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The Art Newspaper’s annual survey of art museums named the Louvre in Paris the most visited institution in the world for 2012. Attendance skyrocketed to 9.7 million, meaning one million more people visited the museum than in 2011.The Metropolitan Museum of Art in New York was the world’s second most-visited institution.

The list of most-visited museums did not change significantly from 2011 and the Louvre has claimed the top spot since 2007. British museums fared exceptionally well in 2012 with some help from the London summer Olympics, which brought crowds of visitors to the city. The Tate Modern saw attendance jump from 4.8 million to 5.3 million thanks to a highly anticipated Damien Hirst (b. 1965) retrospective, which helped the museum move from the fifth to the fourth most visited institution in the world.

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Now on view at the National Gallery of Art in Washington, D.C. is Pre-Raphaelites: Victorian Art and Design, 1848-1900, the first major survey of Pre-Raphaelite art to take place in the United States.

The Pre-Raphaelite Brotherhood, which formed in 1848, was a group of English painters, poets, and critics who rejected the traditional approaches to art and painting established by the Mannerist artists who succeeded Raphael (1483-1520) and Michelangelo (1473-1564). Instead, the Pre-Raphaelites turned to medieval and early Renaissance art for inspiration often painting subjects from Shakespeare and the Bible. Pre-Raphaelitism, which rattled Britain from 1848 to 1900, was considered the country’s first avant-garde movement.

The exhibition at the National Gallery features approximately 130 paintings, sculptures, works on paper, and decorative objects by the movement’s leading members including John Everett Millais (1829-1896), Dante Gabriel Rossetti (1828-1882), and William Holman Hunt (1827-1910). Organized by Tate Britain in collaboration with the National Gallery, Pre-Raphaelites: Victorian Art and Design will be on view through May 19, 2013.  

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Thursday, 15 November 2012 17:10

Met Museum Sued for Consumer Fraud

Two members of the Metropolitan Museum of Art in New York are suing the institution for deceiving the public by making patrons think that the suggested admission fees are mandatory. The historically free institution suggests entry fees of $25 for adults and less for seniors and students.

Theodore Grunewald and Patricia Nicholson files the suit in state court in Manhattan and said that the museum’s fee policy lacks transparency. They also argued that and that the museum fails to note that the fee is suggested on several of its websites and that it’s only in fine and barely legible print on signs near cash registers. A statute was put in place in 1893 declaring that the Met must remain free in order to continue receiving government funding.

Grunewald and Nicholson commissioned a survey of visitors to the museum and found that 85% of patrons believed they had to pay to gain entry.

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