Displaying items by tag: digitization

Thanks in part to a grant from the Institute of Museum and Library Services, Historic New England announces the completion of a digitization project that makes its extensive wallpaper collection more accessible.

For the past two years, Historic New England has been cataloguing and digitizing its wallpaper collection. Now, more than 6,000 samples have been electronically catalogued and are available at WallpaperHistory.org. The collection includes rolled, flat, oversize, and three-dimensional materials, which each require unique handling and digitization methods.

The Amon Carter Museum of American Art announces that it has cataloged, digitized and published online more than 35,000 artworks of eight prominent American photographers of the 20th century—Carlotta Corpron (1901–1988), Nell Dorr (1893–1988), Laura Gilpin (1891–1979), Eliot Porter (1901–1990), Helen Post (1907–1979), Clara Sipprell (1885–1975), Erwin E. Smith (1886–1947) and Karl Struss (1886–1981). This project was made possible by a $75,000 digitization grant the museum received from the National Endowment for the Humanities (NEH) in 2012.

The Amon Carter owns the archives of these photographers, and the newly digitized works include all of the prints in these collections. Also digitized are 12,000 very fragile glass negatives, nitrate negatives and autochromes. Most are never-before-seen negatives that the museum is unable to display in the galleries due to format and fragility.

The Phillips Library at the Peabody Essex Museum (PEM) announces the completion of a major digitization project that dramatically improves access to the library's online records. Part of a comprehensive $20 million library renovation and improvement initiative, more than 250,000 new catalog records, nearly 50,000 of which reference one-of-a-kind items unique to the Phillips Library, have been created. The records are available to countless researchers worldwide via the Phillips Library website and through OCLC/Worldcat. Boasting 400,000 volumes collected over two centuries, PEM's Phillips Library is one of the largest and oldest museum libraries in the country.

"This project marks a major leap into the modern age and is an invaluable boon to scholarly research," says Sidney Berger, The Ann C. Pingree Director of the Phillips Library.

 A new partnership between the Museum of Modern Art (MoMA) in New York and The Warhol in Pittsburgh will help preserve Andy Warhol’s entire film collection. Approximately 500 of the Pop artist’s films, which have resided in MoMA’s collection since the early 1990s, will be digitized. The award-winning visual effects company MPC will assist in the frame-by-frame scanning of over 1,000 rolls of 16mm film and the subsequent conversion to high resolution images. The project, which begins this month, is expected to take several years to complete.

While a few Warhol films such as “Empire” (1964) and “The Chelsea Girls” (1966) are icons of avant-garde cinema, many of the works in MoMA’s collection have never been seen by the public.

The Smithsonian Institution is now actively seeking volunteers to aid in the digitization of its collection. Through a new website launched today, the public can sign up for various transcription projects which will take thousands of hand-written artifact labels and make them available digitally for researchers.

Among the hundreds of thousands of documents that need transcribing are the labels attached to 45,000 bumble bee specimens in the collection of the National Museum of Natural History. The museum hopes digitizing that information will aid scientists studying the current global bee decline.

The Morgan Library & Museum announced today that it has completed the digitization of its entire collection of Rembrandt etchings: nearly 500 images of works by the Dutch master are now available online. According to the Morgan, “Rembrandt used the process of etching to test concepts and themes, and the digitized works offer the opportunity to explore up-close his use of line, shading, and subject matter.” The prints feature Biblical scenes, self-portraits, and depictions of the Dutch countryside and society in the artist’s day (including both beggars and art patrons).

The Morgan holds in its collection most of the roughly 300 known etchings by Rembrandt, including rare, multiple versions (hence the discrepancy in number of etchings versus number of images). Their digitization is part of a larger effort by the museum “to expand access to its holdings,” says the press release. This includes the digitization of over 500 music manuscripts begun in 2010 and the ongoing digitization of the institution’s collection of nearly 12,000 drawings.