Displaying items by tag: paul rosenberg

A lawyer representing a Jewish family trying to retrieve a long-lost Matisse painting looted by the Nazis said Tuesday a deal had been signed with the German government for its restitution.

London-based attorney Christopher Marinello, who works for the Rosenberg family, said that the order inked by German Culture Minister Monika Gruetters had now paved the way for the 1921 masterpiece "Seated Woman" to be handed back.

"I can confirm that an agreement has been signed for restitution of the Rosenberg Matisse," he told AFP in an email, following a report in German daily Frankfurter Allgemeine Zeitung to be published Wednesday.

The granddaughter of one of the world’s leading dealers of Modern and Impressionist art, whose collection was looted by the Nazis, is launching her own gallery on New York’s Upper East Side.

Marianne Rosenberg, a long time international finance lawyer, has signed a lease on a space measuring around 1,500 sq. ft in the ground floor of a townhouse on East 66th Street between Madison and Fifth Avenue, in what was formerly the home of the Dickinson Gallery. The gallery, Rosenberg & Co, is scheduled to open on March 7 and will focus on the secondary Modern market, and also work with contemporary artists.

The French journalist Anne Sinclair has resigned from the board of trustees at Paris’s Musée Picasso, after less than a month in the post.

Sinclair, the granddaughter of the late French dealer Paul Rosenberg who represented Picasso, joined the board of the beleaguered museum on 28 April. But she stepped down in mid-May after Anne Baldassari, the museum’s former director, was dismissed by Aurélie Filippetti, the French minister of culture.

Cornelius Gurlitt, the German man who had been hoarding a trove of Nazi-looted artworks in his Munich apartment, has agreed to return the works to their rightful owners. Gurlitt's lawyers are currently working with the descendants of Paul Rosenberg, a French art dealer, to return Henri Matisse's "Seated Woman/Woman Sitting in Armchair."

In November 2013, it was reported that in 2012, more than 1,400 artworks were uncovered in Gurlitt's apartment. In February 2014, around 60 more works were found in an Austrian home owned by Gurlitt, including works by Claude Monet, Pierre-Auguste Renoir, and Pablo Picasso.  Two subsequent visits turned up 178 more works.

Gurlitt, 81, is the son of the art dealer Hildebrandt Gurlitt, who reportedly acquired the works in the late 1930s and 1940s. Gurlitt's father had been put in charge of selling the stolen artworks abroad by Joseph Goebbels, Hitler's Minister of Propaganda, but secretly hoarded many of them and later claimed that they were destroyed in the bombing of Dresden. Gurlitt sold a number of the paintings over the years and lived off of the profits.

In November 2013, Gurlitt announced that he would not negotiate the return of the works in his possession.

The Henie Onstad Art Center in Norway has agreed to return a portrait by Henri Matisse to the family of Paul Rosenberg, a Jewish art dealer who had his collection confiscated by Nazis during World War II. The museum was founded in 1968 by the Olympic figure skating champion, Sonja Henie, and her husband, Niels Onstad, a shipping magnate and art collector.

The Matisse painting was among the 162 works seized from Rosenberg by Nazis in 1941. The canvas was briefly in the possession of Hermann Goering, a leading member of the Nazi party. Onstad acquired the Matisse painting, “Woman in Blue in Front of a Fireplace,” in 1950, unaware of its troubled provenance. In 2012, the Rosenberg family’s lawyer contacted the Henie Onstad Art Center and demanded the restitution of the painting. After an extensive investigation, the museum decided to return the work to Rosenberg’s heirs. The painting, which had been one of the museum’s most popular works, is estimated to be worth around $20 million.

Norway is a signatory of the 1998 Washington Conference Principles on Nazi-Confiscated Art, which requires museums to examine their collections for potentially looted works. If stolen works are found, the museums are required to try to locate the rightful owners. The Henie Onstad Art Center investigated the Matisse painting’s past only after being contacted by the Rosenbergs’ lawyer. 

The Phillips Collection in Washington, D.C. is currently hosting the exhibition Georges Braque and the Cubist Still Life, 1928-1945, the first in-depth look at the Cubist master’s works preceding World War II. During this period, Braque used the theme of still life to hone his pioneering Cubist style. The exhibition presents 44 works from this period as well as related objects that help trace the artist’s evolution from a painter of still lifes to interiors in the late 1920s, to large-scales spaces in the 1930s, to personal interpretations of everyday life in the 1940s.

The exhibition brings together Braque’s Rosenberg Quartet (1928-1929) for the first time in 80 years. The four canvases were used as models for marble panels in the Paris apartment of Braque’s art dealer, Paul Rosenberg. All in varying degrees of completion, the works come together to reveal the different stages of Braque’s artistic process.

Duncan Phillips, founder of the Phillips Collection, was a well-known champion of Braque’s work and helped introduce his paintings to a wider American audience through acquisitions and exhibitions. Georges Braque and the Cubist Still Life, 1928-1945 will be on view at the Phillips Collection through September 1, 2013.

The descendants of a Parisian art dealer are demanding that the Henie Onstad Art Center near Oslo, Norway return Henri Matisse’s (1869-1954) Blue Dress in a Yellow Armchair (1937) to them. Nazis seized the painting from its owner, Paul Rosenberg, prior to the outbreak of World War II. Ultimately, Rosenberg, one of the most prominent French art dealers and a personal friend of Pablo Picasso and Matisse, fled to New York and survived the war.

The painting in dispute has been a celebrated part of the Onstad’s collection since the museum was established in 1968. The work was donated to the fledgling institution by art collector Niels Onstad and his wife Sonjia Henie, an Olympic figure skater. Museum Director Tone Hansen attests that Onstad and Henie bought the painting from the Parisian Galerie Henri Benezit in 1950, unaware of its troublesome provenance. Hansen was unaware that Nazis had stolen the painting until the Art Loss Register, an organization that tracks lost and stolen paintings, notified him in 2012.

Art Registry documents show that Rosenberg purchased Blue Dress in a Yellow Armchair directly from Matisse in 1937. Following World War II, Rosenberg attempted to re-establish his business and tried to recover the 400+ works that had been taken from him by the Nazis. The painting was marked on Rosenberg’s personal documents as missing after the war. He also reported the painting missing to French authorities in 1946.

While Rosenberg’s heirs hope that the painting will be returned to their family, Norwegian law states that if a person has had an item in good faith for over 10 years, they are deemed the rightful owner. However, the argument is in contrast to the Washington Conference Principles on Nazi-Confiscated Art, which Norway is a part of.