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Experts in upholstery, landscape design, carpentry, interior design and decorative painting all share their unique perspectives and tricks of the trade to unlock your home’s potential.

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The Flagler Museum in Palm Beach, Fla., is lining its domed music room with newly restored seating that had long been shedding bits of gilding and threads from its tapestry upholstery. Meanwhile, the once-prominent original supplier of the furniture, Pottier & Stymus, is re-emerging from obscurity.

The oil and railroad magnate Henry Flagler and his third wife, Mary Lily Flagler, bought roomfuls of Pottier & Stymus furnishings around 1902, as Mr. Flagler’s longtime favorite architecture firm, Carrère & Hastings, was completing construction of the couple’s showplace Beaux-Arts house.

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The Dr. Susan Weber Gallery is now open at the Victoria & Albert Museum in London. Designed by the Scottish firm NORD architecture, the gallery houses the museum’s expansive furniture collection that was once relegated to occasional displays and temporary exhibitions.

The museum’s collection spans more than five centuries and features over 200 pieces of British and European furniture as well as guest pieces from America and Asia. The V & A’s holdings are varied and include classic works by historic names like Thomas Chippendale and George Bullock as well as modern and contemporary pieces. Special attention is paid to the process of furniture making and the gallery’s display emphasizes the materials and techniques responsible for each masterpiece. The vast collection allows patrons to see how such things as joinery, turning, carving, veneering, marquetry, and upholstery have changed over the years.

Highlights on view include a 17th-century scagliola table, Patrick Jouin’s “One Shot” folding stool, which is the earliest example of contemporary digitial manufacturing, a painted Tyrolean cupboard from 1776, and a 15th-century desk-cupboard made from oak that was sources from 1,500 miles away. The new gallery also features touch-screen interfaces, short films that explain fundamental techniques, and audio commentary by furniture-makers and historians.

The gallery was funded by and named after Dr. Susan Weber, a graduate of London’s Royal College of Art. Since 1991, Weber has served as the founder and director of Bard College’s Graduate Center for studies in the decorative arts, design, and culture in upstate New York.

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