Displaying items by tag: donate

Renowned art collector, Daphne Farago, announced that she will donate 161 works from her stunning collection to the Museum of Fine Arts, Boston. A longtime supporter of the MFA, Farago’s contribution is the largest gift of contemporary craft the museum has ever received and will greatly improve a once-lacking part of the collection.

Farago’s gift features works from the 20^th and 21^st centuries by artists such as Dale Chihuly (b. 1941), Sam Maloof (1916-2009), and John Cederquist (b. 1946). The pieces range from works of fiber, ceramics, glass, woodcarvings, and metal to furniture, jewelry, basketry, and folk art. The newly acquired works, man of which have remained out of public view until now, will be exhibited in the museum’s Farago Gallery beginning in August 2013.

This is the third major donation from Farago and her late husband, Peter to the MFA; their contributions total $2.5 million to $5 million in art and money, which prompted the museum to open the Farago Gallery in September 2011 as part of the Linde Family Wing for Contemporary Art. Edward Saywell, Chair of the Linde Family Wing, said, “Although the MFA has a distinguished history of collecting and exhibiting contemporary craft, this gift broadens and deepens our holdings in truly significant ways. The gift will be a touchstone for the collection and will be a remarkable legacy.”  

In 1932, Colonel Michael Friedsam, president of the New York City-based department store, B. Altman, bequeathed a huge portion of his estate to the Brooklyn Museum. It recently came to light that nearly a quarter of the 926 gifted works were fakes, misattributions or lacking in terms of quality. The Brooklyn Museum must now come up with a plan for the 229 pieces it no longer wants, which range from Dutch and Renaissance paintings to Chinese porcelains, jewelry, and furniture.

The museum is unable to sell the works for even the smallest profit because Colonel Friedsman’s will contains a clause stating that the museum must gain permission from the estate’s executor before deaccessioning works. Unfortunately, the last executor of Friedsman’s estate passed away in 1962. The Brooklyn Museum is currently working with the New York State attorney general’s office to maneuver around the clause. However, another clause in Friedsman’s will is proving problematic as it states that if the collection is broken up, the works should go to his brother-in-law and two friends. The museum has not yet started looking for the descendants of these three individuals as they are still working with the attorney general’s office to decide how to proceed.

The unwanted works are becoming more difficult to deal with, as the Brooklyn Museum is short on storage space. If the institution is unable to relieve itself of some of these works, they will be forced to rent additional storage spaces, which could cost the museum hundreds of thousands of dollars.  

As of 2013, California taxpayers will no longer be able to donate their income tax returns to arts programs. In 2010 and 2011, the state added a section to tax forms that allowed taxpayers to check off whether or not they wanted to donate to the California Arts Council as well as 17 other state-funded causes.

The arts option is being nixed from tax forms because it didn’t bring in enough money; the state required that at least $250,000 be donated from tax returns for it to remain on the document. At the end of November 2011, the option only brought $164,330 from 15,940 taxpayers. Arts Council officials stated that if more taxpayers were aware of the organization and its purpose, people would be quicker to donate. The Arts Council is considering getting back on the tax form for 2013, but a new bill would have to be passed in order for that to happen.

In the meantime, Arts Council officials are exploring innovative ways to garner new donations. They are currently considering ways to make specialty arts license plates more accessible to California motorists. The plates, which cost $50 for new ones and $40 for renewals, have been a huge success for the Council. In fact, officials are turning to plate sales for half of its $5.6 million budget for the current fiscal year.

The California Arts Council’s budget took a beating in 2002 and 2003 at the hands of Governor Gray Davis. The organization, which was once a $30 million-a-year agency, never rebounded from the cuts and has been surviving on about $1 million from taxpayers and another $1 million from the National Endowment for the Arts.

Thomas Hart Benton’s (1889-1975) epic mural, America Today (1930-31) has found a new home at New York’s Metropolitan Museum of Art. A sweeping panorama of American life, the work once lined a boardroom at the International-Style New School for Social Research on West 12^th Street, which was designed by the Austrian architect, Joseph Urban (1872-1933).

The 10-panel mural, which was Benton’s first major commission, ushered in a new approach to mural painting, turning to the reality of everyday life for inspiration. America Today portrays American life prior to the Great Depression and features the flappers, farmers, steel workers, and stock market moguls that are readily associated with the period. The mural remains Benton’s best-known work and a masterpiece of modern art.     

Benton, an American realist painter, drew inspiration for the mural from his travels around the United States in the 1920s. A glimpse into both rural and urban life at the time, America Today portrays the wealthy and poor as well as the progressive and traditional ideals that defined the era. While Benton did not receive a fee for the commission, the work opened the door for future commissions and helped inspire the Works Progress Administration mural programs that were implemented in the late 1930s.  

Bought by the insurance company, AXA Equitable, nearly 30 years ago, America Today was in storage before the decision to donate the work was made. However, the Met is currently without extra exhibition space and the mural won’t be on view until at least 2015 when the museum takes over the Whitney Museum of American Art’s Marcel Breuer building on Madison Avenue. The Whitney is headed to its own larger space in the meatpacking district. America Today is the first artwork that Met officials have confirmed for the Breuer building.

Major Surrealist art collectors, Ulla and Heiner Pietzsch, are hoping to donate their impressive holdings to the city of Berlin. The only problem is there doesn’t seem to be room in any of the museums for the works. Worth nearly $200 million, the Pietzsch’s collection includes pieces by Salvador Dali (1904-1989), Max Ernst, (1891-1976) Rene Magritte (1898-1967), Yves Tanguy (1900-1955), and Joan Miro (1893-1983). The result of over fifty years of fervent collecting, the Pietzsch’s collection is currently hanging on the walls of their home in a suburb of Berlin.

The Pietzsches lent their collection to Berlin’s Neue Nationalgalerie for an exhibition in 2009. The show drew almost 200,000 visitors and proved that their holdings would be an asset to the city’s art offerings. Upon seeing the public’s high level of interest in their collection, the Pietzsches decided to donate the works to Berlin after their deaths; their only stipulation is that the works be kept on permanent display.

Earlier this year, officials suggested moving the Berlin’s Old Master paintings to make room for 20^th century works but an online petition and spate of angry newspaper columns ensued. Authorities are currently working on plans to accommodate the gift.

One option currently being explored is the construction of an entirely new museum to house the Old Masters collection. If the city decides to do so, the Gemaeldegalerie at Potsdamer Platz would be freed up for 20^th century art, including the Pietzsch’s collection. Currently, the only space in Berlin for 20^th century art is at the Ludwig Mies van der Rohe-designed Neue Nationalgalerie. However, the space is too small to display all of Berlin’s holdings, much less the Pietzsch’s expansive collection.

Officials aim to release alternative plans to accommodate the Pietzsch gift during the first half of 2013.

The children of the New York art dealer, Ileana Sonnabend, have donated Robert Rauschenberg’s mixed media assemblage, Canyon (1959), to the Museum of Modern Art in New York. While the acquisition is a welcomed addition to MoMA’s existing Rauschenberg collection, the work wasn’t always so warmly regarded.

The Sonnabend heirs received Canyon after their mother’s death in 2007 and the work was soon at the center of a battle between MoMA and the Metropolitan Museum of Art, where the piece had been displayed intermittently since 2005. MoMA ramped up its efforts and promised to add Ms. Sonnabend’s name to the Founders Wall in the museum’s lobby. Officials also vowed to mount an entire show devoted to Canyon as well as Sonnabend, an important player in the modern art movement. While the Met made offers of their own, the Sonnabend family ultimately decided that MoMA was the right home for the work considering the expansive Rauschenberg collection already in the institution’s possession.

Sadly, this is not the first dramatic episode Canyon has been involved in. When the Sonnabend children inherited the work five years ago, appraisers valued the assemblage at $0. The presence of a stuffed bald eagle, a bird that is protected by federal laws, halted any possible sales of trades involving the work. The I.R.S., on the other hand, shrugged this off and claimed that Canyon was worth $65 million and demanded that Sonnabend’s family pay $29.2 million in taxes and another $11.7 million in penalties.

Eventually, a settlement was worked out and I.R.S. dropped all tax charges. In order for this to happen, the Sonnabends were required to donate Canyon to a museum where it could be put on public display. Canyon will be on view at MoMA beginning today, November 28.

Uzbekistan seems an unlikely venue for a rare Pablo Picasso exhibition, but Tashkent’s State Arts Museum currently has 12 “forgotten” ceramics by the artist on view. The works were first exhibited in Tashkent in the 1960s and have remained in storage since then. While it is not clear why the pieces have remained out of sight for so long, some suggest that they may have been forgotten.

Uzbekistan is known for its own pottery and ceramics industry and is well known for its art collection as it has long been used by wealthy Russians to house valuable artworks, many of which were taken there during World War II for safe keeping.

The French painter and close friend of Picasso, Fernand Leger, and his wife, Nadya, originally owned the 12 ceramic pieces. When Leger died in 1955, Nadya decided to donate the works to museums in the former Soviet Union.

While most people associate Picasso with his paintings and drawings, he produced more than 2,000 ceramic pieces between 1947 and 1948.

Art collector, philanthropist, and financier, Eli Broad, announced this week that he will donate 19 works to the Eli and Edythe Broad Art Museum at his alma mater, Michigan State University. The contemporary art museum is slated to open on November 10^th. Designed by the architect, Zaha Hadid, the 46,000-square-foot museum was expected to open in April but was delayed due to construction.

Broad’s donation includes a large-scale piece, Containment 1, by the American sculptor Roxy Paine that will be displayed outdoors. There are other works by various artists including Robert Longo, Elizabeth Murray, Terry Winters, and Jonathan Lasker, which are worth around $2 million collectively.

Broad donated $28 million for the museum, with $21 million going toward construction and $7 million for acquisitions, exhibitions, and other functions. Michael Rush, the museum’s director, is curating the inaugural show.