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The Louvre has announced the June 6, 2014 reopening of its newly restored and reinstalled 18th-Century Decorative Arts Galleries. One of the most comprehensive collections of 18th-century French decorative arts in world, this is the first time since 2005 that the collection is on view to the public. The 35 galleries—which span 23,000 square feet—display over 2,000 pieces in object-focused galleries and period-room settings. The new installation traces the evolution of French taste and the decorative arts, emphasize the major artisans and artists of the period, and highlight the renowned collectors and patrons of the era.

The exhibition design was conceived collaboratively by interior designer and French decorative-arts connoisseur Jacques Garcia and the curators in the Department of Decorative Arts under the direction of Marc Bascou. The architectural project management for the new galleries was entrusted to Michel Goutal, the Louvre’s senior historical monument architect, with technical assistance provided by the Louvre’s Department of Project Planning and Management.

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The Louvre announced that it will reopen its 18th-century decorative arts galleries on June 6 following an eight-year restoration and reinstallation. The Parisian museum’s sweeping collection of more than 2,000 decorative objects will be dispersed among 35 newly-renovated galleries in the north wing of the Louvre’s Cour Carrée. The galleries, which boast 23,000 square feet of exhibition space, were originally expected to reopen last year. Before this extensive restoration, the galleries had not been significantly updated since they were installed in 1966.

The Louvre’s collection of royal furniture, decorative bronzes, rugs, tapestries, gold and silver ware, porcelain, jewelry, and scientific instruments, will be grouped into three stylistic movements: the reign of Louis XIV and the Regency (1660-1725), Rococo (1725-1755), and the return of classicism and the reign of Louis XVI (1755-1790). The galleries also feature a number of period rooms including a drawing room from the nearby Hôtel de Villemaré, which was acquired by the Louvre in the 1800s but has never before been displayed in its entirety. Before being reconstructed in the museum, the room underwent a lengthy conservation.

Jannic Durand, director of the department of decorative arts at the Louvre, said in a statement, “We wanted to achieve a happy medium between period rooms and exhibition galleries. Each object benefits from being in relationship with other objects. In some cases, this means creating a period room so our visitors can understand how people lived with these objects or so they can appreciate holistically the elegance and refinement of the 18th century. In other instances, it means curating display cases devoted entirely to porcelain, silverware, and even some pieces of furniture to underscore the history of techniques and styles.”

The Louvre worked with the celebrated interior designer Jacques Garcia to create the new spaces for its collection of 18th-century decorative arts. The project was funded entirely by the patrons of the museum, including a $4 million donation from the American Friends of the Louvre.

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