Displaying items by tag: painter

Swiss dealer Bruno Bischofberger will open a gigantic new Zurich gallery to the public in June 2015 with a solo show by Spanish painter Miquel Barceló.

Spread over 250,000 square feet, the complex is currently open by appointment only. It comprises galleries, offices, storage, as well as spaces for Bischofberger's extensive art collection. A folk art museum is also in the pipeline.

The new complex has been years in the making and radically transforms the site of a former car factory in the south east of the city.

Amedeo Modigliani (1884-1920) was clearly one of the superstars of twentieth-century art. He is the best known and most loved of all modern Italian painters. Working at the epicenter of avant-garde experimentation in Paris between 1906 and 1920, he developed an artistic vision that was entirely his own. This new exhibition is the first to be devoted to the artist at the Estorick Collection and focuses on Modigliani’s works on paper, showing the spiritual and stylistic development of his portrayal of the human face and form. "Modigliani – A Unique Artistic Voice" is on view at the Estorick Collection of Modern Italian Art from April 15 until June 28, 2015.

'What I am seeking is neither the real nor the unreal but the unconscious, the mystery of what is instinctive in the human race'  - Amedeo Modigliani.

The world best remembers Leonardo da Vinci as a painter. His "Mona Lisa" and "The Last Supper" rank among the most famous works in history.

But Leonardo also was an architect, musician, cartographer, mathematician, inventor, engineer, writer, botanist and geologist, among other things. Often described as the archetype for the Renaissance man, Leonardo was curious about the world and how things work. He recorded his observations, thoughts, inventions and theories down on paper, later bound into a number of codices.

Like Keats, Hank Williams and Kurt Cobain, the Austrian painter Egon Schiele was an artist who never made it out of his 20s. He succumbed to the Spanish flu in 1918 at the age of 28, leaving behind a last, tortured sketch of his pregnant wife, made a day before she died in the same epidemic.

But for someone whose cheerless credo was “All things are living dead,” Schiele squeezed a lot out of the few years he was given. On Thursday, the Neue Galerie, a temple to German Expressionism, opens “Egon Schiele: Portraits,” the first American exhibition to focus on Schiele’s portraiture.

Padua’s celebrated Scrovegni Chapel, which houses exceptional frescoes by trecento painter and architect Giotto, was struck by a bolt of lightning on August 9.

The iron cross on the facade was seriously damaged and subsequently removed. The entire electrical system was temporarily knocked offline. The Gazetta del Sud also reports the damage of outside stones.

According to Il Secolo XIX, the news was broken almost three weeks after the event by the local association “the Amissi Piovego.” The group raised the alarm before any statement from city hall was released.

Once derided as a slavish admirer of Renoir, the painter and illustrator William Glackens is among the most intriguing and underestimated participants in the first wave of 20th-century American modernism. That perception is confirmed by the enlightening and overdue, if still deficient, survey of his dappled canvases and dazzling drawings at the Parrish Art Museum here. It should be required viewing for anyone interested in the period.

Glackens, who was born in Philadelphia in 1870 and educated at that city’s prestigious Central High School, was briefly affiliated with a loose group of urban-conscious realist painters known first as the Eight and later as the Ashcan School.

The New York Botanical Garden announces its major 2015 exhibition, Frida Kahlo's Garden, focusing on the iconic artist's engagement with nature in her native country of Mexico. Opening on May 16, 2015, and remaining on view through November 1, 2015, the exhibition will be the first solo presentation of Kahlo's work in New York City in more than 25 years, and the first exhibition to focus exclusively on her intense interest in the botanical world.

Visitors to the Enid A. Haupt Conservatory will walk through a stunning flowershow re-imagining Kahlo's studio and garden at Casa Azul ("Blue House") in Coyoacán, Mexico City. Curated by distinguished art historian and specialist in Mexican art Adriana Zavala, Ph.D., the multifaceted exhibition will include a rare display of more than a dozen original Kahlo paintings and drawings on view in the LuEsther T. Mertz Library's Rondina and LoFaro Gallery at the Garden. Accompanying events invite visitors to learn about Kahlo's Mexico in a new way through poetry, lectures, themed events, tours, a Mexican food market, and an iPhone app.

A unique scholarly institute devoted to Francis Bacon is to open in Monaco, where the painter drew inspiration from the light and landscape, as well as the principality's gambling dens and bars.

The idea of the wealthy Lebanese-born property developer Majid Boustany, the Francis Bacon MB Art Foundation's collection will bring together previously unseen photographs, oil paintings from the 1920s to the 1980s, and furniture and rugs from Bacon's spell as an interior designer. There will also be an extensive library open to scholars and members of the public by appointment.

The National Gallery of Art unveils a show of artwork from one of America's best known painters, Andrew Wyeth, on May 4th that has a decidedly new twist. The exhibit focuses on Wyeth’s fascination with windows – an apparently unnoticed feature of his work that came to light when a curator began wondering about a Wyeth acquisition that came to the gallery in 2009.

The evocative painting of a window with gently billowing curtains and a landscape through the window, “Wind from the Sea,” made curator Nancy K. Anderson start looking for more. “Are we making this up?” she asked, only to have Wyeth family members confirm his interest in windows.