Displaying items by tag: 14th century

An American tourist broke a finger off of a 600-year-old statue housed in Florence’s Museo dell’Opera del Duomo, which boasts a significant sculpture collection dating from the Renaissance and medieval periods. The damaged statue, which is thought to depict the Virgin Mary and dates from either the 14^th or 15^th century, is part of a work titled Annunciazione. The sculpture is believed to be by the Florentine sculptor Giovanni d’Ambrogio.

The tourist, a 55-year-old man from Missouri, allegedly snapped off the right pinky finger of the statue while attempting to measure it. While the incident appears to have been an accident, Italian officials questioned the American and will determine what action to take. It is unclear how much it will cost to fix the finger, which was not original to the work and was added to the sculpture at some point after its completion.

Tim Verdun, the director of the museum, said that “in a globalized world like ours, the fundamental rules for visiting a museum have been forgotten, that is: Do not touch the works.”

The Museo del Prado, the main Spanish national art museum located in Madrid, received the largest private donation in decades on Tuesday, January 29, 2013. Prado officials announced that the museum was the recipient of 12 medieval and Renaissance works by Spanish artists.

Barcelona-based businessman and engineer Jose Luis Varez donated the collection to the institution during a ceremony, which counted the Spanish Prime Minister Mariano Rajoy among its guests. Jose Pedro Perez Llorca, president of the Prado’s board of trustees, said, “These aren’t times of lavish state spending, so this donation is generous and tremendously timely.” Spain’s dire economic standing has led to severe spending cuts in an attempt to meet public deficit targets.    

The recently acquired paintings and sculptures include the central panel of an altarpiece from a church in northeastern Spain titled The Virgin Tobed (1359). The Catalan Italo-Gothic painting is believed to be by 14^th century artist Jaume Serra (died after 1405). The works will join the Prado’s exemplary collection, which includes paintings by Spanish masters such as El Greco (1541-1614), Diego Velázquez (1599-1660), and Francisco de Goya (1746-1828).

To thank Varez for his generous donation, the Prado will name a room in the museum in his honor.

British art collector, Douglas A.J. Latchford, has spent decades building his reputation as one of the foremost experts in Khmer antiquities. Latchford, a resident of Thailand, was knighted in 2008 by the Cambodian government for admirably returning 14^th-century Khmer artifacts.

In sharp contrast to his previous accolades, Latchford is currently the subject of a civil complaint files by the U.S. attorney’s office. Federal lawyers state that Latchford, referred to in proceedings as “the Collector,” bought a 10^th century Khmer warrior statue known as the Duryodhana in the 1970s knowing that it had been looted from a temple during the Cambodian civil war.

While Latchford denies ever having owned the work, court papers claim that he purchased the statue from a Thai dealer who acquired the work from an organized looting network. Allegedly, Latchford then helped get the piece into Britain by concealing what was actually being shipped. Upon its arrival to the U.K., the auction house Spink & Son sold the statue to a Belgian collector in 1975. The collector’s widow is the Duryodhana’s current owner.

The widow approached Sotheby’s New York in 2010, hoping to sell the 500-pound sandstone statue. However, the sale was put on hold because of objections from the Cambodian government. While lawyers are hoping to return the work to Cambodia, the auction house still plans on selling the treasure, stating that there is no evidence to prove that the statue was looted or that it is the property of the Cambodian government.

Latchford has been collecting Cambodian antiquities for over 55 years and has donated many works to well-known institutions, including the National Museum in Phnom Penh and the Metropolitan Museum of Art. A judge is expected to rule on the Duryodhana case within the next few months.

Subhash Kapoor, a once-established antiquities dealer in New York, has been the source of much controversy over the past few months. In July, authorities asked American museums to search their collections for any works obtained from Kapoor after it was revealed that he was in possession of looted antiquities. Allegedly, Kapoor has trafficked more than $100 million worth of stolen Indian artifacts and on December 5, authorities added to his list of thefts after a raid at the Port of Newark.

U.S. Immigration and Customs Enforcement agents with Homeland Security Investigations teamed up with Indian authorities and the Manhattan District Attorney’s office and seized more than $5 million worth of artifacts including a 14^th century statue of the Hindu deity, Parvati, and four bronze figures from India’s Tamil Nadu region. It is believed that all of the works were stolen from Indian temples. The The Parvati statue has been in the possession of six different dealers and is marred by a litany of false provenances despite being listed on an Interpol database of stolen artworks.

Kapoor ran the Art of the Past Gallery on Madison Avenue from 1974 until his arrest last July. He has donated and sold antiquities to many distinguished institutions including the Metropolitan Museum of Art. Kapoor is currently facing criminal charges in India.