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A court handling the late art collector Cornelius Gurlitt's inheritance says it has formally authorized the return of the first two paintings from his trove to their rightful owners' descendants.

The Munich district court said Tuesday it approved the handover of Henri Matisse's "Woman Sitting in an Armchair" and Max Liebermann's "Two Riders on the Beach" after both potential heirs to Gurlitt's collection endorsed the move.

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Germany said Wednesday experts had established a Camille Pissarro painting from the Cornelius Gurlitt art trove was looted by the Nazis and should be returned to the heirs of its rightful owners.

The oil painting from 1902 entitled "La Seine vue du Pont-Neuf, au fond le Louvre" (The Seine seen from the Pont Neuf) is "absolutely certain" to have been looted by Hitler's regime, the German culture ministry said.

"For the restitution, we are already in contact with the heiress of the former owner," Culture Minister Monika Gruetters said in a statement, without identifying the family.

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The family heirs of Cornelius Gurlitt, the German recluse who was discovered to have a hoard of suspected Nazi-looted art in his Munich apartment, have declared that if they inherit the collection they will immediately return any looted artworks to their rightful owners.

Gurlitt, who died in May at the age of 81, left his entire art collection to a Swiss art museum in what was widely seen at the time as a final act of revenge against the German authorities for trying to part him from his beloved paintings.

But the Kunstmuseum Bern is yet to decide whether to accept the bequest, and if it declines, the artworks will revert to Gurlitt's family heirs.

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French senator Corinne Bouchoux is urging French museum officials to take closer looks at their prized holdings as many public art collections contain works looted by Nazis during World War II. Bouchoux has led an investigative committee devoted to uncovering Nazi-looted artwork in France, which prompted her to ask museums to be more thorough in their provenance research.

Bouchoux revealed that out of the 100,000 artworks stolen from Jewish families in France and Belgium, approximately 2,000 of those works were still present in French museums. Many of these museums were designated “national museums of recovery,” which allowed the institutions to keep the works as long as they did not become property of the state and if identified, the rightful owners could reclaim them.

Bouchoux wrote her doctoral thesis, which has just been published as a book, on Nazi-looted art in France and has suggested nine proposals to direct the stolen works back to their rightful owners or offer restitution for them.

In line with Bouchoux’s efforts, the Shoal Memorial in Paris presents the exhibition Looting of the Jews: A State Policy (1940-44), which grants visitors a glimpse of the goods, including artworks, that originally belonged to Jews in France. The show is on view through September 29, 2013.

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