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Earlier this month the Parrish Art Museum opened its new 34,400 square-foot building in Water Mill, NY to the public. Founded in 1898 by New York lawyer, Samuel Longstreth Parrish, to house his growing art collection, the museum had been a staple in Southampton, NY before moving to its new location that boasts seven sky-lit galleries and three times the exhibition space than that of the museum’s former home.

Now that the $26.2 million move is complete, the result of years of painstaking fund-raising, the Parrish hopes to become the area’s artistic epicenter. Designed by the Swiss architectural firm Herzog & Meuron in collaboration with the landscape architecture firm Reed Hilderbrand, the new Parrish building sits on 14 acres of land right off of the Montauk Highway. The building is meant to blend into the landscape and consists of connected, stretching barn-like structures that sit under a white corrugated metal roof. Large sections of glass allow the line between the natural and artificial worlds to blend.

An American art museum with about 2,600 paintings, sculptures, and works on paper in its collection, the Parrish pays extra attention to the art of the East End of Long Island. The former Southampton location was simply too small to exhibit many of the exemplary works from the museum’s permanent collection that spans from the 19th century to the present. Now, American Impressionist William Merritt Chase and the realist Fairfield Porter each have their own permanent galleries and there are three galleries just for temporary exhibitions.

Inaugurating the space is Malcolm Morley: Painting, Paper, Process, an exhibition devoted to the English-born artist known for exploring paper’s many artistic possibilities including watercolors, scale models, and freestanding sculptures. Approximately 50 works from the 1980s to present will be on view through January 13, 2013.

The Parrish’s new building also includes offices, a café, an expanded lobby, and a theater where film screenings, lectures, and performances will be held.

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Although major figures in the British art world including Tate director Nicholas Serota, filmmaker Danny Boyle, and artist Jeremy Deller have voiced their opposition, the council of the Borough of Tower Hamlets in London’s East End decided on Wednesday to sell Henry Moore’s Draped Seated Woman. In addition to the big name opponents, more than 1,500 signed a petition against the sale in just a few days.

Completed in 1957, Moore sold the bronze sculpture to the London County Council in 1960 for a fraction of its worth. When the sale was made, Moore and the now defunct London Council agreed that the statue would be on view permanently near a housing project. When the project was leveled in the late 1990s, Draped Seated Woman was moved to the Yorkshire Sculpture Park.

Lutfur Rahman, the mayor of the Tower Hamlets, blamed the government’s severe budget cuts for leaving him with little choice in the matter. The sculpture is expected to bring in about $32 million when it goes to auction in early 2013.

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