Displaying items by tag: maxfield parrish

The national garden movement and, in particular, artists’ interest in gardens, has deep roots in Philadelphia, beginning with William Penn’s founding of his green and pleasant town in the seventeenth century and John Bartram’s establishing his botanical garden in 1728. In the early nineteenth century, artist Charles Wilson Peale retired to the cultivation of his garden at Belfield, and the Pennsylvania Horticultural Society was founded (in 1827), two years later hosting its first flower show. Interest gained momentum with the Colonial Revival movement, itself an outcome of Philadelphia’s 1876 Centennial Exhibition, and continued into the twentieth century.1 In her popular 1901 Colonial Revival-inspired publication Old Time Gardens, Alice Morse Earle wrote of Philadelphia: “There floriculture reached by the time of the Revolution a very high point, and many exquisite gardens bore ample testimony to the ‘pride of life,’ as well as to the good taste and love of flowers of Philadelphia Friends.” 2

Horticultural obsession also permeated the Philadelphia art scene. One of the most iconic conjunctions of art and the garden is the commissioning from Maxfield Parrish and Tiffany Studios of the fabulous Dream Garden (1913–1915, installed 1916) for the Curtis Building. The work was commissioned by Edward W. Bok (1863–1930), the head of Curtis Publishing, the influential publisher of Ladies Home Journal for the company’s new headquarters in Philadelphia.

Visit InCollect.com to read more about American Impressionism and the Garden Movement.

Murals of New York City: The Best of New York’s Public Paintings from Bemelmans to Parrish is the first book to curate over thirty of the most important and influential murals located within New York City. Spanning over 100 years, the volume includes full-color images of works by Marc Chagall, Roy Lichtenstein, Maxfield Parrish and more.

From New Deal-era works to graffiti-influenced paintings, Murals of New York City explores the background of each masterpiece and the story behind those who commissioned and created the murals. Along with original photography, the book contains addresses and historical information on each mural, artist and location, including the circumstances in which they were created, restored and preserved.

Murals of New York City by Glenn Palmer-Smith will be available on October 8, 2013 from Rizzoli New York.

As of yesterday, a Pierre-Auguste Renoir (1841–1919) painting that was stolen during an armed robbery at a Houston home last September has been named one of the FBI’s top ten unsolved art crimes. A private insurance company has offered a $50,000 reward for any helpful information leading to the work’s recovery.

The painting, Madeleine Leaning on Her Hair, was completed by the pioneering Impressionist in 1918 and has an estimated value of $1 million. The painting has also been added to the Art Loss Registry, the National Stolen Art File, and Interpol’s Works of Art System. Interpol, an international police organization, encourages cooperation between law enforcement agencies in different countries. By taking these measures, the thief will most likely be unsuccessful if he/she attempts to take the painting to a knowledgeable dealer or gallery or tries to sell it at auction as most members of the art world regularly check these databases.

The other top unsolved art crimes on the FBI’s list include the notorious Isabella Stewart Gardner Museum heist in which four Rembrandts, five Degas drawings, and one Vermeer (among other works) were stolen. Also on the list is the theft of two Gloria Vanderbilt Whitney commissioned Maxfield Parrish paintings from a Hollywood gallery, the 2002 van Gogh Museum robbery in which two paintings valued at $3 million, and the 1969 theft of a $20 million Caravaggio from Italy’s Oratory of San Lorenzo.