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A book published by Rizzoli New York will accompany the exhibition ‘Impressionists on the Water,’ which is currently on view at the Peabody Essex Museum in Salem, MA. The show presents over 90 paintings, prints, models and photographs by artists such as Edouard Manet, Claude Monet, Pierre-Auguste Renoir, Camille Pissarro, Georges Seurat and Alfred Sisley and explores how France’s waterways and oceans influenced these masters of Impressionism.

The book ‘Impressionists on the Water’ includes scholarly essays that examine the historical and cultural aspects of the nautical themes embraced by the Impressionists. The volume also charts the changing depictions of water from Pre-Impressionism through Impressionism to neo- and post-Impressionism. Contributors include Phillip Dennis Cate, a specialist in nineteenth-century French art; Daniel Charles, a noted historian with a particular expertise in maritime heritage; and Christopher Lloyd, Surveyor of the Queen’s Pictures, who is responsible for the care and maintenance of the UK’s royal collection of pictures.

‘Impressionists on the Water’ is available through Rizzoli’s website. The exhibition will be on view at the Peabody Essex Museum through February 17, 2014.


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David Hickey, one of America’s foremost art critics is known for his acerbic commentary, but his latest tirade against the world of modern art is downright scathing. Hickey, a professor, curator, and author, told the Observer that he will be walking away from contemporary art, a genre he says has been ruined by rich collectors who are more concerned with money and celebrity than quality.

Hickey claims that art editors and critics have lost their edge, spending more time catering to the wealthy people who hold the reigns on the contemporary art market than surveying the actual work (which he says is also lacking). Hickey is not alone in this claim. A number of contemporary art curators, museums, and galleries have deemed the work of such artists as Damien Hirst, Tracey Emin, and Antony Gormley bloated and empty – the result of too much fame and not enough criticism. While the notion of the artist as celebrity is not new, today’s market is saturated with it and gaining status has taken precedence over making revolutionary, ground-breaking art.

A former dealer, Hickey is attuned to considering art in monetary terms but his objections stem from his belief that contemporary art has become too broad, too elitist, and lacks discretion. Hickey’s retirement will remove an important critical voice from the equation. He plans to complete a book on the pagan roots of America, aptly titled Pagan America, as well as a book of essays titled Pirates and Framers.

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