Displaying items by tag: ellsworth kelly

The publisher and art critic, Christian Zervos, founded the French art review, Cahiers d’Art, in 1926. The magazine ran without interruption from 1941 to 1943, until 1960 and featured artists such as Picasso, Matisse, Braque, Leger, Ernst, Calder, and Giacometti. Known for its striking layout and abundant photography, Cahiers d’Art also featured reviews written by the likes of Ernest Hemingway and Samuel Beckett. After being out of production for more than fifty years, Cahiers d’Art has been reborn.

Swedish collector and entrepreneur, Staffan Ahrenberg, bought the dormant publication after he walked by the still-operating Cahier d’Art gallery along the rue du Dragon in Paris. Ahrenberg re-launched Cahiers d’Art with former Art Basel director Sam Keller and the renowned curator Hans Ulrich Obrist as editors. The first issue features Ellsworth Kelly, Cyprien Gaillard, and Sarah Morris. As in the past, Cahiers d’Art will not contain advertisements nor will it follow a regular production schedule.

Major art world players including Larry Gagosian, Guggenheim boss Richard Armstrong, and Alfred Pacquement of the Pompidou Centre gathered in a tiny Left Bank gallery in Paris to celebrate the review’s return.

Leon Black, a billionaire financier and chief executive of the private equity firm, Apollo Global Management, announced his acquisition of Phaidon Press, a publisher of fine art books. Black, who paid an undisclosed amount for the company, bought Phaidon from the British businessman, Richard Schlagman.

Phaidon is one of premier publishers of books on the visual arts along with Taschen and Assouline. The company has collaborated with such artists as Ai Wei Wei, Nan Goldin, and Stephen Shore and they publish everything from children books to cookbooks to collector’s editions that often come with signed prints or specially-commissioned pieces of art. On Phaidon’s site there is a statement from Black saying, “We having greatly admired Phaidon and the important contribution the company has made to art and culture. We are impressed with how Richard Schlagman has built the business and the Phaidon brand under his ownership over the last two decades. My family and I look forward to supporting the future of the company, including through the ongoing development of its publishing program, further geographic expansion, and the launch of digital products.”

Black, who is rumored to have paid $120 million for Edvard Munch’s The Scream earlier this year, is one of the country’s most prominent art collectors. In May, Black and his wife announced a $48 million contribution to the new visual arts center at Dartmouth College. An alumnus of the school, Black and his family also included a commissioned sculpture by Ellsworth Kelly in the gift.

Starting in the 1950s, Rudolph and Hannelore Schulhof began building a 20^th century art collection that has become the source of much speculation after the widowed Hannelore died this past February. Boasting nearly 350 works in total, Christie’s will auction 63 pieces from the collection including works by Joan Miro, Ellsworth Kelly, and Robert Indiana as part of its Impressionist and Modern Art Works sale and its Post-War and Contemporary Art sale in November. The sale is expected to bring in about $25 million. Christie’s will open the doors to the Schulhof’s Long Island mansion on Saturday, September 21 and Sunday, September 22 from 10AM to 5PM. Visitors will get a glimpse of an extraordinary, museum-quality collection. In fact, 100 of the works had previously been promised to three museums including the Peggy Guggenheim Collection in Venice as well as the Israeli Museum in Jerusalem and the Whitney Museum of American Art in New York.

The Sculhofs met in Vienna right before the start of World War II and married in Brussels in 1940. After traveling to the United States with extended family, Rudolph launched what would become a fine art reproduction company. When the couple first started collecting they tended to go after established names but were cajoled by the art dealer, Justin Thannhauser, to consider the art of their own time. As the Schulhof’s company had an office in Milan, they would frequent the city’s galleries as well as the Venice Biennale on their visits to Italy. It was on one of these trips that the Schulofs met the prominent American art collector, Peggy Guggenheim. A longtime friendship ensued, resulting in rapports with the artists themselves and the couple’s generous posthumous gift of 83 works to Guggenheim’s Venice institution. Another 200 artworks will remain in the Schulhof’s home and the family will decide on distribution in the future.