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Paintings by the Hudson River School artist Jasper Cropsey reside in the White House, the National Gallery of Art, the Metropolitan Museum of Art and museums at Yale and Princeton, but the best place to commune with Cropsey’s glorious 19th-century landscapes is in an oasis in Hastings-on-Hudson.

Not far from the rush of Metro-North trains on the Hudson Line, behind a commuter parking lot, is the Gallery of Art, which houses roughly 75 paintings spanning the career of an artist who idolized Thomas Cole and taught himself to paint well enough to join the likes of John Frederick Kensett and Frederic Edwin Church in the Hudson River School’s top tier.

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Gifts from three families affiliated with the Princeton University Art Museum have established the John Wilmerding Curatorship of American Art. The endowed curatorship honors John Wilmerding, an esteemed scholar, curator, collector and Professor of American Art, Emeritus at Princeton University. Karl Kusserow, the museum’s current curator of American art, has been named the inaugural Wilmerding curator.

An anonymous donor with long-standing ties to Princeton made the first gift towards the curatorship. The Sherrerd family, who previously established two funds in support of scholarship and programming in American art at Princeton, and the Anschutz family, which includes one of Wilmerding’s former students, made additional contributions.

Wilmerding, who assumed emeritus status in 2007 and retired from Princeton last spring, has been reappointed by President Obama to the Committee for the Preservation of the White House. He is a trustee of the Crystal Bridges Museum of American Art, the Guggenheim Museum, and the Wyeth Foundation of American Art. Kusserow, who joined the Princeton University Art Museum in 2005, previously held positions at the Yale University Art Gallery and the Metropolitan Museum of Art. He has organized numerous important exhibitions and his articles and reviews have appeared in American Art, Drawing, Folk Art and The Journal of American History.

James Steward, director of the Princeton University Art Museum, said, “This endowed curatorship not only honors one of the most eminent and versatile scholars of our time, and one of the Museum’s greatest friends, John Wilmerding, but also recognizes the Princeton University Art Museum’s excellence in American art and visual culture. The very first work of art to enter Princeton’s collection in the 1750s was, in fact, an American painting. With this endowment, our work in American art can go forward with confidence and assure Princeton’s leadership in the field of American studies.”

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