Displaying items by tag: videos

How did Pablo Picasso celebrate his 80th birthday? Thanks to recent efforts by the Associated Press and British Movietone to make their newsreel archives more accessible to the public, we can now witness snippets of the occasion. The two companies announced a project to upload over one million minutes of digitized film footage to YouTube, comprising over 550,000 videos dating as far back as 1895. There are plenty of art-related clips to explore — watch New Yorkers in 1995 react to Christian Boltanski’s “LOST: New York Projects” in the subway or see Christo and Jeanne-Claude unwrap the Reichstag — but one of the greatest gems is the documentation of Picasso’s birthday.

While many San Francisco institutions have banned Google Glass over the course of 2014 — the fine art museums of San Francisco are embracing the face computers. According to a press release, the de Young and Legion of Honor are incorporating the Google Glass experience into their exhibits, and first up is the new Keith Haring show; GuidiGO will provide access to in-depth interviews, audio recordings, and videos via the face computers — because reading the plaques and listening to the audio tour is pretty much akin to walking around with a newspaper and a walkman. 

The press release goes on to state: 

“'Wearing Glass in the gallery is like embarking on a multimedia journey, with visual archives, contextual music and testimonials revealing the artworks’ hidden stories. Within minutes, visitors completely forget they are even wearing Glass, as the screen subtly turns on only when needed,' said David Lerman, CEO of GuidiGO."

There is very little about Picasso that John Richardson, his longtime biographer, doesn’t already know. As a friend of Picasso’s during the 1950s, while the artist was living in the south of France, Mr. Richardson saw more than most.

He can reveal juicy snippets about Picasso’s sexual escapades and recall many of his personal quirks: How Picasso would rub a concoction of oil heated with sticks of lavender into his scalp to make his hair grow; his passion for salt cod purée; his loathing of classical music. Mr. Richardson can also describe in riveting detail Picasso’s methods of painting, sculpting and drawing.

The Grimaldi Forum in Monaco, France, is currently hosting the exhibition “ArtLovers: Stories of Art in the Pinault Collection.” The show features forty works from François Pinault’s illustrious collection, including more than a third that have never been displayed in previous exhibitions of the Collection. Thirty-three artists, including Maurizio Cattelan, Urs Fischer, Dan Flavin, Damien Hirst, Jeff Koons, Paul McCarthy, Takashi Murakami, Richard Prince, and Rachel Whiteread will be represented.

The Pinault Collection, which features paintings, sculptures, installations, video, drawings, and more, was assembled by the French businessman François Pinault. Pinault is the founder of the holding company Artemis S.A., which owns Christie’s auction house as well as a number of luxury brands. Pinault currently owns one of the biggest collections of contemporary art worldwide and in 2006, he acquired Venice’s Palazzo Grassi Punta della Dogana to display his collection. The exhibition at the Grimaldi Forum was curated by Martin Bethenod, the Director of the Palazzo Grassi.

The Metropolitan Museum of Art in New York has launched MetCollects, a new web series that grants visitors first glimpses of the Met’s recent acquisitions. MetCollects will highlight one work each month, selected from the hundreds of pieces that the museum acquires through gifts and purchases each year. Each MetCollects feature will include photography, curatorial commentary, and occasionally, informative videos.

Three MetCollects features are currently available on the museum’s website. The features explore the following recent acquisitions: a multimedia meditation on time and space by the modern artist William Kentridge, an early 19th century portrait by the French painter François Gérard, and the Mishneh Torah by the Master of the Barbo Missal. The Italian manuscript from around 1457 is jointly owned by the Israel Museum in Jerusalem and the Met.

Since 2000, the Met has launched a number of web-based initiatives including its Connections series, which offers personal perspectives on works of art in the museum’s collection by 100 members of the museum’s staff, and 82nd and Fifth, which features 100 curators from across the Met who talk about the one work of art from the collection that changed the way they see the world.

To view the MetCollects series click here.