Displaying items by tag: discovered

A long-lost painting by the Spanish Baroque artist Sebastián de Llanos Valdés, which was missing for over 70 years, has been discovered in the UK, after an unidentified individual tried to consign "Penitent Maria Magdalena" to Christie's, according to a DPA report. However, the Staatliche Museum Schwerin, which owns the painting, had previously entered the artwork into Germany's centralized "Lost Art" database for stolen artworks. Since the attempted sale the museum and auction house were able to negotiate the work's return; with the individual who found and consigned the Valdés reportedly being offered a reward by way of compensation.

The artist was born in Seville, and was a pupil of Francisco Herrera the Elder, he worked chiefly for private patrons. In 1660, the artist actively supported Bartolomé Esteban Murillo in founding the Academia de Bellas Artes (Academy of Art), afterwards making frequent donations of oil and other materials for the students' use.

It was the most valuable piece of artwork ever identified in the 36-year history of the Antiques Roadshow.

But the triumph of discovering a rare 17th-century Van Dyck painting was deflated last night after the work failed to sell at auction.

Fiona Bruce, the show's presenter, first spotted the oil painting in December last year and had a hunch it could be a genuine piece by the Flemish artist. After restoration work the painting, called "Head Study of a Man in a Ruff," was verified by a leading authority on Van Dyck.

Agents from the Agencia Tributaria—the Spanish IRS—announced the find of a priceless Van Gogh which disappeared from the Kunsthistorisches Institut in Vienna, Austria. Dated in 1889, the painting "Cypress, sky and field" was discovered in a safe deposit box that belonged to a Spanish fraudster.

According to El Mundo (in Spanish), the 13.7 x 12.6-inch (35 x 32-centimeter) unframed painting has been authenticated by two art experts from the Spanish Ministry of Culture.

An extremely rare Fabergé statuette depicting a royal Russian bodyguard was recently discovered in an attic in Rhinebeck, NY. The work, which was believed to have been lost, is one of 50 sculptures in semiprecious stones and gold produced by the Fabergé workshop.

 The statuette was acquired by a collector from the dealer and industrialist Armand Hammer in the 1930s and re-emerged this summer complete with original receipts when a descendant’s estate was emptied. The work depicts Nikolai N. Pustynnikov, bodyguard to Empress Alexandra, the wife of Nikolai II, Russia’s last Tsar.

 Stair Galleries in Hudson, NY will auction the work on October 26; it is expected to sell for $500,000 to $800,000.

A painting potentially by the Italian Renaissance master, Leonardo da Vinci, was discovered is a Swiss bank vault holding a private collection of 400 paintings. The work closely resembles a 15^th century sketch by da Vinci of the Italian noblewoman Isabella d’Este, which is in the Louvre’s collection. If proven to be authentic, the painting could bring a long-running scholarly debate to a close. For centuries art historians debated whether or not da Vinci went on to paint a version of the sketch of d’Este, one of the most influential figures in art and fashion during her time.    

Carlos Pedretti, a professor emeritus of art history at the University of California Los Angeles and a da Vinci expert, told the Italian newspaper Corriere della Sera, “There are no doubts that the portrait is the work of Leonardo. I can immediately recognize da Vinci’s handiwork, particularly in the woman’s face.” Carbon dating conducted at the University of Arizona confirmed with 95% accuracy that the artwork was painted between 1460 and 1650, the time period when da Vinci is believed to have met and sketched d’Este. Further testing indicated that the pigments and primer used in the work match the ones the artist used throughout his career. Some scholars are more hesitant to say that the newly discovered work is an authentic da Vinci as it was painted on canvas rather than wood panels, which were favored by the master.

There are only 15 to 20 artworks in the world that have been properly attributed to da Vinci.

Back in January, a 17^th century masterpiece was discovered at Paris’ legendary Ritz hotel, which is currently undergoing a major $267.5 million renovation. Olivier Lefeuvre, a specialist in the period at Christie’s France, first spotted the work, which is by the French painter and court artist of Louis XIV, Charles Le Brun (1619-1690). How the painting ended up in the Ritz remains a mystery, as the hotel archives lack any reference to the work.

The 400-year-old painting was sold by auction house Christie’s on Thursday, April 18, 2013 to New York’s Metropolitan Museum of Art for $1.88 million. The Met does not have any other works by Le Brun so the acquisition will be a welcomed addition to the museum’s collection of 17^th century paintings. The masterpiece is expected to go on display at the Met at the end of May.

The painting, which depicts the killing of Trojan princess Polyxena after she was linked to the death of Achilles, had hung in one of the suites at the Ritz that designer Coco Chanel lived in for over 30 years. Proceeds from the sale will go to the foundation established by Ritz owner Mohamed Al Fayed in memory of his son Dodi, the late boyfriend of Princess Diana.

To celebrate their sponsorship of the George Caleb Bingham Catalogue Raisonné Supplement, Rachel Cozad Fine Art in Kansas City, MO presents an exhibition of four paintings by the American artist George Caleb Bingham (1811-1879). Three of the paintings on view were recently discovered and have never been on public display. The works on view, which have been added to the artist’s updated Catalogue Raisonné, are Baiting the Hook, Horse Thief, and two portraits.

Since 2005, 15 newly authenticated paintings by Bingham have been added to his oeuvre of approximately 500-recorded paintings. Renowned art historian E. Maurice Bloch and the University of Missouri Press first published The Paintings of George Caleb Bingham: A Catalogue Raisonné in 1986; the comprehensive Catalogue included all of Bingham’s known paintings at the time of publication. In 2005, art historian Fred R. Kline and the Kline Art Research Associates launched The George Caleb Bingham Catalogue Raisonné Supplement. The ongoing project is aimed at updating Bloch’s Catalogue while maintaining the high standard of scholarship on Bingham’s life and work that Bloch set in motion.

 Rachel Cozad Fine Art, which specializes in modern and contemporary art as well as 19^th and 20^th century American art, has a special focus devoted to Bingham. Bingham, who is best known for his paintings of American life on the frontier along the Missouri River, was a pioneer Luminism, a landscape painting style characterized by its careful depiction of light, the use of aerial perspective, and the practice of concealing visible brushstrokes.

A painting by the 17^th century Flemish Baroque artist, Anthony van Dyck (1599-1641), was discovered in a storage room belonging to the Bowes Museum in England. Portrait of Olive Boteler Porter was purchased by the Bowes Museum’s founders, John and Josephine Bowes, in 1866 and has been in the institution’s collection since it opened to the public in 1892.

The painting’s poor condition led museum officials to record it in files as ‘School of van Dyck’ rather than an original van Dyck masterpiece. Relegated to a storage room, the work was discovered when it was photographed earlier this year for a project committed to putting all of the UK’s publically owned oil paintings on a single website. Art historian and dealer, Dr. Bendor Grosvenor, who is working on the digital venture, recognized the wrongly identified painting as an original Van Dyck.

The oil on canvas painting features the expert drapery and coloring often present in van Dyck’s female portraits from the 1630s. Originally thought to be a painting of Queen Henrietta Maria, additional research identified the sitter as Olive Boteler Porter, the queen’s lady-in-waiting and the wife of van Dyck’s friend and patron Endymion Porter.

After being examined by various van Dyck scholars, the painting has been authenticated. The recently restored masterpiece is now on view at the Bowes Museum.

A stone sculpture of what appears to be a goddess was uncovered in Brooklyn, NY last summer at the site of an old spice warehouse hub. Local developer, Two Trees Management Company, discovered the sculpture while building a mixed-use tower at the location.

The armless nude who measures about three feet tall and weighs approximately 400 pounds, was trapped in demolition debris from the mid-20^th century. Excavating equipment damaged the sculpture, affectionately named Ginger, before anyone noticed it. Other artifacts such as 18^th century foundation stones and pottery shards were also found at the site.

Experts believe that Ginger could have originally served as a garden ornament, brothel advertisement or ship ballast and that the sculptor was most likely not formally trained. Scientists will analyze Ginger this spring in hopes of learning more about the artwork’s maker and age. Until then, Ginger will remain on view at the Two Trees headquarters.

Staff members at the Picasso Museum in Barcelona, Spain discovered an early portrait by Pablo Picasso (1881-1973) while restoring a different work by the 20^th century Spanish artist. Workers removed the cardboard backing on Portrait of the Artist’s Mother (1896), which was executed by a 15-year-old Picasso, revealing a charcoal drawing of a man with a pipe.

Reyes Jimenez, head of restoration at the Picasso Museum, believes that the charcoal work is older than the portrait of the artist’s mother. The charcoal drawing is an important piece because it illustrates Picasso’s artistic tenacity as well as his mastery of challenging techniques from a young age. The newly discovered drawing suggests that Picasso’s early knowledge was greater than previously believed.

The Picasso Museum, which opened to the public in 1963, houses one of the most extensive collections of artworks by Picasso. It was the first museum dedicated solely to the work of Picasso and the only one created during the artist’s lifetime.