Displaying items by tag: furniture

The Kentucky Museum of Arts and Craft is celebrating the career of Wendell Castle (b. 1932) with the exhibition Wendell Castle: Forms within Forms – The 21^st Century. The show is meant to coincide with Castle’s 80^th birthday as well as a number of other concurrent exhibitions taking place at various galleries and museums across the country. Castle, a furniture artist who helped lead the American craft movement, has been a pioneering presence in the design world for over 50 years.

Forms within Forms focuses on Castle’s newer works, many of which employ stack-lamination, a technique he first used in the 1960s, and draws connections to his previous pieces, illustrating how the artist has been influenced by his own work. Besides showcasing Castle’s biomorphic, sculptural furniture pieces, the exhibition also explores Castle’s powerful presence in a field populated by few artists.

The exhibition will be on view through February 4, 2013.

Now in its 58^th year, the Brussels Antiques and Fine Art Fair (BRAFA) will take place January 19-27, 2013 at the exhibition space, Tour & Taxis. Featuring 128 dealers from 11 countries, the fair will present works from the Middle Ages to the 20^th century including antiquities, jewelry, furniture, ceramics, drawings, engravings, Old Master as well as modern paintings, sculpture, textiles, contemporary art, photography, and much more.

After drawing in 46,000 visitors last year, BRAFA organizers have made a number of adjustments in hopes of surpassing 2012’s numbers. There will be 26 new exhibitors present and an increased emphasis has been placed on pre-Columbian art; archaeology; primitive arts; 17^th to 19^th century furniture; 19^th to 20^th century paintings, sculptures, and drawings; Asiatic arts; 20^th century decorative arts; and modern and contemporary art. BRAFA has also added a new section to this year’s fair devoted to manuscripts. Exhibitors in this section include Signatures (Paris), Librairie Thomas-Scheler (Paris), and Sanderus Antiquariaat (Ghent, Belgium).

In honor of the fair’s tenth year at Tour & Taxis, BRAFA’s architects, Volume Architecture, have designed an extraordinary entrance inspired by Byzantine architecture, particularly that of the mosques in Istanbul.

VIP guests will be given a sneak peek of the impressive fair at BRAFA’s exclusive charity event on January 18. A silent auction will be held during the evening and proceeds will benefit the Merode Foundation to support its work on educational and social projects in Brussels’ working class neighborhoods.

Exhibitor highlights include Whitford Fine Art (London), which specializes in French and British 20^th century painting and sculpture, Leysen Jewelers (Belgium), jewelers to the Belgian royal family, and Guy Pieters Gallery (Paris/Belgium), a leading force in the contemporary art world for the past 30 years.

The Dr. Susan Weber Gallery is now open at the Victoria & Albert Museum in London. Designed by the Scottish firm NORD architecture, the gallery houses the museum’s expansive furniture collection that was once relegated to occasional displays and temporary exhibitions.

The museum’s collection spans more than five centuries and features over 200 pieces of British and European furniture as well as guest pieces from America and Asia. The V & A’s holdings are varied and include classic works by historic names like Thomas Chippendale and George Bullock as well as modern and contemporary pieces. Special attention is paid to the process of furniture making and the gallery’s display emphasizes the materials and techniques responsible for each masterpiece. The vast collection allows patrons to see how such things as joinery, turning, carving, veneering, marquetry, and upholstery have changed over the years.

Highlights on view include a 17^th-century scagliola table, Patrick Jouin’s “One Shot” folding stool, which is the earliest example of contemporary digitial manufacturing, a painted Tyrolean cupboard from 1776, and a 15^th-century desk-cupboard made from oak that was sources from 1,500 miles away. The new gallery also features touch-screen interfaces, short films that explain fundamental techniques, and audio commentary by furniture-makers and historians.

The gallery was funded by and named after Dr. Susan Weber, a graduate of London’s Royal College of Art. Since 1991, Weber has served as the founder and director of Bard College’s Graduate Center for studies in the decorative arts, design, and culture in upstate New York.

Beginning on November 13, Doyle New York will start auctioning select works from the Spanierman Gallery, one of the Upper East Side’s foremost American art galleries. Founded by Ira Spanierman in the 1960s, the Spanierman Gallery has played an important role in the understanding and appreciation of American art from the colonial era through the 20^th century. The gallery has also placed many iconic works in prominent public and private collections across the country.

As the Spanierman Gallery has decided to shift its focus to modern and contemporary American art, they will auction hundreds of works from their early American art collection at a number of select sales that will take place in 2012 and 2013. The November 13 auction will include thirty works including four pieces by John Henry Twachtman, the last fully bound sketchbook of studies by Maurice Prendergast not in a museum collection, and a double-sided work by Alfred Maurer that exemplifies the artist’s Fauvist palette.

Another 36 works from the Spanierman collection will be sold at Doyle’s American furniture, decorations, and 19^th century painting sale on November 19.

The Huntington Library, Art Collections, and Botanical Gardens acquired thirteen pieces of furniture by the American architect, Frank Lloyd Wright. The selection of furniture had previously been on display at the Library since 2009 as part of a long-term loan from the prominent New York collectors, Joyce and Erving Wolf. The purchase was made directly from the Wolfs for an undisclosed amount.

The highlight of the group is a nine-piece dining room suite designed in 1899 for the now-demolished Husser House in Chicago. The commission marked a turning point in Wright’s career as he moved away from his more architecturally rigid views on interiors towards the notion that interior space can be open and flowing. The other four pieces in the acquisition were from signature Wright houses in Illinois including the Avery Coonley House, the Arthur Heurtley House, the Little House (which has been demolished), and the Ward W. Willits House.

One of the greatest architects of the 20^th century, Wright played a pivotal part in changing design sensibilities from the highly ornate styles of the late-19^th century to more streamlined designs for modern times. In addition to developing plans for upward of a thousand buildings, Wright designed furniture, leaded-glass windows, light fixtures, metal ware, and textiles – all made to harmonize with the buildings for which they were intended.

A 500-year-old sculpture looted by the Nazis for Adolf Hitler's planned “Fuehrermuseum” in the Austrian city of Linz was today returned to heirs of the original owner by Dresden’s state art collections.

The wooden sculpture of St. Peter was one of about 560 artworks seized from Jewish collectors for Hitler’s museum. The Germany-based family to whom the sculpture has been restituted does not wish to be identified by name and plans to keep the artwork, according to Gilbert Lupfer, the head of provenance research for Dresden’s public art collections.

The American Folk Art Museum barely avoided extinction last year when it was forced to sell its ill-suited building on West 53rd Street in Manhattan and retreat to its much smaller branch space at 2 Lincoln Square. Now it is modestly spreading it wings and trying to set more of its great collection before the public by collaborating with other institutions.

It has, for example, lent 14 works to the Metropolitan Museum of Art for its new American Wing galleries. Another fruit of this approach is the exuberant and wide-ranging “Compass: Folk Art in Four Directions,” a dense exhibition of nearly 200 works shoehorned into four galleries in the early-19th-century row houses that are now the home of the South Street Seaport Museum.

A notable treasure of the Winterthur Library is the collection of watercolor, pencil, and wash drawings of furniture and house furnishings by the English firm Gillow and Company. Beginning around 1730 as a small, family-run cabinet shop in Lancaster, England, Gillow remained in operation for nearly two hundred years. Expansion brought more success to the company after the opening of a London branch in 1769 and the addition of full upholstery services in Lancaster starting in 1785.

Over the past quarter century, growing interest in the arts of the South has led to significant research and new discoveries by furniture scholars. Winterthur’s collection has benefited from this research as a number of pieces previously attributed to Northern craftsmen are now recognized as Southern, while information on others has increased with well-documented new discoveries. Southern furniture added to the museum’s collection in recent years has filled significant gaps in regional representation.