Displaying items by tag: bruce nauman

Contemporary art giant Bruce Nauman will be honored with a full-dress retrospective, organized by New York's Museum of Modern Art and the Schaulager, in Basel. It's slated to open at the Schaulager in March 2018 and come to New York in September that year.

Co-curating the show are MoMA's associate director, Kathy Halbreich, Schaulager's senior curator Heidi Naef, and MoMA curatorial assistant Magnus Schaefer.

Phillips will inaugurate its new auction house and exhibition space in London’s Mayfair on October 6th with a group exhibition of contemporary sculpture, dreamt up by star curator Francesco Bonami. The exhibition will be on view during Frieze Week, alongside works to be offered at the Contemporary Art Evening and Day Auctions on October 15th and 16th.

“A Very Short History of Contemporary Sculpture” includes 33 works by internationally renowned artists, including Carl Andre, Bruce Nauman, Louise Bourgeois, Felix González-Torres, Matthew Barney, Damien Hirst, Donald Judd, Jeff Koons, and Ai Weiwei.

Christie’s has announced that it will offer eleven works from Cy Twombly’s personal collection during its upcoming sale of Post-War and Contemporary Art in New York. The works, which are being offered by the Cy Twombly Foundation,  were all created between 1961 and 1967 by artists represented by the legendary Leo Castelli Gallery -- Twombly’s dealer for over four decades. The collection is expected to fetch around $15 million.

Twombly, who is best known for his calligraphic, graffiti-like paintings, collected works by his friends and contemporaries, including Roy Lichtenstein, Andy Warhol, Bruce Nauman, and Claes Oldenburg.

As a small-town Midwestern boy in the 1940s, Robert Duncan saved souvenir license plates from cereal boxes, not knowing that he was igniting a passion for collecting painting and sculpture.

"The stakes are just higher in contemporary art," says Mr. Duncan, now 72, "and the game is more fun."

Mr. Duncan and his wife, Karen, have spent decades building a collection of contemporary art that former museum director George Neubert ranks among the 50 best in the country. It encompasses nearly 2,000 works by such artists as Louise Bourgeois, Bruce Nauman, Yinka Shonibare and Kiki Smith.

The couple live in Lincoln, Neb., but maintain strong ties with their hometown of Clarinda, Iowa, where they went on their first date as junior-high students. The Duncans are turning the 1908 Carnegie library there into the Clarinda Carnegie Art Museum.

Widely considered one of the greatest sculptors of all time, British artist Henry Moore played a pivotal role in translating modernism into three dimensions. A new exhibition at the artist’s former home in Hertfordshire, England, examines the influence that Moore’s soaring, organic sculptures had on contemporary art.

“Body & Void: Echoes of Moore in Contemporary Art” presents works by some of the world’s most celebrated contemporary arts, including Damien Hirst, Rachel Whiteread, Antony Gormley, and Anish Kapoor. Works by a number of post-war artists, such as Joseph Beuys and Bruce Nauman, are also included in the exhibition. Site specific works by leading British artists Richard Deacon and Robert Long have been commissioned as part of the show.

“Body & Void” presents sculptures that examine Moore’s central themes, including the exploration of internal and external space, mother and child, and figures in a landscape, alongside contemporary works that touch on the same topics. For example, Hirst’s “Mother and Child (Divided),” a bisected cow and calf floating in giant tanks of formaldehyde, appears between Moore’s rose marble sculpture “Mother and Child” and “Stringed Mother and Child,” a single plaster cast that features two forms connected by a series of cords. The three works explore the same mother and child relationship in vastly different ways.

“Body and Void” fills the galleries and gardens at Perry Green, where Moore lived and worked for 50 years. The estate is also home to the Henry Moore Foundation, which was established by the artist in 1977. Although Moore amassed considerable wealth during his lifetime, he chose to live frugally and put most of his fortune towards endowing the Foundation, which continues to support education and promotion of the arts.  

“Body & Void: Echoes of Moore in Contemporary Art” will remain on view at Perry Green through October 26.

The inaugural Frieze Masters fair is already drawing comparisons to TEFAF Maastricht, the pinnacle of Old Masters fairs that takes place annually in the Netherlands. Featured alongside the contemporary art world staple, the Frieze Art Fair, Frieze Masters has been watching the sales add up.

Highlights include a Louise Bourgeois bronze, Avenza Revisted (1968–69), that was sold by New York’s Cheim & Reid gallery for $1.5 million, Bruce Nauman’s installation, Parallax Shell (1971), along with the drawing for it, which was sold by Sperone Westwater (New York) for $2–3 million, and Pablo Picasso’s Homme et Femme au Bouquet (197) which brought in around $9 million during the fair’s preview thanks to Wan de Weghe Fine Art (New York).

Concluding on October 14, Frieze Master still has plenty of time to keep the sales coming.

President Obama has the art world on his side once again. The west coast artists’ edition publisher and workshop, Gemini G.E.L., is aiding the Democrat’s re-election campaign with help from the blue-chip "Artists for Obama" portfolio fundraiser, comprised of limited-edition hand-printed lithographs, etchings, and screen prints, debuting this week.

The portfolio includes pieces from 19 artists, including John Baldessari, Frank Gehry, Julie Mehretu, and Bruce Nauman, among other art stars. Though all of the artworks were made specifically with the re-election in-mind, some carry more obvious themes of social and political commentary than others.

Unilever has ended its sponsorship of Tate Modern's Turbine Hallannual commission that has produced some of the London gallery's most memorable exhibitions.

Tino Sehgal's These Associations, the first live performance piece in the former Bankside power station, will be the final work in the Unilever-sponsored series, which has attracted almost 30 million visitors over the past dozen years. The £4.4m sponsorship deal with Unilever, has led to 13 commissions.