for at least six months thanks to the generosity of the Met’s trustees, and patrons.

The Met’s European painting galleries have not been fully renovated since the early 1950s. When the new galleries open next week, the Met will offer various walking guides as well as online versions of the tours.

A painting by the Italian master Tiziano Vecellio (circa 1488/1490-1576), who is known in English as Titian, was recently discovered in London’s National Gallery. Located in Trafalgar Square, the museum houses the country’s collection of Western European paintings from the 13^th to 19^th centuries.

The portrait by Titian, a pivotal member of the 16^th century Venetian school of painters, depicts Girolamo Fracastoro, a well-respected doctor at the time, draped in lynx fur. The National Gallery has owned the portrait of Fracastoro since 1924 but until recently attribution has been uncertain. The Fracastoro portrait underwent thorough restoration, revealing new information about the canvas and technique, prompting scholars and curators to uphold the attribution.

The painting is now being displayed as part of the National Gallery’s main collection. The portrait of Fracastoro is the third Titian painting to join the museum’s holdings since 2009 making the National Gallery’s Titian collection one of the finest in the world.

Opening on Sunday, December 16 at the Museum of Fine Arts, Houston, Portrait of Spain: Masterpieces from the Prado, will present over 100 masterpieces from one of the world’s most renowned collections of European paintings. Spanning from the 16^th century through the 19^th century, the exhibit explores the evolution of painting in Spain through the works of artists such as Francisco de Goya (1746-1828), El Greco (1541-1614), and Diego Velázquez (1599-1660). There will also be works on view by non-Spanish artists who influenced the country’s artistic development including Peter Paul Rubens (1577-1640), Giovanni Domenico Tiepolo (1727-1804), and Titian (circa 1488-1576).

The exhibition marks the first time that Madrid’s Museo Nacional del Prado has lent such a considerable selection from their permanent collection to a museum in the United States. The loan is part of a new initiative by the museum to broaden access to its illustrious holdings.

The works, which include both paintings and works on paper, are mainly courtly and spiritual paintings that explore the realms of society, culture, politics, and religion in Spain. The exhibit was previously on view at the Queensland Art Gallery in Brisbane, Australia, but ended its run last month. Portrait of Spain will be on view at the Museum of Fine Arts in Houston through March 31.