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The first carved woodblock prints by Wharton Esherick, an artist who was a major figure in American crafts, have just been republished. They illustrated "Rhymes of Early Jungle Folk," a book of children's verse, published in 1922.

Pieces by Esherick, known for his expressive, modernist furniture and wood sculpture, are now collected by major museums around the world. But he started as a painter at the Pennsylvania Academy of the Fine Arts in Philadelphia.

Unfortunately, nobody wanted his paintings.

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The Shaker Museum|Mount Lebanon opened its main season exhibition, Side By Side: Shaker and Modern Design, to the public on Sunday, June 28. The exhibition, which pairs Shaker works with works by contemporary and modern designers, will be on view during the museum’s hours, 10AM-4PM every Friday-Monday through October 12.

Shaker furniture has been has been widely influential to modern furniture designers. This exhibition examines the idea of modernism and its connection to ideals of utopian social reform through the lens of Shaker and modern furnishings, with works by iconic designers such as Jens Risom, Børge Mogensen, George Nakashima, and Wharton Esherick shown alongside Shaker works from the nineteenth century.

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Revered as the “Dean of American Craftsmen,” Wharton Harris Esherick played a pivotal role in establishing the American Studio Furniture Movement. A visionary in the truest sense, Esherick was the first craftsman to approach furniture as sculpture -- a notion that influenced an entire generation of designer-craftsmen, including Arthur Espenet Carpenter, Sam Maloof, and Wendell Castle (read more about Wendell Castle and his latest work).

A trained painter and printmaker, Esherick’s fascination with wood began in 1920, when he started carving designs on the frames for his paintings. Soon, he was carving woodcuts and crafting sinuous organic sculptures, furniture, and architectural interiors...

Continue reading this article about Wharton Harris Esherick at Moderne Gallery on InCollect.com.

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Wendell Castle is a living legend. Widely considered the father of the American studio furniture  movement, Castle has spent more than five decades exploring the boundaries between fine art and craft, form and function. Astonishingly prolific and ceaselessly experimental, Castle’s sculptural designs have profoundly affected how we view furniture today.

Born in Kansas in 1932, Castle earned a  BFA in Industrial Design and a MFA in Sculpture from the University of Kansas. After graduating in 1961, he moved to Rochester, New York, where he established a permanent studio and began teaching at the Rochester Institute of Technology’s (RIT) School for American Craftsmen. Along with iconic designers and furnituremakers, including  George Nakashima, Sam Maloof, Wharton Esherick, and Arthur Espenet Carpenter, Castle helped shape the studio furniture movement throughout the 1960s and 1970s.

Visit InCollect.com to read more about the Wendell Castle exhibit at Friedman Benda.

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