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Displaying items by tag: new york public library
Margaret Tanchuck was cleaning out her late father’s jewelry store about a year and a half ago when she found some old Bibles and books, including a centuries-old manuscript by Benjamin Franklin potentially worth more than $1 million.
The only catch was the New York Public Library call numbers on the spines.
Now, the manuscript—a handwritten workbook of the items printed in Mr. Franklin’s print shop in the 18th century—and seven other rare books are at the heart of a contentious dispute between the 50-year-old Nassau County woman and the library, which alleges the books were stolen from the library decades ago.
Thomas Jefferson’s handwritten copy of the Declaration of Independence, on loan from The New York Public Library, and the Delaware copy of the US Bill of Rights, on loan from The US National Archives, two of the most iconic documents in American history, are in the UK for the first time and on display at the British Library from last Friday in the world’s largest exhibition about Magna Carta.
"Magna Carta: Law, Liberty, Legacy" unites over 200 exhibits, including iconic documents, such as two of the four surviving 1215 Magna Carta manuscripts, artworks, medieval manuscripts, Royal remains, weaponry and 800 year old garments, through to modern interpretations and satires of the document, to tell a revealing story of how Magna Carta has become a global symbol of freedom.
The first significant new museum of American art in nearly half a century debuted in 2011. But to view Crystal Bridges' collection—from a Gilbert Stuart portrait of George Washington to Jackson Pollock canvases—you don't travel to New York, Los Angeles or Chicago. You head down a forested ravine in a town in northwestern Arkansas.
As museum founder and Walmart heiress Alice Walton scooped up tens of millions of dollars' worth of art from across the country, thinly veiled snobbish rhetoric began to trickle out from the coasts. Most notably, when she purchased Asher B. Durand's 1849 "Kindred Spirits" from the New York Public Library for $35 million, some culturati bristled at the thought that this famed Hudson River School landscape would be leaving for Bentonville. The controversy raised the question: Who deserves access to great art?
New York City’s Landmarks Preservation Commission would do well to turn down the Frick Collection’s proposed expansion, which imagines replacing a prized garden on East 70th Street in Manhattan with a clumsy addition. The city should avoid another self-inflicted wound, and there are other options.
The plan, announced last month, ran into early headwinds. New Yorkers have seen the consequences of trustee restlessness and real estate magical thinking, which destroy or threaten to undo favorite buildings. Not so long ago, the Morgan Library & Museum, another Gilded Age landmark, built an addition that flopped. The New York Public Library wanted to disembowel its historic building at 42nd Street before thinking better of it.
It’s time again to thank Messrs. Carnegie, Frick, Warburg, Vanderbilt, Morgan & Co. The plutocrats of the last Gilded Age left us unfathomable architectural treasures that we cherish and fight over but are still not sure how to care for. They erected houses, museums, and libraries in the form of temples and Renaissance palazzos, great hunks of ornate stone, carved wood, and intricate parquet, anthologies of precious materials and medieval craft. Some have been lost; touch what’s left and we get angry, alter them and we despair. As Manhattan keeps remaking itself, one shuttered shoe-repair store and vanished brownstone at a time, these ornate piles endure—the Frick, the Cooper Hewitt, the Public Library, the Metropolitan Museum, each with its tribe of passionate loyalists.
None of them is pristine. From the beginning, they experienced decades of fitful renovation, and their occupants still keep bursting through walls. There’s never enough space. Some institutions wear their history more lightly, or have the luxury of starting fresh.
The iconic Rose Main Reading Room at the New York Public Library‘s 103-year-old 42nd Street flagship will remain closed for six months after a plaster rosette fell from the ceiling last month, according to a press release.
The nearly two-block-long room, which sees an average of 2.3 million visitors each year, boasts gorgeous 52-foot tall ceilings adorned with intricate plaster detailing and murals of billowing pink clouds. The space was last restored in 1998, thanks to a $15 million gift from the Rose family, whom the room is now named after.
The New York Public Library’s revised renovation plan — to upgrade the Mid-Manhattan Library and create more public space in its flagship Fifth Avenue building — is expected to cost about $300 million, according to library officials who outlined new details of the project in interviews.
The anticipated budget matches what the library had originally suggested its previous plan — to insert a circulating branch at its main library at 42nd Street — might cost.
But officials, for the first time, revealed that the original plan, mostly scrapped last month in large part because of questions about the price tag, would actually have cost more than $500 million, according to independent estimates they commissioned last June.
The New York Public Library has pulled the plug on its planned stack attack.
The NYPL announced Wednesday it was abandoning plans to turn its iconic branch on 42nd St. from a research facility into a circulating library, a scheme that would have required the demolition of the historic book stacks under the landmark building’s Rose Reading Room.
“Throughout this process our focus has been making this library even better for our millions of visitors by creating an improved space for our largest circulating branch,” library president Tony Marx said.
Since 2012, the New York Public Library has received considerable criticism stemming from its plan to renovate its landmark building on Fifth Avenue in Manhattan. On Wednesday, April 16, the backlash continued when a group of scholars filed a lawsuit stating that former New York Mayor Michael Bloomberg and his administration approved the renovation project without fully evaluating its environmental impact.
The lawsuit argues that the project was approved the same day that the library submitted its application, which did not allow for an adequate assessment of the effects of the renovation. The suit asks the court to annul the approval and assign the matter to the City Council or another agency.
Initially, the New York Public Library planned to clear out the book stacks in the century-old back portion of its building, which would require relocating over three million volumes to a storage space under Bryant Park as well as another facility in Princeton, NJ. In July 2013, a group of historians and preservationists filed a lawsuit asking library officials and the project’s architect, Norman Foster, to reconsider their plan. The group also filed an application to have the library’s iconic Rose Main Reading Room landmarked in order to protect the book stacks. When the city approved the library’s proposal in December 2013, it demanded that the library develop a plan to protect the reading room and create an historical record of any book stacks that could be demolished in the renovation. The library has been working with Foster to create a new design that would retain the reading room and the book stacks. The plan has not yet been released.
Two lawsuits aiming to halt the renovation are still pending.
Back in December 2012, officials at the New York Public Library (NYPL) received considerable opposition after releasing a number of important details pertaining to the institution’s $300 million renovation. The part of the project that prompted the most backlash involved clearing out the century-old back portion of the library, which is housed in a landmark building on Fifth Avenue in Manhattan. Over three million volumes were to be relocated to a storage space under Bryant Park as well as another facility in Princeton, NJ.
In July 2013, a group of historians and preservationists filed a lawsuit again the library, asking NYPL officials and the project’s architect, Norman Foster, to reconsider their plan. The group also filed an application to have the library’s iconic Rose Main Reading Room landmarked in order to protect the book stacks, which support the room’s structural integrity.
While the lawsuit has not yet gone to court, the NYPL’s president, Anthony Marx, and Foster have responded to the plaintiffs, insisting that a revised plan, which will be released this fall, includes a new circulating library under the Rose Main Reading Room. Marx and Foster also announced that the new design will incorporate the book stacks as “a prominent feature.”
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