Displaying items by tag: artifact

Last Saturday, a hapless museum-goer was taking in the ancient exhibits at the Heraklion Archaeological Museum on the Greek island of Crete, when she suddenly tripped and fell. In doing so she, grabbed onto a 4,000 year-old Minoan vase to break her fall and shamefully smashed the prehistoric artifact, the "Daily Mail" reports.

The Greek Culture Ministry said the culprit suffered minor injuries to her legs, while the vase on the other hand, was completely destroyed. Restorers at the institution are optimistic, however.

The Cleveland Museum of Art announced it is returning its sculpture of a Hindu god to Cambodia.

The sculpture of Hanuman has belonged to the museum since 1982. But in 2013, museum officials learned the statue was likely part of a temple complex called Prasat Chen.

The Cleveland Museum of Art sent experts to Cambodia and recently found evidence the 10th-century sculpture was at the temple’s gate.

Chinese billionaire Liu Yiqian is known to set record prices at art auctions worldwide. At a Sotheby’s sale in Hong Kong on Tuesday, the Shanghai-based Liu proved himself once again.

This time, he bought a Southern Song dynasty-era (1127-1279) vase for 113.9 million Hong Kong dollars ($ 14.7 million). The price is one of the highest ever paid at an auction for a ceramic vase of that period. The crackled bluish-green artifact is part of the Guan Yao, or official ware created for the imperial court of that time.

A pair of American tourists were pinched by Italian police when Fiumicino airport authorities in Rome discovered a stolen Pompeii relic in their luggage, reports the Local. The remarkably ill-advised crime rivals our favorite Italian art news story of the year, “Italian Student Smashes Sculpture While Taking Selfie” in its general stupidity.

The massive artifact, which was removed from a building at the historic site, weighed more than 65 pounds, but that wasn’t about to stop the thieves from smuggling it on board an aircraft and back to the States.

A Chinese organization has appealed to Japan's Emperor Akihito to return a 1,300 year-old stele taken from China over a century ago, state media reported.

The Honglujing Stele was "looted by Japanese soldiers early last century from northeastern China", the official Xinhua news agency said, and now sits in "virtual seclusion" in Tokyo's Imperial Palace.

The stone monument, 1.8 metres (six feet) tall and three metres wide, shows that the first king of the northeast Asian Bohai kingdom was given his title by a Chinese emperor from the Tang Dynasty (618-907), the report said.

The Northampton Museum and Art Gallery and the Abington Park Museum are both being excluded from the UK’s Accreditation Scheme for museums by the Arts Council, reports the BBC. The decision to sanction the museums comes after the Northampton Borough Council, which runs both institutions, sold the Sekhemka limestone statue, an ancient Egyptian artifact, at Christie’s last month.

As reported by artnet News, the local community opposed the sale of the 4,000-year-old statue, organizing to form the Save Sekhemka Action Group. They have since dubbed the auction day “the darkest cultural day in [Northampton's] history.” The auction was also condemned by Egyptian ambassador Ahsraf Elkholy, who called it “an abuse to the Egyptian archaeology.”

For years, Italy, Greece, and other ancient lands have accused American museums of ignoring evidence that antiquities in their collections were looted from archaeological sites. Five years ago, the Association of Art Museum Directors (AAMD) responded by making the requirements for acquiring ancient works much more stringent. The revised guidelines advised American museums against acquiring works unless solid proof existed that the artifact, prior to 1970, was outside the country where it was discovered in modern times, or was legally exported from that country after 1970.

 1970 remains an important date, as it marks the year UNESCO put a stop to the illicit trafficking of antiquities. The year is now regarded as the standard cutoff for collecting. Works that appear on the market without documentation dating back that far are much more likely to have been stolen, looted, or smuggled out of their countries.

 On Wednesday, January 30, 2013 the AAMD announced a few additional restrictions for American museums. The AAMD, which has 217 member museums in North America, now requires institutions to post a public explanation on the AAMD’s website if they acquire any ancient works with spotty ownership records. In addition, the museum much provide an image of the object, any known provenance information, and an explanation as to why they decided to acquire the work. If an institution fails to comply, they will be subject to ethical scrutiny and possible expulsion from the AAMD.

 Officials hope that the tighter acquisition regulations will discourage American museums from obtaining questionable artifacts while supporting transparency between the United States and nations of origin who may lay claim to the antiquities.

The J. Paul Getty Museum in Los Angeles will return a terracotta head depicting the Greek god Hades to Sicily. The museum has been working with Italian officials for two years to decide whether or not the artifact should be returned. The Getty purchased the terracotta head from New York collector Maurice Tempelsman for $530,000 in 1985. Tempelsman had originally acquired the piece from the disgraced antiquities dealer Robin Symes.

Officials determined that the terracotta head was originally located in Sicily at a sanctuary site for the goddess Demeter and her daughter Persephone. The piece’s provenance was discovered by comparing the head to four terracotta fragments found near the famous and highly looted archaeological site Morgantina in Sicily. It soon came to light that the head was illegally excavated from Morgantina in the early 1970s.

The Getty entered into an agreement with Italy’s Ministry of Culture in 2007 after a long legal battle regarding looted works and the museum’s former curator, Marion True. The Getty now has connections in various parts of Italy to facilitate cultural exchange and has been working closely with Sicilian officials since 2010.

The head of Hades will be on view at the Getty Villa as part of the exhibition The Sanctuaries of Demeter and Persephone at Morgantina through January 21, 2013. The work will then join the Getty-organized traveling exhibition Sicily: Art and Invention between Greece and Rome before being placed in Sicily’s Museo Archeologico.