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Asian art is gloriously basking in the sun this year. While 42 extraordinary galleries from around the globe open their doors with one-of-a-kind exhibitions during Asia Week New York, The Metropolitan Museum of Art is celebrating the centennial of its world-renowned Department of Asian Art. Even Vogue editor-in-chief Anna Wintour jumped on the bandwagon as she recently visited Beijing to promote the Met Costume Institute’s upcoming exhibition "China: Through the Looking Glass."

Works of art from all over the Asian continent and spanning over four millennia will be shown throughout Manhattan by international Asian art specialists during Asia Week New York, starting March 13 to March 21, 2015.  Art lovers can take in museum-caliber treasures including the rarest and finest Asian examples of painting, sculpture, bronzes, ceramics, jewelry, jade, textiles, prints, and photographs from all over Asia.

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Combining fashion and film, the spring exhibition at the Metropolitan Museum of Art's Costume Institute will be "China: Through the Looking Glass," the museum said Thursday during a preview in Beijing.

The show will run from May 7 to Aug. 16 in the Met's Chinese Galleries and in the Anna Wintour Costume Center. It will feature more than 130 fashions juxtaposed with traditional Chinese art pieces in jade, lacquer and porcelain.

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The Smithsonian’s museums of Asian art in Washington, DC, are due to release their entire collections online on January 1, 2015. More than 40,000 works, from ancient Chinese jades to 13th-century Syrian metalwork and 19th-century Korans, will be accessible through high-resolution images without copyright restrictions for non-commercial use. The vast majority—nearly 35,000 objects—have never been seen by the public.

The Freer Gallery of Art and the Arthur M. Sackler Gallery are the first Smithsonian museums and the only Asian art museums to complete the labor-intensive process of digitizing and releasing their entire collections online.

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The collection of Edith and C.C. Johnson Spink has given the St. Louis Art Museum 225 works valued at no less than $50 million, including two paintings by Norman Rockwell, two each by Andrew and Jamie Wyeth, and more than 200 works of Asian art.

The Rockwells and Wyeths are worth hundreds of thousands of dollars. But it is the Asian pottery, ceramics, bronzes, glass and jade, some thousands of years old, that will make the largest impact on the museum’s collection, officials said Tuesday.

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A window on the private world of China’s Ming and Qing emperors opens october 18, when some 200 works — portraits, costumes, and palace furnishings such as bronzes, lacquerware, and jade—drawn from the holdings of the Palace Museum in Beijing go on view at the Virginia Museum of Fine Arts. The exhibition surveys the seminal role of imperial rituals and religion in the Forbidden City, along with hidden aspects of court life from the mid 14th through early 19th centuries.

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Nearly 35 years ago, a Chinese jade artwork from the 18th century was stolen from a display case at Harvard University’s Fogg Museum. The censer, or incense burner, was returned to the museum on Tuesday, January 21, by the U.S. Department of Homeland Security’s Immigration and Customs Enforcement division following a lengthy investigation. The object  is estimated to be worth $1.5 million.

The green jade censer was donated to the Fogg Museum in 1942 and disappeared shortly after Thanksgiving in 1979. The work remained out of public view until it appeared at Sotheby’s in Hong Kong in 2009. When the censer’s seller failed to provide documentation about the piece’s ownership history, Sotheby’s ran the object through the Art Loss Register of London. The database, which lists works that have been stolen, looted or disputed, alerted the U.S. government of the object’s reappearance and Homeland Security launched its investigation.

A ceremony was held at the Fogg to welcome the jade censer back into the museum’s collection.

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