Displaying items by tag: programming

New York City's Park Avenue Armory has announced that the Thompson Family Foundation has donated $65 million towards a programming endowment.

The endowment allows the Armory to increase the number and frequency of performing and visual arts presentations. More importantly, the money increases the reach of its arts education initiatives for underprivileged public school children.

The Bass Museum of Art on Miami Beach will close Sunday until fall 2016 to increase programming space by 47.5% on its existing footprint with a $7.5 million city grant.

The Miami Beach Historic Preservation Board voted 6-0 Tuesday to approve the partial demolition, renovation and expansion of the two-story structure at 2100 Collins Ave.

On Saturday, April 18, 2015, the Los Angeles County Museum of Art celebrated the museum’s 50th anniversary at a special fundraising gala, co-chaired by LACMA trustees Ann Colgin, Jane Nathanson, and Lynda Resnick. The evening welcomed approximately 750 guests and raised $5 million, the proceeds of which will benefit the museum’s programming and acquisitions. LACMA’s 50th Anniversary Gala was sponsored by Christie’s.

In honor of the occasion, Mrs. Nathanson and Mrs. Resnick gifted significant works of art to the museum’s collection; in addition, the two trustees led a campaign encouraging other patrons to donate or bequeath major artworks to LACMA.

The Smithsonian Institution’s federal appropriation will increase $14.5 million to $819.5 million for the fiscal year that started Oct. 1, officials said.

Most of the money — more than $675 million — will cover salaries and expenses at the institution, including a federal pay raise of 1 percent and increases in employee benefits and other costs.

The appropriation — a small piece of the omnibus package Congress passed earlier this month — includes $6.5 million for staffing, programming and collections care for the National Museum of African American History and Culture and the final $24 million of the federal government’s commitment for its construction.

Pier Sixty was at least a bit calmer last night than the name of the evening’s main event would suggest. The MAD Gala was a lively scene, but more notable for the refinement of its revelers than any chaotic debauchery on their behalf.

But that’s fitting, after all, since the Museum of Arts and Design has recently sought to bring a more cohesive unity to the two wide-ranging charges to which the institution owes its name. Director Glenn Adamson, who has now been with the institution for just over a year, has worked to bridge the arts and design elements of MAD’s programming with a renewed focus on craft, and craftspeople. One need look no further than the museum’s current survey of emerging designers and craftspeople from Latin America to find his vision put in place.

The Los Angeles County Museum of Art hosted its fourth annual Art+Film Gala on Saturday, November 1, 2014, honoring artist Barbara Kruger and Academy Award–winning director Quentin Tarantino. Co-chaired by LACMA trustee Eva Chow and actor Leonardo DiCaprio, the evening brought together more than 600 distinguished guests from the art, design, entertainment, fashion, and music industries, among others. The evening raised $3.85 million, with proceeds supporting LACMA’s film initiatives and future exhibitions, acquisitions, and programming. The 2014 Art+Film Gala was made possible through the generous support of Gucci.

Eva Chow, co-chair of the Art+Film Gala, said "It was a truly remarkable event that saw people from the art, music, and fashion communities coming together to pay tribute to Barbara Kruger and Quentin Tarantino, two artists who push boundaries and ask questions.

Christopher Bedford, director of the Rose Art Museum at Brandeis University, has announced two major grants, both for $100,000, from The Andy Warhol Foundation for the Visual Arts and The Andrew W. Mellon Foundation.

The Warhol Foundation grant will support the exhibition “Lisa Yuskavage: The Brood,” opening in September 2015. The Mellon Foundation grant will support three years of programming triggered by the hiring of a Curator of Academic Projects, an innovative position specifically designed to integrate the Rose’s collections and programs into teaching and learning at the university, according to Brandeis.

This is the first time that the Rose Art Museum has received a grant from either foundation.

“For a long time, the Cultural Department has followed the development of the institution and pointed out a need for a change,” Sweden’s cultural minister Lena Adelsohn Liljeroth says.

Set to open on D.C.’s National Mall in 2016, the Smithsonian National Museum of African American History and Culture received a major donation toward its current capital campaign on July 4. The Ford Motor Company pledged $1 million to the under-construction museum to go toward future programming.

“We are so pleased that the Ford Motor Company Fund has chosen to join hundreds of donors from across the country to build a groundswell of support for the National Museum of African American History and Culture; we recognize this as a vote of confidence,” Lonnie G. Bunch III, founding director of the museum, said in a release.

On Sunday, August 18, 2013, the Shelburne Museum in Shelburne, VT will unveil its new Pizzagalli Center for Art and Education. To commemorate the event, the Shelburne Museum will offer free admission and host a celebration throughout the institution’s campus. Festivities will kick off at 11AM with a ribbon cutting ceremony.

The Pizzagalli Center, which was designed by the Boston-based architecture firm, Ann Beha Architects, boasts 18,000-square-feet and will allow the Shelburne Museum to expand their exhibition offerings as well as implement new programming. The Center is part of the $14 million capital campaign “The Campaign for Shelburne Museum,” which includes an endowment to maintain the center.

Founded by pioneering American folk art collector Electra Havemeyer Webb in 1947, the Shelburne Museum holds one of the most remarkable and diverse collections of art and Americana. The museum’s 150,000 holdings include Impressionist paintings, folk art, quilts, textiles, decorative arts, furniture, American paintings, and various artifacts dating from the 17^th to 20^th century, which are exhibited in 39 different buildings. Webb collected various 18^th and 19^th century structures including houses, barns, a lighthouse, a jail, and a steamboat to house her collection; 25 of the buildings are historic.

Traditionally a seasonal museum, the Shelburne will stay open year-round after the Center’s inauguration for the first time in the institution’s 66-year history.