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A highly-anticipated permanent replacement for the University of Iowa’s flood-devastated Museum of Art building now has an architect on board.

Project developer H+H Development Group of Iowa City has identified BNIM Architects of Des Moines and Kansas City as “architect of record” for the new museum, the university announced Monday.

The firm was chosen, in part, for its “wide range of notable projects, both nationally and internationally,” according to Rod Lehnertz, interim vice president of finance and operations and director of planning, design, and construction for UI Facilities Management.

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The J. Paul Getty Museum in Los Angeles announced that its exhibition dedicated to Jackson Pollock’s recently restored “Mural,” has given the museum a welcome boost in attendance. In March, 127,466 patrons visited the Getty, an increase of 3% from the same month in 2013. Last year, the museum also saw an unusually high attendance rate due to an exhibition of Johannes Vermeer’s “Woman in Blue,” which was on loan from the Rijksmuseum in Amsterdam. From 2010 to 2012, average March attendance at the Getty hovered around 97,000.

“Mural," a stunning oil-on-canvas measuring more than 8 feet tall and nearly 20 feet long, recently underwent a year-long restoration at the Getty. Conservators removed a layer of varnish from “Mural,” which now appears much brighter and closer to its original appearance. The work, which was painted in 1943 for the well-known art collector Peggy Guggenheim, represents a turning point in Pollock’s career in which he gravitated towards the abstract expressionist characteristics that define his seminal “drip” paintings. The work belongs to the University of Iowa Museum of Art, which received it as a gift from Guggenheim in 1951.

The Pollock show opened at the Getty on March 11 and details the conservation of the painting. During the first week of the exhibition, the Getty welcomed 29,374 visitors, a 25% increase from the first week of the month. The last week of March saw a 46% jump from the first week of the month.

"Mural" will remain on view at the Getty through June 1.

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Jackson Pollock’s “Mural,” a stunning oil-on-canvas measuring more than 8 feet tall and nearly 20 feet long, is currently on display at the J. Paul Getty Museum in Los Angeles. The painting recently underwent an extensive restoration at the Getty Center, which took over a year to complete.

“Mural,” which was painted in 1943 for the well-known art collector, Peggy Guggenheim, represents a turning point in Pollock’s career in which he gravitated towards the abstract expressionism that defined his seminal “drip” paintings. The work belongs to the University of Iowa Museum of Art, which received it as a gift from Guggenheim in 1951.

Restorers removed a varnish that was added to the painting during a 1973 restoration. While the previous conservation effort helped preserve the work, the varnish significantly darkened the painting’s colors. “Mural” now appears much brighter and its colors are closer to their original intensity.

During the restoration process, conservators made a number of new discoveries regarding the Pollock painting. It had long been believed that the artist created “Mural” in a single creative burst that lasted between 24 and 36 hours. Restorers noticed that Pollock’s initial paint marks, which cover the entire canvas, were made in four highly diluted colors, which could have been created in a day. However, the other additions to the canvas would have taken much longer than that to dry. Restorers also confirmed that Pollock used house paint as well as high-quality oil paints to make “Mural.”

“Mural” will remain on view at the J. Paul Getty Museum through June 1. After it leaves Los Angeles, the painting will go on view at the Sioux City Art Center in Iowa for several months.

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