Displaying items by tag: cooper union

Cooper Union has struck a deal–overseen by Eric T. Schneiderman, New York’s attorney general–that could help solve the school’s fiscal crisis, and might also lead the institution to eventually return to its longstanding tuition-free model. The school’s administration started charging students in 2014, breaking Cooper Union’s long tradition of tuition-free education. This is all according to the Committee to Save Cooper Union (CSCU), an organization that has been involved in a legal battle with school trustees, prompting an investigation by the attorney general’s office.

Jamshed Bharucha, the president of the Cooper Union for the Advancement of Science and Art since 2011, has resigned in the latest development in a battle over the historically tuition-free school's move to charge tuition of students who matriculated in fall 2014.

Peter Cooper, who founded the school in 1859, said that education should be "as free as air and water." Shortly after Bharucha took office, he announced that the school had been running at a significant budget deficit for years and that charging tuition would have to be "on the table" as an option to bridge the gap.

The Cooper Hewitt, Smithsonian Design Museum in New York City is the only museum in the United States devoted exclusively to design. It was founded in 1897 by the Cooper/Hewitt family as part of the Cooper Union for the Advancement of the Science and Art and became a part of the Smithsonian in 1967. The institution has a collection of more than 200,000 items, houses an amazing design library, offers educational programs, and sponsors the National Design Awards. It is the foremost authority on design in the country but was long overdue for a makeover. Later this year, the museum will reopen with a new identity befitting the nation's preeminent repository of good design but their relaunch has already started online with a new website and a tailor-made typeface.

A printmaker and painter, there is a quiet, striking quality that pervades all of Will Barnet’s art. Best known for his portraits of women, children, animals, family members, and friends, Barnet passed away at his home in Manhattan on November 13. He has lived at the National Arts Club building on New York City’s Gramercy Park since 1982. Barnet was 101.

A native of Beverly, Massachusetts, Barnet studied at the School of the Museum of Fine Arts, Boston and then, starting in 1931, at the Arts Students League in New York. It was here that Barnet studied briefly with the early Modernist painter Stuart Davis and became acquainted with Arshile Gorky, a major influence on Abstract Expressionism. Four years after joining the League, Barnet was named the official printer and went on to work for the Works Progress Administration Federal Art Project. He also made prints for well-known artists such as the Mexican muralist Jose Clemente Orozco and the painter and cartoonist William Gropper.

Barnet started out as a Social Realist printmaker and had his first solo exhibition in 1935 at the Eighth Street Playhouse in Manhattan. Three years later, he had his first gallery show at the Hudson Walker Gallery. It was during this time that he married Mary Sinclair, a painter and fellow student. They had three sons.

In the 1940s Barnet was inspired by Modernist inclinations and his paintings became more colorful and fractured, depicting family scenes and young children. By the end of the decade Barnet moved towards complete abstraction after becoming involved with the Indian Space Painters, a group that created abstract paintings using forms from Native American art and modern European painting.

In the 1950s Barnet divorced Sinclair and remarried Elena Ciurlys with whom he had a daughter. It wasn’t until the 1960s that Barnet returned to representational painting, often using his wife and daughter as subjects. Barnet’s style had evolved and the portraits from this time are flatter and more exact. He also made a number of portraits of the architect Frederick Kiesler, the art critic Katherine Kuh, and the art collector Roy Neuberger during this time.

Barnet never stopped painting and continued to experiment and evolve stylistically, returning to abstraction in 2003. In 2010 he was the subject of the exhibition Will Barnet and the Art Students League at the Phyllis Harriman Mason Gallery in Manhattan. He was awarded a National Medal of Arts in 2011, which he accepted from President Obama at a ceremony at the White House. The subject of many museum retrospectives, Will Barnet at 100, which took place at the National Academy Museum in 2011, was the last.

   Besides his work as an artist, Barnet was also an influential instructor. He taught graphic arts and composition at the Art Students League in 1936 and went on to teach painting at the school until 1980. Barnet also taught at Cooper Union from 1945 to 1978 and briefly at Yale, the Pennsylvania Academy of Fine Arts, and other schools.

Barnet is survived by his wife, three sons, one daughter, nine grandchildren, and three great-grandchildren.