Displaying items by tag: national maritime museum

The smartly dressed man with frown lines and a bristling moustache is as much a mystery as the rollicking scene in Vulcan's forge, where a cherub is in imminent danger of being clouted by the blacksmith's hammer. They are among thousands of enigmatic paintings, hanging in galleries, council chambers, boardrooms and fire stations, about which almost nothing is known.

The public, however, is being invited to turn art detective, and help trace artists, dates, subjects and other helpful information about the paintings.

London’s National Maritime Museum is currently hosting Turner and the Sea, the first large-scale exhibition to explore J.M.W. Turner’s lifelong fascination with the sea. The British Romantic painter, who is often called the “painter of light,” was drawn to the sea’s sublime yet dangerous nature and spent decades trying to capture its wild beauty.

Turner and the Sea includes 120 works from some of the world’s most prestigious institutions including London’s National Gallery, the Tate, the Yale Center for British Art, the British Museum, the Metropolitan Museum of Art, and the National Gallery of Art in Washington, D.C. Works on view range from Turner’s transformative paintings of the 1790s to his unfinished works created towards the end of his life. Highlights include The Battle of Trafalgar, Turner’s largest painting and only royal commission; Fishermen at Sea, the first oil painting Turner exhibited at the Royal Academy; The Wreck of a Transport Ship, which has not been seen in London since the 1970s; and The Wreck Buoy, Turner’s last exhibited marine painting.

Turner and the Sea will be on view at the National Maritime Museum through April 21, 2014.

Two important 18^th century oil paintings by English artist George Stubbs will stay in Britain after an appeal backed by the well-known naturalist and broadcaster David Attenborough. A £1.5 million donation from shipping magnate Eyal Ofer helped the National Maritime Museum acquire the works. The Heritage Lottery Fund, the Monument Trust, the Art Fund and members of the public also made significant donations.

 The paintings, which went on display at London’s Royal Academy in 1773, gave the British public their first glimpse of a kangaroo and a dingo. In January, after being sold to a buyer outside of the UK, the paintings were placed under a temporary export bar by the British government. The ban granted the British public enough time to raise enough funds to keep the culturally significant works in the UK.

Since Stubbs was unable to paint the animals, which are native to Australia, from life, he created Kongouro from New Holland (The Kangaroo) and Portrait of a Large Dog (The Dingo) from spoken accounts. He also made sketches of the kangaroo after inflating the animal’s preserved skin. Stubbs won praise for bringing the likenesses of the foreign animals to the British public for the first time. It is believed that Sir Joseph Banks commissioned the paintings after assisting in Captain James Cook’s voyage to the Pacific.

The works will go on display in the historic Queen’s House, which is part of the National Maritime Museum this coming summer. The gallery space will be named The Eyal Ofer Gallery.

In February 2013, the British government placed a temporary export ban on two important oil paintings by George Stubbs (1724-1806), an English painter best know for his depictions of horses. The works, which went on display at London’s Royal Academy in 1773, gave the British public their first glimpse of a kangaroo and a dingo.

The export ban went into effect shortly after it was decided by the Reviewing Committee on the Export of Works of Art and Objects of Cultural Interest that the paintings were of outstanding significance for the study of 18^th century exploration of Australia and the public dissemination of knowledge during the Enlightenment. The point of the export ban was to grant UK museums enough time to raise the £5.5 million necessary to keep the Stubbs paintings in the UK.

The National Maritime Museum in London has launched a £1.5 million bid to acquire Kongouro from New Holland (Kangaroo) and Portrait of a Large Dog (Dingo). The museum has already secured £3.2 million from the Heritage Lottery Fund and an additional £200,000 from the Art Fund. If the Maritime Museum’s appeal is successful, the paintings will initially go on display in the Queen’s House in Greenwich in 2014.

Stubbs created the Kongouro and Portrait of a Large Dog based on spoken accounts, as he had never actually seen the animals. It is believed that Sir Joseph Banks commissioned the paintings after assisting in Captain James Cook’s voyage to the Pacific. Following their completion, Stubbs won praise for bringing the likenesses of the foreign animals to the British public for the first time.