Displaying items by tag: abstract expressionist

With a trial looming, the Knoedler Gallery, its former director Ann Freedman, and Knoedler’s owner 8-31 Holdings have reached a settlement with the New York collector John Howard. Howard had bought a fake work by Willem de Kooning from the gallery for $4m. The lawsuit arose from Knoedler’s selling some $60m of fake Abstract Expressionist art in a scandal that sent shivers through the art world when it broke in late 2011.

In a forgery scandal that shook the art world, the now-shuttered Knoedler Gallery and its former director Ann Freedman will have to go to trial in two cases involving the sale of fake Abstract Expressionist paintings, Manhattan’s federal court ruled on Wednesday, 30 September.  

In his three-page order, Judge Gardephe denied the gallery’s and Freedman’s motions for summary judgment in the lawsuits brought by the New York collector John Howard and Sotheby’s chairman Domenico De Sole and his wife, Eleanore.

After vigorously fighting claims that they knowingly sold a string of fake Abstract Expressionist paintings totalling $60m, the now-defunct Knoedler Gallery and its former director Ann Freedman have quietly settled three of the ten lawsuits brought against them by angry buyers. The settlement terms were not disclosed.

Two of the cases against them, brought in Manhattan federal court, were closed this summer. The Manny Silverman and Richard Feigen galleries settled their suit last Tuesday, August 4.

Inverleith House, Edinburgh presents the first exhibition in a UK public gallery by the great American artist John Chamberlain (1927-2011). One of the pioneers of post-war American art, Chamberlain was a key figure in the vibrant New York art scene of the 1950s and ‘60s; his innovative work in sculpture, painting and film spans six decades.

Chamberlain represents a unique link between the vivid colour palettes and frenetic energy of Abstract Expressionist painting and the truthfulness to material found in Minimalist sculpture.

The home where Abstract Expressionist giant Willem de Kooning had his first East Hampton’s studio in the leafy hamlet of Springs back in 1961 has opened its doors as part of an artist-in-residence program. A community of skilled creative types will live and create on the estate.

But the retreat, which began its fledgling residency this past May, is not exactly what you might expect when you hear the name de Kooning. The newest artist-in-residence program is not a visual-artists’ residency like the ones at UCLA’s Hammer Museum, the Walker Art Center, or Artpace.

On Saturday the Bruce Museum opens up to “Walls of Color – The Murals of  Hans Hofmann,” marking the first exhibition to focus on the artist’s varied and under-appreciated public mural projects.

Hans Hofmann is famed for his dynamic approach to color,” says the show’s curator Dr. Kenneth Silver, New York University Professor of Modern Art as well as an Adjunct Curator of Art at the Bruce Museum. “He was a towering figure among New York School painters. He was also the most important teacher and theoretician of the Abstract Expressionist movement.”

Who doesn’t love trying something new? In the mid-1900s a number of modern artists experimented with new types of commercial paint using it as a base layer for their paintings. Now, decades later, their paint choices are turning out to have some negative consequences.

Abstract Expressionist painters Hans Hofmann, Jackson Pollock and others took advantage of an explosion of new paints, including zinc oxide and commercial white house paints, that became available in the years following the first and second world wars.

The Asheville Art Museum will present “What You See Is What You See: American Abstraction After 1950,” on view Nov. 28-March 15. This vivid and dynamic exhibition considers the phases of color field painting from the 1950s through the 1980s.

Beginning in the late 1950s, art critic Clement Greenberg noted a tendency toward all-over color — or color field — in the works of several of the first generation abstract expressionists such as Mark Rothko and Clyfford Still.

Barbara Babcock Millhouse has given a painting by one of American art’s most distinguished abstract expressionist artists to Reynolda House Museum of American Art.

Allison Perkins, museum executive director, revealed “Birth,” a large-scale oil painting by Lee Krasner to an audience of more than 300 at the museum’s annual black-tie fundraising gala on Friday night.

The painting is on view in the museum’s exhibition “Love and Loss." The show examines the power of art to transform individual loss into expressions of shared experience.

Billionaire money manager Steven A. Cohen is selling a 1958 Franz Kline painting valued at as much as $30 million during the semi-annual auctions of postwar and contemporary art in New York next month, according to two people familiar with the matter.

Christie’s said it will offer Kline’s Abstract Expressionist painting “King Oliver” at its evening sale on Nov. 12, with an estimate of $25 million to $30 million. Cohen, 58, is the seller, said the people, who asked not to be named because the information is private.