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A new publication throws light on a collection of more than 400 sculptures in Jeddah, Saudi Arabia, considered one of the most important collections of 20th-century public art.

Almost all of the works—by artists such as Henry Moore, Joan Miró, Victor Vasarely and Jean Arp—were installed along several miles of the Jeddah Corniche coastal area during the 1970s, at the behest of the city’s charismatic mayor, Mohammed Said Farsi.

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 Gagosian Gallery in New York is currently hosting an exhibition of Alexander Calder’s gouache paintings on paper. Best known for his kinetic sculptures or “mobiles,” Calder created lesser-known gouache paintings throughout his life.

Calder created his first series of paintings in gouache during a year-long stay in Aix-en-Provence, France, in 1953. These spur-of-the-moment paintings were more immediate than Calder’s large-sale sculptures, which he was producing at the same time. While Calder’s paintings and sculptures both explore form, space, and balance, his gouaches are anchored in the natural world, while his sculptures tend to be more abstract. Calder also wandered outside of his restricted palette of black, white, and other primary colors in his gouaches, often experimenting with vivid ochres, yellows, and vermillion

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